Romanian Cultural Resolution

This volume examines Romania's political and social transition from communism to democracy through the lens of its contemporary art of the past 20 years. Conceived as a kind of cultural manifesto or resolution, it analyzes this period and the conception of postcommunism through the work of 26 artists and writers.

This compelling book assesses the development of the mass media since the Romanian Revolution in December 1989 and the media's impact on cultural development, the public sphere, civil society and democracy. It controversially claims that Romania's failure to experience a thoroughgoing enlightenment project in its entire history remains a major obstacle for producing democratic ownership of the media and democratic development of society. Analyzing both the print and broadcast media and their respective effects on development, the book also discusses the effects of Romanian law on media and societal development, ethics, and media responsibilities. It concludes, however, that far from having an absolutely negative impact on Romanian post-communism, the media has helped produce a contradictory empirical form that equally contains positive moments in terms of subjective cultural development.

The Romanian Revolution of 1989 ended 42 years of Communist rule. It was the bloodiest revolution in a Warsaw Pact country, culminating in the overthrow and execution of Nicolae Ceaușescu. However, there was no major democratic reform and power remained in the hands of key figures from the old regime. This has led many theorists to question the authenticity of the entire revolution. Performative Contradiction and the Romanian Revolution focuses-in on the circumstances which led to these accusations. It argues that the notion of an authentic revolution, as a conceptual paradigm, is neither a sufficient, appropriate, nor useful tool for an analysis of the events in Romania. Engaging with the work of theorists including Stieglar, Agamben, Baudrillard, Badiou, Spinoza and Derrida it argues that performative contradiction is a more useful theoretical model for exploring this event. Applying the concept to specific cases within the revolution, the book demonstrates the power of performative contradiction as an analytic tool.

The theoretical analyses and interpretations contained in the studies of this volume focus on key-concepts such as: politics, politician, democracy, Europe, liberalism, constitution, property, progress, kinship, nation, national character and specificity, homeland, patriotism, education, totalitarianism, democracy, democratic, democratization, transition. The essays unveil specific aspects belonging to Romania?s past and present. They also offer alternative perspectives on the Romanian culture through the relationship between the elite and society, and novel reflections on the delayed and unfinished modernization processes within the society and the state. The editors articulate the results coming from various sciences, such as history, linguistics, sociology, political sciences, and philosophy with the aim that the past and present profiles of Romania are better understood.

'Death of the Father' is a comparative examination of the crises in symbolic identification and national traumas that have resulted from the defeat and/or implosion of regimes in Fascist Italy, Nazi Germany, Imperial Japan and Communist Eastern Europe.

The current transformation of many Eastern European societies is impossible to understand without comprehending the intellectual struggles surrounding nationalism in the region. Anthropologist Katherine Verdery shows how the example of Romania suggests that current ethnic tensions come not from a resurrection of pre-Communist Nationalism but from the strengthening of national ideologies under Communist Party rule.