Rush Home Road

Lori Lansens became one of Canada’s most sought after writers more than a year before her internationally heralded first book, Rush Home Road, would see publication in April 2002. So immediately and passionately was her novel embraced that it was already front-page arts news back in April 2001. Knopf Canada was the first publisher to buy this extraordinary debut novel, but just before the 2001 London Book Fair, Little, Brown US bought the rest of the world rights for a major six-figure sum (for Rush Home Road and the author's yet-to-be-written second novel), and rights have now been sold in numerous countries. The Globe and Mail reported the record-breaking news with full, front-page coverage, and Little, Brown International Rights Director Linda Biagi found herself talking of nothing else in London; she sold Rush Home Road to a further 9 territories with the manuscript still unedited. Biagi likened the book to some of the most important literary achievements of our time, saying, “It’s as if John Irving had written The Color Purple.” Louise Dennys, the Executive Publisher of Knopf Canada, describes it as “a novel of startling beauty and great heart that will immediately find a place within that small, special tribe of books beloved by readers the world over.” The untold story of the descendants of the Underground Railroad Heartbreaking and wise, Rush Home Road tells the life story of Adelaide Shadd, who finds redemption in old age, and Sharla, a five-year-old mixed race girl abandoned to Addy’s care by her white mother. Born in the first decade of the 20th century in Rusholme (inspired by the real town of Buxton), in southwestern Ontario, an all-black community settled by fugitive slaves, Addy Shadd is raped as a teenager and forced to flee the family home. She makes her way on foot to Detroit, where she becomes the housekeeper for an elderly man and his grown son, both of whom develop a crush on her. When misfortune strikes again, she sets off to make a new life for herself in Canada. Thrown off the train at Keating, not far from her birthplace, she meets and eventually marries the train porter, the wonderful Mose, with whom she has a daughter. But when tragedy strikes, Addy is left alone. Now an old woman, she lives a quiet existence in a trailer park near Chatham. Her whole world changes when a young mother asks her to babysit her daughter, as it soon becomes clear that the mother is never coming back. Addy is glad of the company, but not sure if she’s up to the job of mothering this sweet, awkward five-year-old. Nor is she sure how much longer she’ll be around to do so. How she manages is part of the story of this brilliantly captivating novel. Written with verve, grace and unflinching emotional acuity, Rush Home Road is an epic story that explodes our notions of identity, justice, and heroism, penetrating one of our darkest periods with profound insight and humanity. Addy Shadd is a protagonist like no other -- full of quiet, steely bravery and tenderness of heart. This spellbinding novel will leave no reader untouched.

In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.

Abandoning his life to honor his best friend's death, Wolf is stranded with three strangers in the mountain wilderness above Palm Springs and confronts a terrible choice in order to survive. By the author of Rush Home Road.

It’s the eve of her twenty-fifth wedding anniversary and Mary Gooch is waiting for her husband, Jimmy, to come home. But Mary isn’t just waiting for Jimmy. She is waiting for a mother who accepts her, children she is unable to have, a life beyond the well-worn path from her bedroom to the refrigerator. Mary is waiting for her life to start. As she waits for Jimmy, the night passes into day and it becomes clear that he isn’t coming home. A letter left in the mailbox confirms her worst fears and Mary is left alone to make a difficult decision. Should she break free from her inertia and salvage her marriage? Or is the pull of the familiarity of her home, the predictability of her daily routines, too strong to resist? For the first time in her life, Mary decides to leave and boards a plane to California. She flies across the country in a desperate attempt to find her husband. The clothes, the marriage, the home that had given her a place to hide for so long are all gone. Mary soon finds that the bright sun and broad vistas of California force her to look up from the pavement, stop waiting and start living. What she finds when she does is an inner strength she’s never felt before. Through it all, Mary not only finds kindred spirits, but reunites with a more intimate stranger no longer sequestered by fear and habit: herself.

Delivering an inside account of one of wrestling's most famous fighters, this autobiography offers a rare chance to learn about Joe "Animal" Laurinaitis's life both inside and outside the ring. Revealing riveting stories about his participation in the 1980s and 1990s superstar wrestling team the Road Warriors, it recounts memorable fights with his partner Mike "Hawk" Hegstrand. He describes how he and Mike rose to become a revolutionary tag team—reinventing themselves with spiky accessories and wearing face paint before it was popular—and chronicles famous rivalries, movement between different wrestling associations, and dealing with Mike's longtime struggle with drugs and alcohol. He also invites fans into his personal life and discusses his family and newfound Christian faith. Featuring stories of incredible physical feats and deep-felt companionship, this testimony will help fans relive the glory days of a wrestling legacy.

NATIONAL BESTSELLER This brilliant new novel is an urgent bulletin from an all-too-believable near future in which the religious right has come out on top. And where a smart young girl who questions the new order is suddenly a terrorist. By the bestselling author of The Girls and The Mountain Story. Taking place over 48 hours in the year 2024, this is the story of Rory Anne Miller, on the run with her best friend because they are accused of bombing their posh Californian high school during an American Virtue Ball. There's a bounty on their heads, and a social media storm of trolls flying around them, not to mention a posse of law enforcement, attack helicopters and drones trying to track them down. Rory's mom, a social activist and lawyer, has been arrested and implicated in her daughter's "crimes" whereas her dad (who betrayed his wife and daughter in a nasty divorce) is cooperating with the authorities. The story exists in a universe of gated communities, born-again Christians, Probationary Citizens (once known as "Dreamers"), re-criminalized abortion and birth control, teenage virginity oaths and something called the Red Market, which is either a Conservative bogey-man created to further polarize the "base" or a criminal network making money from selling unwanted babies to whomever wants them and fetal tissue to cosmetics and drug companies. Rory is cynical and scared, furious and scathing, betrayed and looking for something or someone to trust. What she has to say about the dads and bosses and politicians lining up to keep women in their place, and about the ways women collaborate in their own undermining, is fierce, and funny, and sad, and true.

He listened as their voices faded into the rumble of the falls. He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel. Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own. Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

In less than a year, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. That lack of direction lead him on a 5