Richard Pryor In Hollywood

Hollywood studios were once eager to bring stand-up comedy king Richard Pryor's dynamic humor to the big screen--so much so that studio executives gave him full access to available resources and creative control to develop his own projects. Unfortunately Pryor's screen talents were far less acclaimed than his stage ones, and flops such as The Toy and Superman III greatly diminished his reputation. The author examines how this downfall unfolded through comprehensive analyses of each of Pryor's movies.

Originally published by Pantheon Books in 1995.

A major biography—intimate, gripping, revelatory—of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family’s brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he’d known. He brought that trembling vitality to Hollywood, where his movie career—Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar—flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life. Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research—interviews with family and friends, court transcripts, unpublished journals, screenplay drafts—Scott Saul traces Pryor’s rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the “New Hollywood” of the 1970s. Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still.

“Richard Pryor was chain lightning to everything around him. He shocked the world through with human electricity. He blew all our comfortable balance to hell. And Furious Cool captures it brilliantly.” —Colum McCann, author of Let the Great World Spin Richard Pryor was arguably the single most influential performer of the second half of the twentieth century, and certainly he was the most successful black actor/comedian ever. Controversial and somewhat enigmatic during his life, Pryor’s performances opened up a whole new world of possibilities, merging fantasy with angry reality in a way that wasn’t just new—it was theretofore unthinkable. Now, in this groundbreaking and revelatory work, Joe and David Henry bring him alive again both as a man and as an artist, providing an in-depth appreciation of his talent and his lasting influence, as well as an insightful examination of the world he lived in and the myriad influences that shaped both his persona and his art. “Brothers David and Joe Henry have brought Richard Pryor back to pulsating life, affirming both his humanity and his immortality as a comic--and tragic--genius.” —The Huffington Post “A sleek, highly literate biography that places the comic in the pop-cultural context of his times.” —Bloomberg News “It would be enough if Furious Cool was a profile of Pryor’s uncanny talents, psychic turmoil, and ungovernable behavior, but it’s also a fascinating history of black comedy . . . Furious Cool captures Pryor’s frenetic routines and stage presence on the page . . . The inextricable legacy of Richard Pryor—his boldness, inventiveness, candor, and empathy—lives on.” —Los Angeles Magazine “An addictively readable study of the path of this outsized talent . . . Someday, when fewer people know Richard Pryor’s name, Furious Cool will be the best defense against the worst sort of forgetting--the kind that involves who we are now, who we loved once, and why.” —Esquire

"From renowned comedy journalist and historian Kliph Nesteroff comes the underappreciated story of Native Americans and comedy"--

"This anthology captures the spirit, zest, and cultural impact of Pryor's complex artistry."--Back cover.

“If you're black you don't need to get at anything. You're already there. You can live right out of your insides.” So says the antihero of this legendary novel that reimagines the Bible’s prodigal son as a young black man in post-Civil Rights-era America. George Washington—one of his many aliases—is a classic trickster figure, a blend of con artist, deep thinker, and willing object of white women’s sexual fantasies. Fed up with life in racist America, he leaves his rural South for Denmark on a curious quest, determined to discover if there is “any mother fucker in this despiteful world who ever told himself the truth.” In Denmark he spends his days bantering with fellow black expatriates and his nights bedding a series of white women who project their desires on him. Inevitably, these worlds collide, with Washington, aka Anthony Miller, aka Paul Winthrop, aka Mr. Jiveass Nigger, increasingly alienated in a world of opportunists. A return to America after his self-imposed exile promises transformation, but is Washington too far gone? Cecil Brown brings blistering prose, unabashed eroticism, and biting satire to this controversial masterpiece that’s as timely today as when it was first published.

In the follow-up to the shattering bestseller Out of Control; Confessions of an NFL Casualty, former Dallas Cowboys star Thomas "Hollywood" Henderson shares the story of his recovery from the abuse of alcohol and other drugs. He has been clean and sober for over 20 years and has not had a drink or done any drugs since November 8, 1983. In Control takes readers from Henderson's 1986 prison release to his current life as a community activist, philanthropist, and distributor of alcohol and drug education films to prison programs and rehabilitation centers. He also discusses how his life has changed since March 22, 2000, when he won a $28 million jackpot in the Texas lottery