Richard Foreman

The best-selling Sword of Rome novellas are collected together for the first time in one epic collection. The Sword of Rome series of novellas follow Julius Caesar and his centurion Lucius Oppius during their campaigns in Britain, Gaul and the Civil War. The stories are a blend of action, intrigue and Ancient History. 'Sword of Rome: The Complete Campaigns' includes: 'Sword of Rome: Standard Bearer'. Britain, 55 BC. Julius Caesar's invasion of the wild and mineral-rich land is becalmed, a stalemate exists between the forces of Rome and Britain. But the standard bearer of the Tenth Legion, Lucius Oppius, is about to display a depth of courage that will change the course of the invasion. 'Sword of Rome: Alesia'. Alesia, 52BC. Caesar's army stands upon the brink of annihilation, caught between two enemy armies. Oppius is ordered to venture north of Alesia to capture Vercingetorix's war chest of gold. He will be accompanied in his mission by one of Caesar's agents, the beguiling Livia - the centurion's former lover. As Caesar and Mark Antony face a battle for their lives outside the walls of Alesia, Oppius will have to fight against the odds to find and secure the gold. Yet will completing the mission exact too high a price? 'Sword of Rome: Gladiator'. Rome, 51BC. Lucius Oppius has left the battlefields of Gaul to venture to Rome. But he is about to discover the capital of the Empire can be every bit as dangerous as its provinces. Under orders from Caesar to secure an item of intelligence that will help him become a Consul again Oppius is manipulated into taking part in a gladiatorial contest. Oppius soon discovers that while in Gaul your the enemies stand before you in a shield wall in Rome they stab you in the back... 'Sword of Rome: Rubicon'. Ravenna, 50BC. Caesar's forces stand upon the borders of Gaul and Italy. The prospect of a civil war grows ever likelier each day. In Rome, Cicero attempts to secure a peace. Against him, a powerful faction in the Senate is bent upon destroying Caesar, for personal and political reasons. War hinges upon the will of Pompey, the only man capable of stopping Caesar. Caesar stands upon the banks of the Rubicon, an enemy of the state. The die is cast. An empire will now be at war, spearheaded by the two great men of the age... 'Sword of Rome: Pharsalus'. Pharsalus, 48BC. The battle will decide the fate of a civil war and empire. Caesar's forces are outnumbered, but he believes his veterans will not be outmatched. For one veteran, Lucius Oppius, the battle will be about revenge rather than glory. Oppius has vowed to avenge his father's death. His enemy is Flavius Laco - a former gladiator and an agent of Pompey the Great. Against the backdrop of one of Ancient History's most momentous battles two soldiers will wage their own personal war... Caesar, Pompey, Mark Antony, Brutus and Cicero all feature in the climax to the bestselling Sword of Rome series. Richard Foreman's books have been widely praised. Praise for 'Augustus: Son of Rome'. 'Augustus: Son of Rome forges action and adventure with politics and philosophy. This superb story is drenched in both blood and wisdom - and puts Foreman on the map as the coming man of historical fiction'. - Saul David, Author of the Zulu Hart series. Praise for 'Raffles: The Complete Innings'. "Classy, humorous and surprisingly touching tales of cricket, friendship and crime." - David Blackburn, The Spectator.

“There’s an irresistible joy to reading these plays…examining them at leisure without the urgent propulsive forward movement of the theater, reveals beauties and resonances uniquely literary.” —Oskar Eustis, Artistic Director, The Public Theater, from his foreword Plays for The Public includes: The Gods Are Pounding My Head! (AKA Lumberjack Messiah) “Richard Foreman is the ultimate theater auteur and mind-roiling warlock of avant-garde drama… Gods is an extravaganza of tightly orchestrated hallucinogenic visual effects, bruising slapstick and intense, cryptic lines… It is majestically mad and funny.” —New York Times Idiot Savant “Vintage Foreman: ravishing, perplexing, scary, a sensual and intellectual message for those weary of causality and psychology.” —Time Out New York Old-Fashioned Prostitutes “What makes Mr. Foreman’s work so entertaining is his ability to turn these classic, head-scratching concerns into phantasmagorical vaudevilles in which all the world’s a stage that keeps changing shape on you… Mr. Foreman is a grandmaster.” —New York Times This volume features the two plays sumptuously produced at The Public Theater in New York City that mark the culmination of Richard Foreman’s unstintingly inventive, astonishing career in theater, just as he was beginning to devote his creative energies entirely to filmmaking.

The thoughts and work of the legendary avant-garde director.

Richard Foreman has been creating avant-garde theatre in New York since founding his Ontological Hysteric company in 1968. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe.

The extended title of The Cherokee Physician serves as an apt summary of its contents. The book was the result of a remarkable collaboration between James Mahoney, an Irish American and native Tennesseean, and Richard Foreman, whose parental ancestry was probably Scottish and Cherokee. Typical of its time, the book dispenses moral advice as cheerfully as medical advice. Needless to say, much of its advice flies in the face of modern medical practice and should not be applied. Foreman and Mahoney warn against sitting by an open window and offer conjecture, now disproven, about the pathologies of illnesses such as yellow fever and undulant fever ("milk sickness"). On the other hand, some of its cures have come into vogue or else find modern scientific endorsement, with examples from the text including the anti-inflammatory properties of red pepper and the usefulness of the European plantain. The volume has intrigued homeopathic practitioners through the years, and attracted the interest of contemporaneous practitioners, including, for instance, one doctor who wrote to the Therapeutic Gazette (September 1881) to enthusiastically endorse its cure for "gravel" through Gravel Weed (Actinomeris Helianthoides). "Gravel" translates to kidney stones in contemporary parlance; modern homeopathic sources say little about the common flower's use as a diuretic, furnishing one example of knowledge in The Cherokee Physician that has escaped modern evaluation. The book offers, by slant, interesting ethnographic observations, equally unproven. A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available in paperback and e-book formats. Each book contains a short summary and is otherwise unaltered from the original publication. DocSouth Books provide affordable and easily accessible editions to a new generation of scholars, students, and general readers.

Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman's work remains under-explored by other practitioners. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman's previously unpublished play Georges Bataille’s Bathrobe (1983), Neal Swettenham introduces the director’s work to a new generation of readers and theatre-makers.

Richard Foreman has been at the leading edge of the theatrical avant-garde in the United States and throughout the world since 1968. His legendary productions, written and directed by him at his Ontological-Hysteric Theatre have influenced two generations of theater artists. This new anthology collects plays written and performed over six years, including Now That Communism Is Dead My Life Feels Empty, Maria del Bosco, Panic (How to Be Happy!), Bad Boy Nietzsche!, Bad Behavior and King Cowboy Rufus Rules the Universe. Richard Foreman founded the Ontological-Hysteric Theatre in 1968. The theater is currently in the historic St. Marks Church, where he rehearses and produces one of his new plays each year, each play performing for 16 weeks every winter.