Ritual And Memory

Based on 3 conferences held 2001-2003

Ethnographers of religion have created a vast record of religious behavior from small-scale non-literate societies to globally distributed religions in urban settings. So a theory that claims to explain prominent features of ritual, myth, and belief in all contexts everywhere causes ethnographers a skeptical pause. In Ritual and Memory, however, a wide range of ethnographers grapple critically with Harvey Whitehouse's theory of two divergent modes of religiosity. Although these contributors differ in their methods, their areas of fieldwork, and their predisposition towards Whitehouse's cognitively-based approach, they all help evaluate and refine Whitehouse's theory and so contribute to a new comparative approach in the anthropology of religion.

Kōshiki (Buddhist ceremonials) belong to a shared ritual repertoire of Japanese Buddhism that began with Tendai Pure Land belief in the late tenth century and spread to all Buddhist schools, including Sōtō Zen in the thirteenth century. In Memory, Music, Manuscripts, Michaela Mross elegantly combines the study of premodern manuscripts and woodblock prints with ethnographic fieldwork to illuminate the historical development of the highly musical kōshiki rituals performed by Sōtō Zen clerics. She demonstrates how ritual change is often shaped by factors outside the ritual context per se—by, for example, institutional interests, evolving biographic images of eminent monks, or changes in the cultural memory of a particular lineage. Her close study of the fascinating world of kōshiki in Sōtō Zen sheds light on Buddhism as a lived religion and the interplay of ritual, doctrine, literature, collective memory, material culture, and music. Mross highlights in particular the sonic dimension in rituals. Scholars of Buddhist and ritual studies have largely overlooked the soundscapes of rituals despite the importance of music for many ritual specialists and the close connection between the acquisition of ritual expertise and learning to vocalize sacred texts or play musical instruments. Indeed, Sōtō clerics strive to perfect their vocal skills and view kōshiki and the singing of liturgical texts as vital Zen practices and an expression of buddhahood—similar to seated meditation. Innovative and groundbreaking, Memory, Music, Manuscripts is the first in-depth study of kōshiki in Zen Buddhism and the first monograph in English on this influential liturgical genre. A companion website featuring video recordings of selected kōshiki performances is available at https://searchworks.stanford.edu/view/dq109wp7548.

"Ritual Memory" brings together two areas of study which have hitherto rarely been studied in comparison: liturgy and the apocryphal Acts of the Apostles. The book gives an analysis of the liturgical celebration of the apostles in the medieval West and examines the incorporation of the apocrypha in practices of ritual commemoration. It reveals the role that liturgy played in the transmission of the apocryphal Acts and visualises the way these narrative traditions developed and changed through their incorporation into a ritual context. The result is a dynamic picture of the ritual reception of the extra-canonical Acts in the Latin Middle Ages, where the apocryphal legends about the apostolic past were approached as memorable traditions on the origins of Christianity.

Memory in Medieval China explores memory as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs, thereby illuminating ways in which the memory of persons, events, dynasties, and literary styles was constructed and revised.

"Intended for parents, teachers, and anyone passionate about creating meaningful and mindful experiences, readers will find delight and inspiration within these colourful pages. Toni and Memory share practical ideas for turning humble routines into thoughtful and sacred rituals through stunning imagery and real life examples."--Publisher's description.

This is the first book to summarize the results of long-term field research at the major Maya site of Waka'. Bringing together findings from diverse research programs of the El Perú-Waka' Regional Archaeological Project, its fifteen wide-ranging contributions lead to a greater understanding of the richness and complexity of Classic-period Maya culture.