Rewriting Eve

We wouldn’t consider letting Isis, Medusa, Pandora, or Persephone slip from our lexicon. To somehow forget the legend of Harriet Tubman, Anne Frank, or Mother Teresa would never cross our minds. And yet when it comes to the stories of Eve and other biblical characters, they are rarely known, barely appreciated, and ostensibly “lost” by most of us not deeply entwined within organized religion. Trapped in patriarchy and theological argument, dismissed as irrelevant, or viewed as unchangeable even as times change, these women’s voices, desires, and hearts have too often been silenced through misunderstanding and neglect. As result, we are as well. But when they are reimagined, deconstructed, disentangled from doctrine and dogma, and heard on their own terms, these stories become powerful inspiration and a source of discernment that reconnects us to a feminine lineage and a sovereign sense of self we’ve never known to call on or trust. In Rewriting Eve: Rescuing Women's Stories from the Bible and Reclaiming Them As Our Own Ronna Detrick invites us into the presence and power of ten sacred women, revealing the endlessly relevant ways in which they speak today and showing how they can heal, embolden, and transform our stories.

Encountering Eve's Afterlives: A New Reception Critical Approach to Genesis 2-4 aims to destabilize the persistently pessimistic framing of Eve as a highly negative symbol of femininity within Western culture by engaging with marginal, and even heretical, interpretations that focus on more positive aspects of her character. In doing so, this book questions the myth that orthodox, popular readings represent the 'true' meaning of the first woman's story, and explores the possibility that previously ignored or muted rewritings of Eve are in fact equally 'valid' interpretations of the biblical text. By staging encounters between the biblical Eve and re-writings of her story, particularly those that help to challenge the interpretative status quo, this book re-frames the first woman using three key themes from her story: sin, knowledge, and life. Thus, it considers how and why the image of Eve as a dangerous temptress has gained considerably more cultural currency than the equally viable pictures of her as a subversive wise woman or as a mourning mother. The book offers a re-evaluation of the meanings and the myths of Eve, deconstructing the dominance of her cultural incarnation as a predominantly flawed female, and reconstructing a more nuanced presentation of the first woman's role in the Bible and beyond.

A study of the many different ways ancient Jewish scribes changed, or rewrote, the sacred and authoritative traditions they inherited.

In recent years biblical scholars and students have become increasingly interested in studying retellings of biblical stories in the arts, not only for their relation to the biblical text but also for the story they have to tell (or, if they are not strictly retellings , for the light they might shed on the biblical text). The eight lively contributions to this volume illustrate a range of exciting approaches to retellings of the Bible in literature, music, art and film and reveal something of the scope of this fascinating and rapidly expanding area of inquiry.The present collection of essays appears concurrently in a special issue of the journal Biblical Interpretation. Since it was founded in 1993, Biblical Interpretation has played a key role in fostering the publication of articles in the newly developing area of the reception history of the Bible in the arts.

"These oral histories offer new versions--from Warm Springs, Chiricahua, Mescalero, and Lipan Apache--of events previously known only through descriptions left by non-Indians."--Cover.

The present volume is one of the first to concentrate on a specific theme of biblical interpretation in the Dead Sea Scrolls, namely the book of Genesis. In particular the volume is concerned with the links displayed by the Qumranic biblical interpetation to the inner-biblical interpretation and the final shaping of the Hebrew scriptures. Moshe Bar-Asher studies cases of such inner biblical interpretative comments; Michael Segal deals with the Garden of Eden story in the scrolls and other contemporary Jewish sources; Reinhard Kratz analizes the story of the Flood as preamble for the lives of the Patriarchs in the Hebrew Bible; Devorah Dimant examines this theme in the Qumran scrolls; Roman Viehlhauer explores the story of Sodom and Gomorrah; George Brooke and Atar Livneh discuss aspects of Jacob’s career; Harald Samuel review the career of Levi; Liora Goldman examines the Aramaic work the Visions of Amram; Lawrence Schiffman and Aharon Shemesh discuss halakhic aspects of stories about the Patriarchs; Moshe Bernstein provides an overview of the references to the Patriarchs in the Qumran scrolls.

Milton's contempt for women has been accepted since Samuel Johnson's famous Life of the poet. Subsequent critics have long debated whether Milton's writings were anti- or pro-feminine, a problem further complicated by his advocacy of 'divorce on demand' for men. Milton and Gender re-evaluates these claims of Milton as anti-feminist, pointing out that he was not seen that way by contemporaries, but espoused startlingly fresh ideas of marriage and the relations between the sexes. The first two sections of specially commissioned essays in this volume investigate the representations of gender and sexuality in Milton's prose and verse. In the final section, the responses of female readers ranging from George Eliot and Virginia Woolf to lesser-known artists and revolutionaries are brought to bear on Milton's afterlife and reputation. Together, these essays provide a critical perspective on the contested issues of femininity and masculinity, marriage and divorce in Milton's work.

Familial Forms is the first full-length study to examine how literary writers engaged the politics of genealogy that helped define the "century of revolution." By demonstrating how conflicts over the family-state analogy intersected with the period's battles over succession, including: the ascent of James I, the execution of Charles I, disputes over the terms of the Interregnum government, the Restoration of Charles II, the Exclusion Crisis, the deposition of James II, the ascent of William and Mary, and Anne's failure to produce a surviving heir, this study provides a new map of the seventeenth-century politics of family in England. Beginning with a reconsideration of Jacobean patriarchalism, Familial Forms focuses on the work of John Milton,Lucy Hutchinson, John Dryden, and Mary Astell. From their contrasting political and gendered positions, these authors contemplated and contested the relevance of marriage and kinship to government. Their writing illuminates two crucial elements of England's conflicts. First, the formal qualities of poems and prose tracts reveal that not only was there a competition among different versions of the family-state analogy, but also a competition over its very status as an analogy. Second, through their negotiations of linear and nonlinear forms, Milton, Hutchinson, Dryden, and Astell demonstrate the centrality of temporality to the period's political battles. Through close textual analysis of poetry, political tracts, parliamentary records, and nonliterary genealogies, Familial Forms offers a fresh understanding of the seventeenth-century politics of genealogy. It also provides new answers to long-standing critical questions about the poetic form of canonical works, such as Paradise Lost and Absalom and Achitophel, and illuminates the political significance of newly-canonical works by women writers, including Aemilia Lanyer's Salve Deus Rex Judaeoreum, Hutchinson's Order and Disorder, and Astell's A Serious Proposal to the Ladies.