Reenactments

In Reenactments, poet Hai-Dang Phan explores the history, memory, and legacy of the Vietnam War from his vantage point as a second-generation Vietnamese American. Woven throughout the poems is a narrative of his family’s exodus from Vietnam that beautifully elucidates the American record of immigration, dislocation, inheritance, and ultimately hope. The poems are persuasively varied in their approach. The past and present, the remembered and imagined, all intersect at shifting angles, providing bold new perspectives. And, in a fresh move, Phan widens the lens, interspersing translations of several other contemporary Vietnamese poems to the mix. This subtle and moving debut is an important addition to the literature of immigration.

In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.

This captivating title offers a rare view into the world of battle reenactors, actors who bring history to life by playing the roles of those from the past. Readers learn about the past, present, and future of the craft. The book then teaches readers how to get started in battle reenactments, including which groups to join and where to find the appropriate costumes. Finally, the book guides readers on how to turn reenactment from hobby to a job and make money from performances. For anyone interested in theater or the performing arts, battle reenactment is a great way to go.

Long dismissed as the domain of hobbyists and obsessives, historical reenactment—the dramatization of past events using costumed actors and historical props—has only in recent years attracted serious attention from scholars. Drawing on examples from around the world, Historical Reenactment offers a fascinating, interdisciplinary exploration of this cultural phenomenon. With particular attention to reenactment’s social and pedagogical dimensions, it develops a robust definition of what the practice constitutes, considers what methodological approaches are most appropriate, and places it alongside museums and memorial sites as an object of analysis.

Confederates in the Attic meets The Year of Living Biblically in a funny and original memoir In Arkansas, there is a full-scale Roman fort with catapults and ramparts. In Colorado, nearly a hundred men don Nazi uniforms to fight the battle of Stalingrad. On the St. Lawrence River, a group of dedicated history buffs row more slowly than they can walk—along with author Charlie Schroeder, who is sweating profusely and cursing the day he got a book deal. Taking readers on a figurative trip through time and a literal journey across America, Man of War details an ordinary guy's attempt to relearn history by experiencing it. Embedding with his fellow countrymen, Charlie Schroeder jumps headlong into the idiosyncratic world of historical reenactment. From encounters with wildlife and frostbite to learning more than he ever expected about guns, ammo, and buttons, Schroeder takes readers to the front lines of bloodless battles in order to show exactly how much the past has to teach us all about our present (and explain why anyone would choose to wear wool in a heat wave).

'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University 'I have often wondered where the big, important, paradigm-changing book about re-enactment is: Schneider’s book seems to me to be that book. Her work is challenging, thoughtful and innovative and will set the agenda for study in a number of areas for the next decade.' - Jerome de Groot, University of Manchester Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears. Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the "America" plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramovic ́ and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the "original."

The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media.

Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the relationship between realism and affect.