Russia Washed In Blood

Russia Washed in Blood, first published in full in 1932, is the longest and best-known work by Nikolai Kochkurov (1899–1938), who wrote under the pen-name Artyom Vesyoly. The novel, more a series of extended episodes than a connected narrative with a plot and a hero, is a vivid fictionalised account of the events from the viewpoint of the ordinary soldier. The title of the novel came to symbolise the tragic history of Russia in the 20th century. Born in Samara, on the banks of the Volga, the son of a waterside worker, Artyom Vesyoly was the first member of his family to learn to read and write. He took part in the Civil War of 1918–1921 on the Red side, and at its conclusion began a prolific literary career. Vesyoly took as his main theme the horrific events he had witnessed and participated in during the fierce fighting in Southern Russia between the contending forces – Red, White, Cossack, anarchist and others – and the effects of these on the participants and unfortunate civilians caught between them.

This book provides a comprehensive overview of the Russian Revolution and its aftermath, focusing on the period from 1917 to 1921. Thompson's vivid writing brings to life the key events and personalities of this tumultuous time, from the fall of the Tsar to the rise of Lenin and the Bolsheviks. This book is a must-read for anyone interested in Russian history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Jewish factory worker is falsely accused of ritually murdering a Christian boy in Russia in 1911, and his trial becomes an international cause célèbre. On March 20, 1911, thirteen-year-old Andrei Yushchinsky was found stabbed to death in a cave on the outskirts of Kiev. Four months later, Russian police arrested Mendel Beilis, a thirty-seven-year-old father of five who worked as a clerk in a brick factory nearby, and charged him not only with Andrei’s murder but also with the Jewish ritual murder of a Christian child. Despite the fact that there was no evidence linking him to the crime, that he had a solid alibi, and that his main accuser was a professional criminal who was herself under suspicion for the murder, Beilis was imprisoned for more than two years before being brought to trial. As a handful of Russian officials and journalists diligently searched for the real killer, the rabid anti-Semites known as the Black Hundreds whipped into a frenzy men and women throughout the Russian Empire who firmly believed that this was only the latest example of centuries of Jewish ritual murder of Christian children—the age-old blood libel. With the full backing of Tsar Nicholas II’s teetering government, the prosecution called an array of “expert witnesses”—pathologists, a theologian, a psychological profiler—whose laughably incompetent testimony horrified liberal Russians and brought to Beilis’s side an array of international supporters who included Thomas Mann, H. G. Wells, Anatole France, Arthur Conan Doyle, the archbishop of Canterbury, and Jane Addams. The jury’s split verdict allowed both sides to claim victory: they agreed with the prosecution’s description of the wounds on the boy’s body—a description that was worded to imply a ritual murder—but they determined that Beilis was not the murderer. After the fall of the Romanovs in 1917, a renewed effort to find Andrei’s killer was not successful; in recent years his grave has become a pilgrimage site for those convinced that the boy was murdered by a Jew so that his blood could be used in making Passover matzo. Visitors today will find it covered with flowers. (With 24 pages of black-and-white illustrations.)