Rending The Curtain

Developed by a messianic Jew, this eight-week, daily bible study leads participants on a journey into the Old Testament Day of Atonement (Yom Kippur). Through this sacred ritual - still the most holy day on the Jewish calendar - God painted a vivid picture of the coming Great High Priest and His ultimate sacrifice on the Cross. Explore the foreshadowing and fulfillment of the majestic Tabernacle, the ancient priesthood, and the sacrificial blood of Leviticus 16. This study is ideal for either individual or group study; a facilitator's edition is available. (This is a standard paperback version; the study is also available in a spiral-bound format on Lulu.com)

In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.

How much concealment, camouflage, artifice and deceit has been employed in religion? This book critically examines the role of secrecy in the history of religions, each essay presenting an aspect from a specific cultural context. Some of the common features of esotericism as a cross-cultural phenomenon emerge.

A profound exploration of how to hold on to hope when our unchanging faith collides with a changing culture, from two respected Christian storytellers and thought leaders. “Offers neither spin control nor image maintenance for the evangelical tribe, but genuine hope.”—Russell Moore, president of ERLC As the pressures of health warnings, economic turmoil, and partisan politics continue to rise, the influence of gospel-focused Christians seems to be waning. In the public square and popular opinion, we are losing our voice right when it’s needed most for Christ’s glory and the common good. But there’s another story unfolding too—if you know where to look. In Gospelbound, Collin Hansen and Sarah Eekhoff Zylstra counter these growing fears with a robust message of resolute hope for anyone hungry for good news. Join them in exploring profound stories of Christians who are quietly changing the world in the name of Jesus—from the wild world of digital media to the stories of ancient saints and unsung contemporary activists on the frontiers of justice and mercy. Discover how, in these dark times, the light of Jesus shines even brighter. You haven’t heard the whole story. And that’s good news.

A chilling yet redemptive post-apocalyptic debut that examines community, motherhood, faith, and the importance of telling one's own story. When 95 percent of the earth's population disappears for no apparent reason, Mira does what she can to create some semblance of a life: She cobbles together a haphazard community named Zion, scavenges the Piles for supplies they might need, and avoids loving anyone she can't afford to lose. She has everything under control. Almost. Four years after the Rending, Mira's best friend, Lana, announces her pregnancy, the first since everything changed and a new source of hope for Mira. But when Lana gives birth to an inanimate object--and other women of Zion follow suit--the thin veil of normalcy Mira has thrown over her new life begins to fray. As the Zionites wrestle with the presence of these Babies, a confident outsider named Michael appears, proselytizing about the world beyond Zion. He lures Lana away and when she doesn't return, Mira must decide how much she's willing to let go in order to save her friend, her home, and her own fraught pregnancy. Like California by Edan Lepucki and Station Eleven by Emily St. John Mandel, The Rending and the Nest uses a fantastical, post-apocalyptic landscape to ask decidedly human questions: How well do we know the people we love? What sustains us in the midst of suffering? How do we forgive the brokenness we find within others--and within ourselves?

Susan Garrett focuses on the theme of the temptation and testing of Jesus, as reflected in the Gospel of Mark, arguing that by his endurance Jesus opened up the path and provides the example for those who follow the "way of the Lord.

With the immortal denizens of the subterranean Lightworld and Darkworld societies locked in battle, the heiress to the Faery throne is exiled to the Human realm above. Accompanied to the Upworld by her mother's trusted advisor, Cerridwen is bound for Eire--and the last Fae stronghold on Earth. But even this fabled colony is no true haven. In the absence of the true Fae monarch, the formidable Queene Danae established herself as ruler--and she does not wish to relinquish her power, especially over the devout Humans who live among the Fae as servants. Torn between her own beliefs and the ideals her mother died for, Cerridwen searches for clues to her destiny--is it on Earth among the Humans, or beyond an ethereal portal, in the immortals' ancestral home? Neither path can avert bloodshed--and the choice may not be hers to make.

"Impossible to put down. It haunts me still.” -Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir A riveting, deeply personal exploration of the opioid crisis-an empathic memoir infused with hints of true crime. In November 2013, Rose Andersen's younger sister Sarah died of an overdose in the bathroom of her boyfriend's home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old. To imagine her way into Sarah's life, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage and their father's pathological lying. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn. As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on. Reminiscent of Alex Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.