Rosamond Lehmann And Her Critics

This study of contemporary and later critical responses to the work of the novelist Rosamond Lehmann (1901-1990) offers an original approach to twentieth-century literary history by foregrounding the cultural and commercial fields in which Lehmann's writing was situated. Wendy Pollard examines the effect recent developments in literary theory and movements from modernism to feminism have had on Lehmann's literary reception. She also considers the interpolation of a damning third category between te and popular culture, namely middlebrow; a widening gender divide in readership; controversies within book reviewing; changes in the publishing world; and the introduction of popularist means of book marketing. While considering the general privileging of male authors from the 1920s to the 1950s, Lehmann's most prolific period, Pollard argues that her novels have been unfairly subjected to specific forms of neglect, and their exclusion from many academic comparative studies is due to a diversity of form and content that can also be considered their strength.

This is Judith Earle's story - her solitary childhood, her awkward experiences at Cambridge rounded with passion and disillusionment, and her travels abroad with her socialite mother. Above all, this novel is about her consuming relationship with the Fyfe family, who each fall in love with her.

Using Rosamond Lehmann's second novel, 'A Note in Music', as a starting point, Wendy Pollard here sets out to examine the factors which contribute to the vagaries of literary criticism, and which influence critical responses to a writer's work both in the short and in the long term.

ONE OF THE MOST REMARKABLE BRITISH WRITERS OF THE TWENTIETH CENTURY 'With brilliant dialogue and intense passages of elation and despair, The Weather in the Streets takes you on the rollercoaster of their relationship' ESTHER FREUD, SUNDAY TELEGRAPH 'Lehmann legitimised a type of writing that took on deep personal themes' ENGLISH PEN 'The first writer to filter her stories through a woman's feelings & perceptions' ANITA BROOKNER Taking up where Invitation to the Waltz left off, The Weather in the Streets shows us Olivia Curtis ten years older, a failed marriage behind her, thinner, sadder, and apparently not much wiser. A chance encounter on a train with a man who enchanted her as a teenager leads to a forbidden love affair and a new world of secret meetings, brief phone calls and snatched liaisons in anonymous hotel rooms. Years ahead of its time when first published, this subtle and powerful novel shocked even the most stalwart Lehmann fans with its searing honesty and passionate portrayal of clandestine love. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame.

On her seventeenth birthday, Olivia Curtis receives: a diary for her innermost thoughts, a china ornament, a ten-shilling note and a roll of flame-coloured silk for her first ball dress. She anticipates the dance, the greatest and most terrifying event of her life so far, with uncertainty and excitement. For her pretty sister Kate, it is sure to be a triumph, but what will it be for shy, awkward Olivia? Rosamond Lehmann, one of the best-loved writers of the twentieth century, perfectly captures the emotions of a girl poised on the threshold of womanhood.

Located in a world wrestling with new concepts of what it means to be modern, this book forms a penetrating analysis of a mid-twentieth century English woman novelist, whose genius was compared to Tolstoy. Rosamond Lehmann's first book, Dusty Answer (1927), with its scandalous subject matter, made her a literary celebrity at the age of twenty-seven. Seen as the voice of a new generation, she became the centre of an artistic circle that included W.H. Auden, Stephen Spender and Elizabeth Bowen. Lehmann's novels deal with the urgency of romance and the vicissitudes of young women in love, and depict the emotional rollercoaster of romance and the tortuous process of growing up more directly than any writer before her. This book locates Lehmann's fictional achievement in the context of her times and in particular describes its positioning within the turbulent period between two world wars and the changing aesthetic of modernity. It includes a penetrating critical analysis of each of the major works, drawing on previously unpublished private papers, including letters to family and friends. In this it provides fresh and original insights into one of the most celebrated English novelists of her age.

ONE OF THE MOST REMARKABLE BRITISH WRITERS OF THE TWENTIETH CENTURY 'Full of her sensibility, her funniness, her own peculiar acumen' ELIZABETH JANE HOWARD 'Lehmann legitimised a type of writing that took on deep personal themes' ENGLISH PEN 'Combines something of the earthiness of Colette with the imaginative insight of Virginia Woolf' CYRIL CONNOLLY Rosamond Lehmann, one of the most distinguished British writers of this century, published eight acclaimed works of fiction. Her only autobiographical work, The Swan in the Evening, recreated first the child she was and the experiences that made her the woman she became, moving on to tell the story of her beloved daughter Sally and the tragedy of her early death at the age of twenty-four. Then, tentatively and persuasively, Rosamond Lehmann relates the totally unexpected, overwhelming and scrupulously recorded psychic and mystical experiences she underwent following that terrible loss. The meaning of such events, their messages of hope and comfort to others she then, through a letter to her grandaughter, passes to us.

A seductive new stranger becomes the symbol of everything two married women secretly long for in this richly imagined novel by one of the most distinguished writers of the twentieth century Thirty-four-year-old Grace Fairfax lives a dull, conventional existence with her dull, conventional husband, Tom, in a dreary manufacturing town in the North of England. A year ago, when a fortune-teller told her that her life lacked will and purpose, she wasn’t surprised. Every day the same predictable routine—it’s a wonder she doesn’t go mad. Then Hugh Miller and his sister, Clare, descend on the town. Clare is young and beautiful. Hugh seems to possess everything lacking in Grace’s life: passion, vitality, and most important, the freedom to do as he pleases. Grace’s best friend, Norah MacKay, isn’t immune to the handsome stranger’s charms, either. Married to Gerald, a curmudgeonly university professor, the mother of two has her own fantasies of desire and liberation. But Hugh isn’t the man Grace and Norah imagine him to be. In this story of two strangers who cast an otherworldly enchantment on an entire town and its inhabitants, A Note in Music presents an intensely moving portrait of marriage—its disappointments, joys, jealousies, fears, and loneliness, and the truths that remain unspoken.