Rocking The Cradle Of Sexual Politics

"In 1978 Louise Armstrong started it all by writing Kiss Daddy Goodnight, the bestselling book that spoke the terrible truth about incest. Now, more than fifteen years later, she stops to ask the questions: How did we get here? How did we get from "dread taboo" to the point where talk of incest is routine and banal, a pet of the talk shows? How did we get from serious inquiry into what causes incest - to exclusive focus on what incest causes? How did we get from total disbelief, to a brief moment of belief in the testimony of women and children - to the point where, once again, women's and children's credibility is under attack? To False Memory Syndrome and adult survivors undergoing exorcism - into a glare and cacophony such that the best interests of our children are still being forsaken and self-described healers and empowerers are getting rich." "Rocking the Cradle of Sexual Politics is the story of skillfully mounted backlash. But it is also the story of how it is now possible for the powers-that-be to use noise to achieve the end that was once served by repression and enforced silence - and how they defuse the political, the potentially politically explosive, by turning it into the personal. It is, alas, also the story of the power of the promise of "help" and the language of "treatment" to infantilize massive numbers of women, and to lead us away from any serious action for change."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

While there exists a wide range of material covering violence against women, very little scholarly attention has been paid to international media treatments of gendered violence. This volume addresses the gap by providing a broad overview of contemporary representations of gendered violence, enabling comparison and contrast in forms of violence and constructions of gender across a wide range of political and geographic contexts. From nonfictional accounts of the mass rapes during the Rwandan genocide to the sexual objectification of women in Serbian media and depictions of prostitute murders in the Chinese media, this book provides an overview of media representations of gendered violence around the globe. In addition to documenting specific challenges and shortcomings of mainstream representations, chapters present insight into the various forms of resistance and hope that exist in each particular area, and analytical essays open up new lines of inquiry by offering an assessment of the uneven changes that feminist activism has enabled around the world. Suitable for students and scholars in women's studies, gender studies, media, sociology, and education, Local Violence, Global Media can be used as a supplementary text in courses on media violence, sociology of media, gendered violence in media, and international perspectives on women's studies.

Praised and denounced when it was first published in 1970, Sexual Politics not only explored history but also became part of it. Kate Millett's groundbreaking book fueled feminism's second wave, giving voice to the anger of a generation while documenting the inequities -- neatly packaged in revered works of literature and art -- of a complacent and unrepentant society. Sexual Politics laid the foundation for subsequent feminist scholarship by showing how cultural discourse reflects a systematized subjugation and exploitation of women. Millett demonstrates in detail how patriarchy's attitudes and systems penetrate literature, philosophy, psychology, and politics. Her incendiary work rocked the foundations of the literary canon by castigating time-honored classics -- from D. H. Lawrence's Lady Chatterley's Lover to Norman Mailer's The Naked and the Dead -- for their use of sex to degrade and undermine women. A new introduction to this edition draws attention to some of the forms patriarchy has taken recently in consolidating its oppressive and dangerous control.

Sex abuse happens in all communities, but American minority religions often face disproportionate allegations of sexual abuse. Why, in a country that consistently fails to acknowledge—much less address—the sexual abuse of women and children, do American religious outsiders so often face allegations of sexual misconduct? Why does the American public presume to know “what’s really going on” in minority religious communities? Why are sex abuse allegations such an effective way to discredit people on America’s religious margins? What makes Americans so willing, so eager to identify religion as the cause of sex abuse? Abusing Religion argues that sex abuse in minority religious communities is an American problem, not (merely) a religious one.

The topic of incest began to emerge in the early 1990s, producing a spate of television specials and providing the material for a surging industry of talk shows as well as an anti-feminist campaign against incest survivors and their therapists. The validity, reality, and readability of recovered memories of incest has become a highly contested and difficult subject. This heightened interest has benefited incest survivors, according to Rosaria Champagne, by allowing them to speak up and make political their experiences. Victims, formerly entwined in their own abuse by remaining silent, have learned to voice their protest and to challenge the societal order that allows incest to occur. In The Politics of Survivorship Champagne explores a range of cultural representations of incest, from the writings of Mary Wollstonecraft Shelley to mother-daughter incest in contemporary true crime novels, to Oprah Winfrey's television special Scared Silent, in order to examine expressions of survivorship. In the process, Champagne attempts to level the disparity and the hierarchy of value among theory, literature, popular culture and social movements. Champagne makes a powerful argument that community and academic feminists should embrace survivorship as a potential site of feminist political intervention into patriarchy and heterosexism. She concludes with a critical look at the way in which the False Memory Syndrome Foundation has conducted an anti-feminist campaign against incest survivors and their therapists.

Almost wherever we look, depictions of sexuality, both subtle and not-so-subtle, are omnipresent. Whatever the medium, popular culture representations tell us something about ourselves and about the ideologies of which they are symptomatic. These essays examine the strategies of power implicit in popular representations of sexuality. The authors--scholars in fields such as sociology, philosophy, biology, political science, history, and English literature-- eschew rigid disciplinary boundaries.

Containing contributions from leading experts in the field, this Handbook explores the many ways gender and violence interact across different contexts and offers a range of disciplinary perspectives. This comprehensive volume connects micro-level interpersonal violence to macro-level structural forms of violence across three discrete but interrelated sections: concepts, representations, and contexts.

This book takes up the challenge of examining women’s understandings of eating disorders and child sexual abuse away from a framework focused on pathology. The central argument is that women’s distress is an enactment of their engagement with certain discourses and practices, rather than a reaction triggered by child sexual abuse. Guided by a contemporary feminist framework and Mikhail Bakhtin’s sociological linguistics, to substantiate the argument, women’s own poetry and drawings are used as evidence to develop, support and supplement research findings. The book establishes that an eating disorder is ‘an understandable response’ to sexual trauma and shifts the focus away from ‘a damaged personality’. Even more importantly, it demonstrates that women with eating disorders are using their bodies as a form of resistance to express silenced traumas that remain in the silenced female body. This is an active way of making sense of experiences of child sexual abuse.