Renaissance Ramblings

Sourcebook for selecting and ordering fabrics, trimmings, wallpapers, paint, tiles and flooring for interior design.

1456, the night of Vlad’s coronation: a dastardly plot, a joint venture between the Ottoman Empire and Catholic Hungary to kill the Impaler’s beloved, sets off some of the worst atrocities in history, enshrining the name Dracula as a synonym for terror. He drank the blood of his victims, and filled the castles of the land with wretches destined for the stake: Scourge of the Saxons, champion of the peasants, national hero who saved his country from Islamic conquest, Vlad was all of these, and much, much more... His name has become a byword for cruelty, Vlad’s draconian policies the horror of Europe. But who was the man behind the legend? Written off by historians, the Dacians were thought to have vanished immediately after the Roman conquest of Dacia, but Vlad, Son of the Devil, would revive the ancient Gaulish pride, bringing hope to the oppressed Wallach remnants of Transylvania through a dastardly series of impalements: he would become known in Romanian as Vlad Țepeș, the Impaler! A man more terrifying than any vampire.

This Book Covers Various Topics Concerning Modern European History. In Spite Of The Author S Artistically Simple Writing Style The Treatment Given To Various Topics Is Indepth And Scholarly.Besides The Incidents And Episodes Addressing To Important Historical Figures, Movements, Struggles, Dreams And Aspirations Of Common Man Are Also Highlighted In This Book. All The Events Dealt With Are, In Fact, Forming A Sequence Targeting Towards Contemporary Socio-Political Scenario. The Present Book Would Be Of Great Use To Research Scholars, Students And Teachers Interested In European History. It Would Definitely Fill The Gap In The Literature Concerning Modern Europe.

It is commonly assumed that the creation story of Genesis and its chronology were the only narratives openly available in medieval and early modern Europe and that the discovery of geological time in the eighteenth century came as a momentous breakthrough that shook the faith in the historical accuracy of the Bible. Historians of science, mainstream geologists, and Young Earth creationists alike all share the assumption that the notion of an ancient Earth was highly heterodox in the pre-modern era. The old age of the world is regarded as the offspring of a secularized science. In this book, Ivano Dal Prete radically revises the commonplace history of deep time in Western culture. He argues that the chronology of the Bible always coexisted with alternative approaches that placed the origin of the Earth into a far, undetermined (or even eternal) past. From the late Middle Ages, these notions spread freely not only in universities and among the learned, but even in popular works of meteorology, geology, literature, and art that made them easily accessible to a vernacular and scientifically illiterate public. Religious authorities did not regard these notions as particularly problematic, let alone heretical. Neither the authors nor their numerous readers thought that holding such views was incompatible with their Christian faith. While the appeal of theories centered on the biblical Flood and on a young Earth gained popularity over the course of the seventeenth century, their more secular alternatives remained vital and debated. Enlightenment thinkers, however, created a myth of a Christian tradition that uniformly rejected the antiquity of the world, as opposed to a new secular science ready to welcome it. Largely unchallenged for almost three centuries, that account solidified over time into a still dominant truism. Based on a wealth of mostly unexplored sources, On the Edge of Eternity offers an original and nuanced account of the history of deep time that illuminates the relationship between the history of science and Christianity in the medieval and early modern periods, with lasting implications for Western society.

A Brief Literary History of Disability is a convenient, lucid, and accessible entry point into the rapidly evolving conversation around disability in literary studies. The book follows a chronological structure and each chapter pairs a well-known literary text with a foundational disability theorist in order to develop a simultaneous understanding of literary history and disability theory. The book as a whole, and each chapter, addresses three key questions: Why do we even need a literary history of disability? What counts as the literature of disability? Should we even talk about a literary aesthetic of disability? This book is the ideal starting point for anyone wanting to add some disability studies to their literature teaching in any period, and for any students approaching the study of literature and disability. It is also an efficient reference point for scholars looking to include disability studies approaches in their research.

Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.