Reinventing Eastern Europe Imaginaries Identities And Transformations

This edited collection brings together a wide range of topics that shed light on the social, cultural, economic, political and spatio-temporal changes influencing post-socialist cities of Eastern Europe. Different case studies are presented through papers that were presented at the Euroacademia International Conference series. Imaginaries, identities and transformations represent three blocks for understanding the ways in which visual narratives, memory and identity, and processes of alterity shape the symbolic meanings articulated and inscribed upon post-socialist cities. As such, this book stimulates a debate in order to provide alternative views on the dynamics, persistence and change broadly shaping mental mappings of Eastern Europe. The volume offers an opportunity for scholars, activists and practitioners to identify, discuss, and debate the multiple dimensions in which specific narratives of alterity making towards Eastern Europe preserve their salience today in re-furbished and re-fashioned manners.

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This book provides insight into the topic of place and territorial identity, which involves both the dimension of collective belonging and the politics of territorial planning and enhancement. It considers the social, economic and political effects of territorial identity representations among others in terms of mystification, spatial fetishism, and the creation of place and territorial stereotypes. A mixed methodology is employed to research case studies at diverse territorial scales which are relevant to the impact of a variety of factors on place/territorial identity processes such as migration, political and economic changes, natural disasters, land use changes, etc. Visual imagery, constructing visual discourses and living within visual cultures are placed in the foreground and refer to among others the changes and challenges introduced by the Internet and social networks in place/territory representations and self-representations; identity politics and its impact on place/territorial identity representations; discourses in shaping representations and self-representations of territorial/place-based identities related to collective memory, cultural heritage, invented tradition, imagined communities and other key notions.

This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban, and societal relationships of Manifesta – European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era. Despite being one of the most important recurrent exhibitions taking place in Europe, surprisingly little has been written about it since the mid-2000s, Manifesta, Art, Society and Politics provides a deeply-researched and engaging analysis of the the critically overlooked Manifesta exhibitions, as well as it's changing goals and discourse since the first edition in 1996. The book is split into four parts, divided by theme and following the exhibitions chronologically. Providing a comprehensive overview of one of the most important biennials in Europe, Manifesta, Art, Society and Politics investigates the relationship between large-scale art exhibitions, culture-led regeneration, and urban transformation. It is essential reading for students and researches of exhibition and curatorial studies, art history, and cultural studies.

This book is a comprehensive and dispassionate analysis of the intriguing Macedonian Question from 1878 until 1949 and of the Macedonians (and of their neighbours) from the 1890s until today, with the two themes intertwining. The Macedonian Question was an offshoot of the wider Eastern Question – i.e., the fate of the European remnants of the Ottoman Empire once it dissolved. The initial protagonists of the Macedonian Question were Greece, Bulgaria and Serbia, and a Slav-speaking population inhabiting geographical Macedonia in search of its destiny, the largest segment of which ended up creating a new nation, comprising the Macedonians, something unacceptable to its three neighbours. Alexis Heraclides analyses the shifting sands of the Macedonian Question and of the gradual rise of Macedonian nationhood, with special emphasis on the Greek, Bulgarian and Serbian claims to Macedonia (1870s–1919); the birth and vicissitudes of the most famous Macedonian revolutionary organization, the VM(O)RO, and of other organizations (1893–1940); the appearance and gradual establishment of the Macedonian nation from the 1890s until 1945; Titos’s crucial role in Macedonian nationhood-cum-federal status; the Greek-Macedonian name dispute (1991–2018), including the ‘skeletons in the cupboard’ – the deep-seated reasons rendering the clash intractable for decades; the final Greek-Macedonian settlement (the 2018 Prespa Agreement); the Bulgarian-Macedonian dispute (1950–today) and its ephemeral settlement in 2017; the issue of the Macedonian language; and the Macedonian national historical narrative. The author also addresses questions around who the ancient Macedonians were and the fascination with Alexander the Great. This monograph will be an essential resource for scholars working on Macedonian history, Balkan politics and conflict resolution.

Diversity of Belonging in Europe analyzes conflicting notions of identity and belonging in contemporary Europe. Addressing the creation, negotiation, and (re) use of diverse spaces and places of belonging, the book examines their fascinating complexities in the context of a changing Europe. Taking an innovative interdisciplinary approach, the volume examines renegotiations of belonging played out through cultural encounters with difference and change, in diverse public spaces and contested places. Highlighting the interconnections between social change and culture, heritage, and memory, the chapters analyze multilayered public spaces and the negotiations over culture and belonging that are connected to them. Through analyses of diverse case studies, the editors and authors draw out the significance of the participation or exclusion of differing community, grassroots, and activist groups in such practices and discourses of belonging in relation to the contemporary emergence of identity conflicts and political uses of the past across Europe. They analyze the ways in which people’s sense of belonging is connected to cultural, heritage, and memory practices undertaken in different public spaces, including museums, cultural and community centres, city monuments and built heritage, neglected urban spaces, and online fora. Diversity of Belonging in Europe provides a valuable contribution to the existing bodies of work on identities, migration, public space, memory, and heritage. The book will be of interest to scholars and students with an interest in contested belonging, public spaces, and the role of culture and heritage. Susannah Eckersley is Senior Lecturer at Newcastle University, UK, an Associated Research Fellow at the Leibniz Centre for Contemporary History (ZZF) in Potsdam, Germany, and the Project Leader of en/counter/points – a collaborative European research project on public spaces and belonging funded by HERA. Her expertise is in memory, museums, difficult heritage, migration, identities, and belonging. Claske Vos is an anthropologist and Assistant Professor in the Department of European Studies at the Humanities Faculty of the University of Amsterdam, the Netherlands. Her current work focuses on the intersection of EU funding, cultural activism, and enlargement. Her expertise is in European cultural policy, cultural heritage, Southeast Europe, and European identity formation.

European cultural heritage is inherently complex and layered. In the past, conflicting or controversial perspectives on different historical memories and experiences have been colliding in the rich cultural landscape of Europe and continue to do so in the present. Contemporary projects of re-activation of contentious spaces seem to challenge both the traditional design parameters and the role of spatial practitioners. They require new strategies that effectively mix top-down and bottom-up impulses, through a new design approach that is still in search of a clear definition. Contested Spaces, Concerted Projects collects the stories of some selected cases of difficult built heritage, in order to highlight the most innovative methodologies of re-activation, by which architects, artists, designers and collectives have developed new participatory public interfaces.