Rhythm Verses

Dive into the heart of human emotion with Rhythms of Rain: Verses of Love, Loss, and Liberation. This compelling anthology invites readers on an enriching journey through the intricate labyrinth of love, longing, and the eternal pursuit of spiritual freedom. Crafted by poets who have savored life's sweetest joys and endured its bitterest sorrows, this collection resonates with the universal experiences that bind us all. Discover Reflections of Your Own Soul Within these pages lies a profound exploration of the human condition, as each poem serves as a mirror reflecting the myriad hues of the heart. From the tender whispers of love to the impassioned flames of desire, the verses within capture the essence of what it means to feel deeply. Embark on a Journey Through the Human Experience Guided by evocative imagery and insightful musings, readers will traverse the vast landscapes of existence—from the rejuvenating caress of the monsoon rains to the solemn beauty of the desert's embrace. Each poem is a window into the soul's longing for connection, understanding, and a place within the cosmos. Find Solace and Inspiration Rhythms of Rain is more than a poetry collection; it is an invitation to explore the depths of our shared humanity and the perennial quest for love, meaning, and liberation. Through the artistry of language and the emotive power of verse, this anthology offers solace, inspiration, and a deeper appreciation of the world and our place within it. A Timeless Journey Awaits Whether you're a lover of poetry or a seeker of spiritual insight, Rhythms of Rain will touch your heart and stir your soul. Join us on this journey of discovery, as we navigate the tumultuous yet beautiful waters of the human experience. Embrace the rhythm of life's rain; let it wash over you, refresh you, and lead you to the liberation you seek. Your journey through love, loss, and liberation begins here.

"The display offers a rich gateway to a variety of calligraphic styles, including Naskh & Riqqa', Ta'liq and Nasta'liq, Shikasteh and Siyah Mashq. It also highlights the contributions of such prominent and renowned calligraphers as Mir Imad (d.1615) and Dervish Abdul Majid Taliqani (d.1771). The exhibition further introduces calligraphy as a verbal expression with measured cadences, Sufi rhythms and musical scores that transcend time"--Islamic Arts Museum Malaysia.

Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.

'For editors of alliterative verse, this book is essential reading'. Susanna Fein, Speculum, lxxxv (2010), pp. 457 - 458. 'A model of meticulousness and sensible argument'. Thomas Bredehoft, Review of English Studies, lx (2009), pp. 802 - 804. The volume provides a comprehensive study of the metre of the unrhymed poems of the Alliterative Revival. It includes detailed analysis and discussion of line endings, alliterative patterning, historical grammar, the relationship between linguistic stress and beat, and presents new discoveries regarding the metrical rules of the a-verse. Readers interested in the metre and textual criticism of alliterative poems, such as Sir Gawain and the Green Knight, The Siege of Jerusalem and the Alexander fragments, will find this monograph 'an outstanding, scholarly, assured and important work' (Ruth Kennedy, Royal Holloway, University of London).

A straightforward and practical introduction to rhythm and meter in poetry in English.