Romanticism And The Re Invention Of Modern Religion

"The fundamental concern of Romanticism, which brought about its inception, determined its development, and set its end, was the need to create a new language for religion"--

The conflict between Romantic thought of the early 1800s in Europe and traditional Christian beliefs resulted in liberalism competing against conservatism. This text attempts to show how writers such as Schleiermacher, Hegel, Schelling and Auguste Compte did not reject religion, despite the influence of the increasingly science oriented culture of their time.

Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.

This study restores and enhances the philosophical aspect of early German Romanticism, offering an understanding of the movement's origins, development, aims and accomplishments.

Explores the philosophical contributions and contemporary relevance of early German Romanticism.

Platonism has played a central role in Christianity and is essential to a deep understanding of the Christian theological tradition. At times, Platonism has constituted an essential philosophical and theological resource, furnishing Christianity with an intellectual framework that has played a key role in its early development, and in subsequent periods of renewal. Alternatively, it has been considered a compromising influence, conflicting with the faith's revelatory foundations and distorting its inherent message. In both cases the fundamental importance of Platonism, as a force which Christianity defined itself by and against, is clear. Written by an international team of scholars, this landmark volume examines the history of Christian Platonism from antiquity to the present day, covers key concepts, and engages issues such as the environment, natural science and materialism.

“A splendidly pithy and provocative introduction to the culture of Romanticism.”—The Sunday Times “[Tim Blanning is] in a particularly good position to speak of the arrival of Romanticism on the Euorpean scene, and he does so with a verve, a breadth, and an authority that exceed every expectation.”—National Review From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. A rebellion against the rationality of the Enlightenment, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Tim Blanning describes its beginnings in Rousseau’s novel La Nouvelle Héloïse, which placed the artistic creator at the center of aesthetic activity, and reveals how Goethe, Goya, Berlioz, and others began experimenting with themes of artistic madness, the role of sex as a psychological force, and the use of dreamlike imagery. Whether unearthing the origins of “sex appeal” or the celebration of accessible storytelling, The Romantic Revolution is a bold and brilliant introduction to an essential time whose influence would far outlast its age. “Anyone with an interest in cultural history will revel in the book’s range and insights. Specialists will savor the anecdotes, casual readers will enjoy the introduction to rich and exciting material. Brilliant artistic output during a time of transformative upheaval never gets old, and this book shows us why.”—The Washington Times “It’s a pleasure to read a relatively concise piece of scholarship of so high a caliber, especially expressed as well as in this fine book.”—Library Journal

C. S. Lewis said that Christianity works on us like every other myth, except it is a myth that really happened. Dwight Longenecker grabs this idea and runs with it, showing that the Christian story is the greatest story ever told because it gathers up what is true in all the fantasy stories of the world and makes them as solid, true, and real as a tribe of dusty nomads in the desert or the death of a carpenter-king. In The Romance of Religion Longenecker calls for the return of the romantic hero—the hero who knows his frailty and can fight the good fight with panache, humor, and courage. Conflict and romance are everywhere in the story of Christ, and our response is to dust off our armor, don our broad-brimmed hats, pick up our swords, and do battle for Christ with confidence, wonder, and joy. Is religion no more than a fairy tale? No, it is more than a fairy tale—much more: it is all the fairy tales and fantastic stories come true here and now. “This book is witty, whimsical, and deadly serious. With panache and aplomb, Dwight Longenecker sets out to prove that Christianity is, in every sense of the word, fabulous. And does he succeed in his quest? I encourage you to read it to find out.” —Michael Ward, senior research fellow, Blackfriars Hall, University of Oxford, and professor of apologetics, Houston Baptist University “If you've never thought about the Christian faith as romance and story, then this book will introduce you to a whole new way of thinking.”—Frank Viola, author of God's Favorite Place on Earth