Rise Of The Mavericks

Rise of the Mavericks traces the beginnings and subsequent development of the U.S. Air Force Security Service. Established in 1948 as part of the emerging U.S. national security apparatus, this communications intelligence organization was meant to place the fledgling U.S. Air Force on a competitive footing with its Army and Navy counterparts. As World War II ended and the Cold War began, Air Force leaders understood that an effective cryptologic capability would be crucial for maintaining and enhancing the Air Force as a strategic and decisive component of America‘s national defense. Successfully deploying air-atomic strategy in the event of a future war would require reliable information on the capabilities, intentions—and potential targets—of an opposing force, in particular the Soviet Union. Communications intelligence would be a critical source of this information, and Air Force leaders were adamant that their service not remain dependent on other service structures for this capability. The Air Force Security Service rose to the occasion, quickly establishing itself as one of the preeminent communications intelligence agencies in the United States. Rise of the Mavericks fills the gap in the military and intelligence history literature and further complicates the literature surrounding the history of the NSA, which too often ignores or hastily addresses the contributions and role of the service COMINT agencies during the early Cold War period. The book explains how Air Force Security Service personnel were viewed as mavericks by other U.S. military and government organizations. The airmen lived up to this characterization by creating and developing an independent communications intelligence capability while persistently resisting the controlling efforts of the Armed Forces Security Agency and the National Security Agency.

About the book: All through the years, the world has suffered from endemic leadership drought that has only reached epic proportions in recent years. Whether in politics, in governance of nations, in business or in religious circles, the news is almost always about scandals involving people in positions of trust who failed to hold high the confidence reposed in them. When these scandals occur they leave in their wake victims who innocently trusted that these men and women would be true to their duty vows. People lose their lives, or their lifetime savings, or their jobs as a result of flawed leadership. It is to bring an end these examples of socioeconomic injustices that the call is made the rise of independent-minded leaders who would equity and justice to all regardless of race or station in life.

Grade level: 4, 5, 6, e, i.

In an age of backroom generals who command from far behind troop lines, it is often forgotten that wars have been won or lost by the personality and leadership of a maverick commander. In twelve riveting portrait, best-selling historian, Robert Harvey, explores the mind and the action of such men. From the the Mediterranean sea Harvey investigates what make a military commander different - a charismatic leader of men, rational under fire, unafraid to improvise or lead his men into victory against the odds. Packed with compelling and insightful analysis and story telling, Mavericks is Robert Harvey's best book to date. The Mavericks, what made them great and their key battles include: Clive of India - a master of the decisive strike, and going for the jugular. Plassey. James Wolfe - renowned by his troops for being as demanding on himself as on them. Quebec. George Washington - patience, then boldness. Yorktown. Horatio Nelson - flamboyance, careful planning and improvisation. Trafalgar. Thomas Cochrane - Fearless commando tactics and an eye for the unexpected strike. Aix Roads. The Duke of Wellington - style and soundbites, caution and planning. Salamanca. Guiseppe Garibaldi - charismatic communicator, bold in battle. Messina. Ulysses S. Grant - Cool and rational, with determination to overcome all obstacles. Vicksburg Erwin Rommel - Careful calculation followed by bold strikes. Desert Campaign. George Patton - Aggression coupled with skill in tanks and training.The Battle of the Bulge. Field Marshal Montgomery - A natural rebel with a lightning mind. El Alamein. Douglas MacArthur - brilliant communicator and bold, cared for his men. Inchon. PRAISE FOR WAR OF WARS 'This is the 'definitive' one-volume account of a particularly rich slab of history.' Daily Express. '... so well paced that reading it is a pleasure.' Bernard Cornwell. 'I doubt a better account of the never-ending war will be written in many a year.' Allan Mallinson. 'an exhillirating sequence of dramatic set-pieces in narrative history's best traditions.' Literary Review

A poetic story rhyme that is a compilation of scripted youthful times. Within these pages is a shard from a greater story that chronicles the legacy of characters meant for the entertainment, each individually purposed for a grand design. And as the wheels of fate turn, each character will play their part, unable to understand the greater role they partake in within the great theatrics of the world play. Each figure within this are pulled from historical sources, past and present, with subtle liberties to flesh out the true nature of their character. So as disparate destined paths cross into the other and intersect, the fiery ambition they posses will become their sword while the purity of their immortal soul will become their shield, individually designed to protect a sincere dream, while defending their outer shell from being torn away from this mortal coil. And as each soul delves beyond the grip of the unfamiliar of their opening acts, a threshold would demand to be crossed as they individually, with warm hearts and open minds, yearn for meaning, as they individually await a glimpse of their true purpose, escaping the confines of ephemeral restraints to push to a space that exists beyond sight.

