Rhythm All Around

It's amazing what you'll find when you start listening for Rhythm All Around! From the sounds of someone knocking at your door to the rhythms of cooks going "Crazy in the Kitchen," you'll be both tickled and amused by the fun lyrics and concepts in this collection of unison and beginning 2-part songs. Includes reproducible song sheets, many with suggestions for rhythmic sounds and instruments. *Recommended for grades K-5. *Reproducible Student Pages included.

It's amazing what you'll find when you start listening for Rhythm All Around! From the sounds of someone knocking at your door to the rhythms of cooks going "Crazy in the Kitchen," you'll be both tickled and amused by the fun lyrics and concepts in this collection of unison and beginning 2-part songs. Includes reproducible song sheets, many with suggestions for rhythmic sounds and instruments. * Recommended for grades K-5. * Reproducible Student Pages included.

It's amazing what you'll find when you start listening for Rhythm All Around! From the sounds of someone knocking at your door to the rhythms of cooks going "Crazy in the Kitchen," you'll be both tickled and amused by the fun lyrics and concepts in this collection of unison and beginning 2-part songs. Includes reproducible song sheets, many with suggestions for rhythmic sounds and instruments. *Recommended for grades K-5. *Reproducible Student Pages included.

Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny"), Bert Williams ("Nobody"), W. C. Handy ("St. Louis Blues"), Noble Sissle, Eubie Blake ("I'm Just Wild About Harry"), and many more. Richly illustrated with rare photographs from sheet music, newspapers, and other unique sources, the book documents an entire era of performance when black singers, dancers, and actors were active on the New York stage. In sheer depth of research, new information, and full coverage, Spreadin' Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song. For anyone interested in the history of jazz, pop song, or Broadway, this book will be a revelation.

One soul, two people. Two lives, one rhythm. Robin Michaels, a middle-aged British rock-star searching for meaning. Angela Harris, a young American encountering remarkable choices. Separate personalities, individual lives — soul twins, forever tethered by a common bond of spirit. While self-conscious Robin battles his personal demons in the global spotlight, he privately reaches out for his own soul, pondering the mysterious girl in his dreams. And struggling with an enigmatic spirit guide and strange supernatural influences, Angela questions her own path — and her sanity — under the growing shadow of Robin’s celebrity. Separated by geography, gender, and a generation of years, Robin and Angela approach the same challenges from different perspectives, rooted in unconscious partnership. As each becomes more aware of this elusive other half, their independent stumblings intertwine more closely, sharing dreams, visions, and real life near misses along a collision course toward a fated meeting.

The Earth is facing another global war when thirty-one-year-old Eros Valentin receives a divine gift that could bring world peace. Eros emigrated from Puerto Rico to Los Angeles, California, and wishes to become a successful, heart-moving musician. While playing his guitar in Los Angeles's Central Park one evening, Eros protects his homeless friend, Side Bench Joe, from a trio of thugs. This same night, he magically receives a cosmic Fender Stratocaster, a unique guitar designed by the holy angels. With this gift, he forms the perfect band and brings the healing waves of rhythm back to the planet through music. Meanwhile, Side Bench Joe, who once worked as a scientist, regains his lost memory and returns to Scottsdale, Arizona, to derail the production of super weapons. Acting separately but with the same purpose, Eros and Joe work to save the world from total destruction in this fantasy novel. The Rhythm of Peace asks the question: Can music change the course of the world?

The Geometry of Musical Rhythm: What Makes a "Good" Rhythm Good? is the first book to provide a systematic and accessible computational geometric analysis of the musical rhythms of the world. It explains how the study of the mathematical properties of musical rhythm generates common mathematical problems that arise in a variety of seemingly dispara

The art of the mix creates a new language of creativity. "Once you get into the flow of things, you're always haunted by the way that things could have turned out. This outcome, that conclusion. You get my drift. The uncertainty is what holds the story together, and that's what I'm going to talk about."—Rhythm Science The conceptual artist Paul Miller, also known as Dj Spooky that Subliminal Kid, delivers a manifesto for rhythm science—the creation of art from the flow of patterns in sound and culture, "the changing same." Taking the Dj's mix as template, he describes how the artist, navigating the innumerable ways to arrange the mix of cultural ideas and objects that bombard us, uses technology and art to create something new and expressive and endlessly variable. Technology provides the method and model; information on the web, like the elements of a mix, doesn't stay in one place. And technology is the medium, bridging the artist's consciousness and the outside world. Miller constructed his Dj Spooky persona ("spooky" from the eerie sounds of hip-hop, techno, ambient, and the other music that he plays) as a conceptual art project, but then came to see it as the opportunity for "coding a generative syntax for new languages of creativity." For example: "Start with the inspiration of George Herriman's Krazy Kat comic strip. Make a track invoking his absurd landscapes...What do tons and tons of air pressure moving in the atmosphere sound like? Make music that acts a metaphor for that kind of immersion or density." Or, for an online "remix" of two works by Marcel Duchamp: "I took a lot of his material written on music and flipped it into a DJ mix of his visual material—with him rhyming!" Tracing the genealogy of rhythm science, Miller cites sources and influences as varied as Ralph Waldo Emerson ("all minds quote"), Grandmaster Flash, W. E. B Dubois, James Joyce, and Eminem. "The story unfolds while the fragments coalesce," he writes. Miller's textual provocations are designed for maximum visual and tactile seduction by the international studio COMA (Cornelia Blatter and Marcel Hermans). They sustain the book's motifs of recontextualizing and relayering, texts and images bleed through from page to page, creating what amount to 2.5 dimensional vectors. From its remarkable velvet flesh cover, to the die cut hole through the center of the book, which reveals the colored nub holding in place the included audio CD, Rhythm Science: Excerpts and Allegories from the Sub Rosa Archives, this pamphlet truly lives up to Editorial Director Peter Lunenfeld's claim that the Mediawork Pamphlets are "theoretical fetish objects...'zines for grown-ups."