Round Trip To Hades In The Eastern Mediterranean Tradition

"The possibility of visiting the realms of the dead and yet returning alive is an idea that has fascinated people throughout time and across cultures. The European tradition goes back to Greek and Roman antiquity, represented by such famous round trips to Hades as those undertaken by Odysseus and Aeneas, but it is clear that the Graeco-Roman tradition had older Mesopotamian antecedents."--

Round Trip to Hades in the Eastern Mediterranean Tradition explores the theme of visits to the underworld in the ancient Greek and Byzantine traditions from a broad perspective including written sources, iconography and archaeology.

This volume is an interdisciplinary investigation and contextualization of the various concepts of divine union in the private and public sphere of the Greek and Near Eastern worlds.

The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.

Brill’s Companion to Classics in the Early Americas opens a window onto classical receptions across the Hispanophone, Lusophone, Francophone and Anglophone Americas during the early modern period, examining classical reception as a phenomenon in transhemispheric perspective for the first

L’Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente è pubblicato dal 1914. Presenta articoli originali e di sintesi sull’arte, l’archeologia, l’architettura, la topografia, la storia, le religioni, l’antropologia del mondo antico, l’epigrafia e il diritto. L’interesse è rivolto alla Grecia e alle aree della grecità attraverso il tempo, dalla preistoria all’età bizantina e oltre, nonché alle interazioni con l’Oriente, l’Africa e l’Europa continentale. L’Annuario è composto da tre sezioni: Saggi, Scavi e Ricerche e Atti della Scuola 2021, a cura di Emanuele Papi. Gli articoli vengono approvati dal Comitato Editoriale e da due valutatori anonimi. I contributi sono pubblicati in una delle seguenti lingue: italiano, greco, inglese, francese, con riassunti in italiano, greco e inglese.

This monograph examines the literary representation of encounters between the living and the dead in Homer and the Roman epic poets of the early imperial period. The focus is on one particular situation: a witness to the afterlife (e.g. Odysseus or the Sibyl) who narrates encounters with the dead that he or she cannot (it would appear) actually have seen. This insufficiently studied and intriguing motif, namely seemingly impossible eye-witness testimony, can already be traced in Homer and then with variations in Vergil, the Culex poet, Lucan, Silius Italicus, and Statius. Die vorliegende Monographie untersucht die literarische Gestaltung von Begegnungen zwischen Lebenden und Toten bei Homer und den römischen Epikern der frühen Kaiserzeit. Im Mittelpunkt steht dabei eine besondere Situation: Ein Jenseitszeuge (z.B. Odysseus oder die Sibylle) berichtet von Begegnungen mit Toten, die er oder sie (scheinbar) nicht gesehen haben kann. Dieses unzureichend erforschte und faszinierende Motiv, nämlich die scheinbar unmögliche Autopsie, lässt sich bereits bei Homer und dann in Variationen bei Vergil, dem Culex-Dichter, Lucan, Silius Italicus und Statius nachweisen.

Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.