Romance Paralysis Poetry Exploring Life In Different Modes

The final poetry collection of Aaron Joy brings together previously unpublished poems spanning over two decades of writing. They touch on many aspects of his life, along with demonstrating his growth as a writer via exploring different styles and influences. In this book are poems of relationships, family, history, spirituality, loneliness, with influence from such directions as Jim Morrison, Jack Kerouac, jazz music, work as a historian and Sri Chinmoy.

di Da Samraj is an Eastern based guru and teacher unparalleled ... a prolific intellect, writer and artist ... the promised God-Man ... and the divine Ruchira (Bright) Avatar. These poems by a devotee were written between 2009 and 2013. They look at the seeker, society and the guru from many points of view, including getting into the guru's head. They were inspired by Adi Da Samraj, but go beyond him. This book was originally published in 2013. This 2020 Revised Edition features a new introduction, new formatting of all the poems, and extensive revisions. This book also includes a preface written by Dr. Lee Ann B. Marino, a Christian minister who has studied cults and non-Christian paths.

This book traces the aesthetic of wonder from the romantic period through contemporary philosophy and literature, arguing for its relevance to ecological consciousness. Most ecocritical scholarship tends to overshadow discussions of wonder with the sublime, failing to treat these two aesthetic categories as distinct. As a result, contemporary scholarship has conflated wonder and the sublime and ultimately lost the nuances that these two concepts conjure for readers and thinkers. Economides illuminates important differences between these aesthetics, particularly their negotiation of issues relevant to gender-based and environmental politics. In turn, readers can utilize the concept of wonder as an open-ended, non-violent framework in contrast to the ethos of domination that often surrounds the sublime.

Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.

A COMPANION TO AMERICAN POETRY A Companion to American Poetry brings together original essays by both established scholars and emerging critical voices to explore the latest topics and debates in American poetry and its study. Highlighting the diverse nature of poetic practice and scholarship, this comprehensive volume addresses a broad range of individual poets, movements, genres, and concepts from the seventeenth century to the present day. Organized thematically, the Companion’s thirty-seven chapters address a variety of emerging trends in American poetry, providing historical context and new perspectives on topics such as poetics and identity, poetry and the arts, early and late experimentalisms, poetry and the transcendent, transnational poetics, poetry of engagement, poetry in cinema and popular music, Queer and Trans poetics, poetry and politics in the 21st century, and African American, Asian American, Latinx, and Indigenous poetries. Both a nuanced survey of American poetry and a catalyst for future scholarship, A Companion to American Poetry is essential reading for advanced undergraduate and graduate students, academic researchers and scholars, and general readers with interest in current trends in American poetry.

A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends “A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author “Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow students and the spirit of Emily Dickinson offer helping hands. But it is up to Emily Beam to heal her own damaged self, to find the good behind the bad, hope inside the despair, and springtime under the snow. A Boston Globe Best YA Novel of the Year A Kirkus Reviews Best Book of the Year A Tayshas High School Reading List Selection A North Carolina Young Adult book Award Nominee * "As graceful as a feather drifting down, this lyrical story delivers a deep journey of healing on a tragic theme.”—Kirkus Reviews, Starred * "And We Stay is a little gem of a book. . . . there is certainly something for anyone looking for a good read with a strong, believable female lead who is working her hardest to overcome tragedy.”—School Library Journal, Starred “Hubbard’s writing is elegant and emotional.”—Publisher’s Weekly “This novel is accomplished, polished, and mixes prose and poetry to stunning effect.”—Booklist “Hubbard . . . captures perfectly the turbulence of young love, the bonds of friendship, and the push-and-pull dynamic between teens and adults.”—VOYA

Still Life: Suspended Development in the Victorian Novel rethinks the nineteenth-century aesthetics of agency through the Victorian novel's fascination with states of reverie, trance, and sleep. These states challenge contemporary scientific and philosophical accounts of the perfectibility of the self, which privileged reflective self-awareness. In dialogue with the field of literature and science studies and affect studies, this book shows how Victorian writers used narrative form to respond to the analytical practices and knowledge production of those other disciplines. Drawing upon canonical texts--by Charlotte Brontë, George Eliot, George Meredith, and Thomas Hardy--Still Life contends that depictions of non-purposive perceptual experience suspend the processes of self-cultivation (Bildung) central to Victorian aesthetics, science, psychology, and political theory, as well as most critical accounts of the novel form. Departing from the values of individual cultivation and moral revelation associated with the genre, these writers offer an affective framework for understanding the subtly non-instrumental powers of narrative. Victorian novels ostensibly working within the parameters of the Bildungsroman are suspended by moments of still life: a decentered lyricism associated with states of diminished consciousness. They use this style to narrate what should be unnarratable: experiences not dependent on reflective consciousness, which express a distinctive ambivalence toward dominant developmental frameworks of individual self-culture.

Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism. Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory * applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts * offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.