Relief Sculpture Of The Mausoleum At Halicarnassus

The Mausoleum at Halicarnassus was one of the Seven Wonders of the World. This is the first complete catalogue of its friezes and other decorative reliefs. Detailed descriptions are illustrated by hundreds of previously unpublished photographs. Also discussed are the discovery of the Mausoleum and the controversy about who carved its friezes.

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.

The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles,the book also revisits the style and the personal contributions of the great masters.

The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.

Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.

The Mausoleum at Halicarnassus restored in conformity with the recently discovered remains