By definition, a maverick is a “lone dissenter” who “takes an independent stand apart from his or her associates” or “a person pursuing rebellious, even potentially disruptive policies or ideas.” The word maverick has evolved in the English language from being the term for an unbranded stray calf to a label given to a nontraditional person to a more extreme “uncontrollable individualist, iconoclast, unstable nonconformist.” The word has grown into an adjective (“he made a maverick decision”) and become a verb (mavericking or mavericked). Of all the words that originated in the Old West and survive to the present day, author Lewis Fisher notes, maverick has been called the least understood and most corrupted. But where did the word come from? The word’s definition is still such a mystery that Merriam-Webster lists it in the top 10 percent of its most-looked-up words. All of the origin stories agree it had something to do with Samuel A. Maverick and his cattle, but from there things go amok rather quickly. Was Sam Maverick a cattle thief? A legendary nonconformist who broke the code of the West by refusing to brand his calves? A Texas rancher who believed branding cattle was cruelty to animals? A runaway from South Carolina who branded all the wild cattle he could find and ended up with more cattle than anyone else in Texas? Samuel A. Maverick was a notable landholder and public figure in his own time, but his latter-day fame is based on the legend that he was a cattle rancher. No amount of truth-telling about maverick seems to have slowed the tall tales surrounding the word’s origination. Maverick: The American Name That Became a Legend is a whodunit, a historical telling of the man who unwittingly inspired the term, the family it’s derived from, the cowboys who embraced it as an adjective meaning rakish and independent, the curious inquirers intrigued by its narrative, and the appropriators who have borrowed it for political fame. Texas historian (and secondhand Maverick by marriage) Lewis Fisher has combed through Maverick family papers along with cultural memorabilia and university collections to get at the heart of the truth behind the far-flung Maverick legends. Maverick follows the history of the word through the “Maverick gene” all the way to Hollywood and uncovers the mysteries that shadow one of our country’s iconic words. Taken as a whole, the book is a fascinating portrayal of how we form, use, and change our language in the course of everyday life, and of the Maverick family’s ongoing relationship to its own contributions, all seen through the lens of a story featuring cowboys, Texas Longhorns, rustlers, promoters, movie stars, athletes, novelists, lawyers, mayors, congressmen, and senators—to say nothing of named maverick brands ranging from Ford cars and air-to-ground missiles to computer operating systems, Vermont maple syrup, and Australian wines. Ironically, given its literal meaning as unbranded, maverick is a brand name that helped shape the history of the American West and represents the ideal of being true to oneself.

ONE OF FOUR FOUR TWO MAGAZINE'S '50 FOOTBALL BOOKS YOU MUST READ' 'A great book' – Henry Winter 'A lovely read, the kind in which you constantly annoy people by reading the funny bits out loud' – Irish Post ---- First published 25 years ago, The Mavericks was one of a new breed of literary football books. Artfully combining sports journalism with social history and sharp pop culture references, this updated edition explores 1970s football when a cult group of footballers delivered flair on the pitch and flamboyance off it. Cocky, coiffured strikers meet David Bowie and Alvin Stardust; Gola boots exchange kicks with A Clockwork Orange and The Likely Lads; Admiral sock tags, platform heels and kipper ties mingle with cod wars, Harrods bombings and three-day weeks. In this, Steen recreates the early Seventies, the era when football joined the vanguard of English youth culture. This personal account revolves around seven Englishmen who followed in the trail blazed by football's first tabloid star, George Best – Stan Bowles, Tony Currie, Charlie George, Alan Hudson, Rodney Marsh, Peter Osgood and Frank Worthington. Proud individuals amid an increasingly corporate environment, their invention and artistry were matched only by a disdain for authority and convention. Their belief in football as performance art, as showbiz, gave the game a boost, and elevated them to cult status. During their heyday, nevertheless, they were largely ignored by a succession of England managers, none of whom were able to assemble a side competent enough to qualify for the World Cup finals. Against a backdrop of increasing violence on the field and terraces alike, of battles between players and the Establishment, this book - now featuring a new Foreword, Postscript and photos - examines an anomaly at the heart of English culture, one that symbolised the death of post-Sixties optimism, the end of innocence.