Rome Reframed

Lucas is on the trip of a lifetime, traveling through Europe, but he wants nothing more than to be home in Austin, Texas, with his friends. When his teachers tell him to either turn in a phenomenal last project or fail the eighth grade, Lucas has to decide whether to give up or give in to the mystery of Rome.

"In Matthew and Empire, Warren Carter argues that Matthew's Gospel protests Roman imperialism by asserting that God's purposes and will are performed not by the empire and emperor but by Jesus and his community of disciples. Carter makes the claim for reading Matthew this way against the almost exclusive emphasis on the relationship with the synagogue that has long characterized Matthean scholarship. He established Matthew's imperial context by examining Roman imperial ideology and material presence in Anitoch, the traditional provenance for Matthew. Carter argues that Matthean Christology, which presents Jesus as God's agent, is shaped by claims - and protests against those claims - that the emperor and the empire are God's agents. He pays particular attention to the Gospel's central irony, namely that in depicting God's ways and purposes, the Gospel employs the very imperial framework that it resists. Matthew and Empire challenges traditional readings of Matthew and encourage fresh perspectives in Matthean scholarship."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This title resets the agenda for thinking about Europe's largest minority, analysing not only the challenges a liberal, tolerant politics confronts but also suggesting ways of acting against the new xenophobia.

The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.

Interest in the history of violence has increased dramatically over the last ten years and recent studies have demonstrated the productive potential for further inquiry in this field. The early modern period is particularly ripe for further investigation because of the pervasiveness of violence. Certain countries may have witnessed a drop in the number of recorded homicides during this period, yet homicide is not the only marker of a violent society. This volume presents a range of contributions that look at various aspects of violence from the fourteenth to the seventeenth centuries, from student violence and misbehaviour in fifteenth-century Oxford and Paris to the depiction of war wounds in the English civil wars. The book is divided into three sections, each clustering chapters around the topics of interpersonal and ritual violence, war, and justice and the law. Informed by the disciplines of anthropology, criminology, the history of art, literary studies, and sociology, as well as history, the contributors examine all forms of violence including manslaughter, assault, rape, riots, war and justice. Previous studies have tended to emphasise long-term trends in violent behaviour but one must always be attentive to the specificity of violence and these essays reveal what it meant in particular places and at particular times.

An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.

Explores two thousand years of radically changing opinions on the emperor Augustus, and what they reveal about the historical individual.

Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.