Religion The Basics

From the local to the global level, religion is – more than ever – an important and hotly debated part of modern life in the twenty-first century. From silver rings to ringtones and from clubs to headscarves, we often find the cultural role and discussion of religion in unexpected ways. Now in its second edition, Religion: The Basics remains the best introduction to religion and contemporary culture available. The new edition has been fully revised and updated, and includes new discussions of: the study of religion and culture in the twenty-first century texts, films and rituals cognitive approaches to religion globalization and multiculturalism spirituality in the West popular religion. With new case studies, linking cultural theory to real world religious experience and practice, and guides to further reading, Religion: The Basics is an essential buy for students wanting to get to grips with this hotly debated topic.

Anthropology of Religion: The Basics is an accessible and engaging introductory text organized around key issues that all anthropologists of religion face. This book uses a wide range of historical and ethnographic examples to address not only what is studied by anthropologists of religion, but how such studies are approached. It addresses questions such as: How do human agents interact with gods and spirits? What is the nature of doing religious ethnography? Can the immaterial be embodied in the body, language and material objects? What is the role of ritual, time, and place in religion? Why is charisma important for religious movements? How do global processes interact with religions? With international case studies from a range of religious traditions, suggestions for further reading, and inventive reflection boxes, Anthropology of Religion: The Basics is an essential read for students approaching the subject for the first time.

Religion and Film: The Basics is an accessible and engaging introduction to the history, diverse approaches, and ideas associated within the study of religion and film. Referencing films from around the world from the early 20th century to the present day, this unique introduction includes the following topics: the history and dynamics of religion and film various methods to approach religion and film the evolution of religion and film scholarship film genre and theory world religions and film unique themes—from race and gender roles to karma and redemption A fascinating range of films are discussed, from early silent films such as Hypocrites to recent releases such as Minari. Five genres are explored, including horror in The Wicker Man (UK) and Let the Right One In (Sweden), and world religions are analyzed in films such as OMG, The Big Lebowski, and Malcolm X. Tropes examined include gender in Water, karma in It’s a Wonderful Life, death in Biutiful, redemption in Magnolia, and evil in Get Out. With helpful features including recommendations for further study and key films to view, this book is an ideal starting point for students approaching religion and film for the first time as well as those interested in learning more about the field while broadening their methods, knowledge of film, and their film canon.

Intelligent Design vs. the New Atheists.

This unique guide provides a comprehensive and jargon-free introduction to the world of religion. It is the ideal first step in understanding the subject, suitable for both the interested reader and the new student.

The Basics of World Religion is uniquely designed to introduce students to fundamental concepts in world religion. The text provides the critical information students need to grasp the basics of religion and build upon that knowledge in more advanced courses. The text begins with an introduction to religion as a concept, practice, and academic discipline, and outlines the four key types of religion and major world religions. The proceeding chapter addresses various aspects and types of ancient and indigenous religions including shamanism, divination and astrology, creation stories, and more. Dedicated chapters explore branches, belief systems, common myths, and holidays of Islam, Judaism, Christianity, Hinduism, Buddhism, Jainism, Daoism, Confucianism, Shinto and Korean religion, and Sikhism. The book concludes with a chapter that outlines new and emerging religions. Throughout, students are exposed to illustrations and photos of religious rituals, figures, and houses of worship in the United States to bring the content to life. Lively, humorous, and engaging in its presentation of material, The Basics of World Religion is an ideal resource for introductory undergraduate courses in religion. Christopher D. Martinez holds a Ph.D. in adult education and a master's degree in religious studies. He has traveled the world studying religions and collecting artifacts. Dr. Martinez has also applied key learning strategies and developed curriculum for several colleges and universities. He is an adjunct faculty member in the Department of Religion at St. Petersburg College. Dr. Martinez is the author of Survival Guide for the End of the World, a guidebook on how to survive the end-of-times scenarios of the world's great religions.

Is religion the same as culture? How does it fit with life in the modern world? Do you have to 'believe' to be part of one? From televangelism in the American South to the wearing of hijab in Britain and Egypt; from the rise of paganism to the aftermath of September 11th, this accessible guide looks at the ways in which religion interacts with the everyday world in which we live. A comprehensive introduction to the world of religion, it includes: * religion and culture * how power operates in religion * gender issues * the role of belief, rituals, and religious texts * religion in the contemporary world Religion: The Basics offers an invaluable and up-to-date overview for anyone wanting to find out more about this fascinating subject.

Digital Religion: The Basics explores how digital media and internet platforms are transforming religious practice in a digital age and the impact this has had on religious culture in contemporary society. Through exploring six defining characteristics of how religion is acted out online, including multisite reality, convergence practice, networked community, storied identity, shifting authority, and experiential authenticity, the book considers how digital religion both shapes, and is influenced by, religion offline. Questions asked include: How is religion being performed and reimagined through digital media and cultures? In what ways do the practices of religion online merge or correspond with shifts in perspective taking place in offline religious practice? How do the key findings of religion online reflect broader social, cultural, and structural practices observed within mobile, networked society? With case studies and further readings, Digital Religion: The Basics is a must-read for students wanting to come to grips with how religion is changing and experienced through digital media.