Riding With Death

On the southern end of the Grand Rue, a major thoroughfare that runs through the center of Port-au-Prince, waits the Haitian capital's automobile repair district. This veritable junkyard of steel and rubber, recycled parts, old tires, and scrap metal might seem an unlikely foundry for art. Yet, on the street's opposite end thrives the Grand Rue Galerie, a working studio of assembled art and sculptures wrought from the refuse. Established by artists Andre Eugene and Jean Herard Celeur in the late 1990s, the Grand Rue's urban environmental aesthetics--defined by motifs of machinic urbanism, Vodou bricolage, the postprimitivist altermodern, and performative politics--radically challenge ideas about consumption, waste, and environmental hazards, as well as consider innovative solutions to these problems in the midst of poverty, insufficient social welfare, lack of access to arts, education, and basic needs. In Riding with Death, Jana Evans Braziel explores the urban environmental aesthetics of the Grand Rue sculptors and the beautifully constructed sculptures they have designed from salvaged automobile parts, rubber tires, carved wood, and other recycled materials. Through first-person accounts and fieldwork, Braziel constructs an urban ecological framework for understanding these sculptures amid environmental degradation and grinding poverty. Influenced by urban geographers, art historians, and political theorists, the book regards the underdeveloped cities of the global South as alternate spaces for challenging the profit-driven machinations of global capitalism. Above all, Braziel presents Haitian artists who live on the most challenged Caribbean island, yet who thrive as creators reinventing refuse as art and resisting the abjection of their circumstances.

Starting as an enigmatic street graffiti artist in New York in the late 1970s, Jean-Michel Basquiat went on to become the shooting star of the art world before succumbing to a drug overdose in 1988. This is his story.

Edwidge Danticat's prolific body of work has established her as one of the most important voices in 21st-century literary culture. Across such novels as Breath, Eyes, Memory, Farming the Bones and short story collections such as Krik? Krak! and most recently Everything Inside, essays, and writing for children, the Haitian-American writer has throughout her oeuvre tackled important contemporary themes including racism, imperialism, anti-immigrant politics, and sexual violence. With chapters written by leading and emerging international scholars, this is the most up-to-date and in-depth reference guide to 21st-century scholarship on Edwidge Danticat's work. The Bloomsbury Handbook to Edwidge Danticat covers such topics as: · The full range of Danticat's writing from her novels and short stories to essays, life writing and writing for children and young adults. · Major interdisciplinary scholarly perspectives including from establishing fields fields of literary studies, Caribbean Studies Political Science, Latin American Studies, feminist and gender studies, African Diaspora Studies, , and emerging fields such as Environmental Studies. · Danticat's literary sources and influences from Haitian authors such as Marie Chauvet, Jacques Roumain and Jacques-Stéphen Alexis to African American authors like Zora Neale Hurston, Toni Morrison, and Caribbean American writers Audre Lorde to Paule Marshall. · Known and unknown Historical moments in experiences of slavery and imperialism, the consequence of internal and external migration, and the formation of diasporic communities The book also includes a comprehensive bibliography of Danticat's work and key works of secondary criticism, and an interview with the author, as well as and essays by Danticat herself.

After the death of his son, Will, in the 2001 airplane crash that took the lives of nine additional members of the Oklahoma State basketball team and support staff, Hancock's 2,747-mile journey from the Pacific to the Atlantic became more than just a distraction. It became a pilgrimage. Photos.

As an internationally known professional psychic, John Russell has experienced a host of compelling and sometimes spine-chilling paranormal adventures. His book Riding with Ghosts, Angels, and the Spirits of the Dead is an episodic collection of really good ghost stories...all of which happen to be true! John’s logged thousands of miles on his motorcycle, and readers can ride along as he encounters UFOs, mystical weather, Civil War phantoms, electronic recordings of spirit voices, crop circles, Indian spirits, haunted forests, and even a phone call to a ghost! Each entertaining, unique essay offers up a spiritual truth or insight for further contemplation. His experiences show us that powerful, unseen intelligences on the Other Side observe us and listen to us; communicate with us in astonishing ways; are sometimes able to grant our desires; may offer us further insights into the spiritual realm; and can literally save our lives—as long as we listen to them and pay attention.

Have you or someone you know ever been haunted by unresolved grief? If you have you are not alone. Michael C. MacDonald brings his readers along on a personal journey through grief in his own life. He offers a candid look at death and dying, designed to help others achieve victory over the darkest moments of their life. If you want to come out from behind the shadows of grief to enjoy living again, this book is for you. To get the most from this book, each chapter is accompanied by discussion questions which may be used personally or in small groups settings. Approximately 95 pages.

The first comprehensive collection of the words and works of a movement-defining artist. Jean-Michel Basquiat (1960–1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s. The Jean-Michel Basquiat Reader is the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.

Bob Lockwood, a cameraman in the early days of Hollywood, takes us on a journey through northern Mexico as he films Pancho Villa. Bob is captivated by the spirit of the revolution and the passion of the Villistas but he's sickened by the wanton slaughter and the tragic waste of young lives he sees on the battlefield. He drops his camera, crosses the river, and heads back to California. On route he learns that he nor longer has a wife or job to return to so he starts a new life in the small railroad town of Deming, New Mexico. His fondness and compassion for the young, bedraggled Villistas he met in Chihuahua haunts him when he meets and befriends the seven Mexican prisoners captured during and after Pancho's disastrous raid on Columbus, New Mexico. Bob tells the tragic story of Juan Sanchez, a sixteen-year-old Villista, who was forced into the battle. Juan never fired a shot yet he was captured, held, tried, and hanged for murders he never could have committed."