Report On The Buddhist Cave Temples And Their Inscriptions

The present volume provides an essential foundation for a social history of Indian Buddhist monasticism. Challenging the popular stereotype that represented the accumulation of merit as the domain of the layperson while monks concerned themselves with more sophisticated realms of doctrine and meditation, Professor Schopen problematizes many assumptions about the lay-monastic distinction by demonstrating that monks and nuns, both the scholastic elites and the less learned, participated actively in a wide range of ritual practices and institutions that have heretofore been judged 'popular,' from the accumulation and transfer of merit; to the care of deceased relatives; to serving as sponsors and donors, rather than always the recipients, of gifts; to (possibly) the coining of counterfeit currency. Taken together, the studies contained in this volume represent the basis for a new historiography of Buddhism, not only for their critique of many the idées reçues of Buddhist Studies but for the compelling connections they draw between apparently disparate details.

Drawing on a large corpus of cross-disciplinary evidence, this book sheds light on the life of the Aurangabad caves and offers new interpretations on the development of Buddhist art and practice in the region, from the diffusion of early rock-cut monasteries to the advent of Mahayana and the emergence of esoteric art and rituals.

Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.