Russian Blood

The untold story of how Russia refined the art and science of targeted assassination abroad -- while Western spies watched in horror as their governments failed to guard against the threat They thought they had found a safe haven in the green hills of England. They were wrong. One by one, the Russian oligarchs, dissidents, and gangsters who fled to Britain after Vladimir Putin came to power dropped dead in strange or suspicious circumstances. One by one, their British lawyers and fixers met similarly grisly ends. Yet, one by one, the British authorities shut down every investigation--and carried on courting the Kremlin. The spies in the riverside headquarters of MI6 looked on with horror as the scope of the Kremlin's global killing campaign became all too clear. And, across the Atlantic, American intelligence officials watched with mounting alarm as the bodies piled up, concerned that the tide of death could spread to the United States. Those fears intensified when a one-time Kremlin henchman was found bludgeoned to death in a Washington, D.C. penthouse. But it wasn't until Putin's assassins unleashed a deadly chemical weapon on the streets of Britain, endangering hundreds of members of the public in a failed attempt to slay the double agent Sergei Skripal, that Western governments were finally forced to admit that the killing had spun out of control. Unflinchingly documenting the growing web of death on British and American soil, Heidi Blake bravely exposes the Kremlin's assassination campaign as part of Putin's ruthless pursuit of global dominance-and reveals why Western governments have failed to stop the bloodshed. The unforgettable story that emerges whisks us from London's high-end night clubs to Miami's million-dollar hideouts, ultimately rendering a bone-chilling portrait of money, betrayal, and murder, written with the pace and propulsive power of a thriller. Based on a vast trove of unpublished documents, bags of discarded police evidence, and interviews with hundreds of insiders, this heart-stopping international investigation uncovers one of the most important--and terrifying--geopolitical stories of our time.

In the early l980s, Alex Shoumatoff became curious about his roots. Both his grandmothers were in their 90s, and with a sense of urgency he collected their stories and reminiscences about their life as White Russian aristocrats, which was unceremoniously put an end to by the Bolshevik Revolution; how they "got out" and made new lives in America. The narrative he went on to assemble, which "compares favorably with Nabokov," one critic wrote, brings to life the langorous Turgenevian existence on an estate in Little Russia, of an exceptionally erudite and cultivated family of artists and natural scientists in the final years of the doomed tsarist empire; the failed attempt of Kerensky's provisional government to convert the absolute monarchy to a constitutional one; the l912 expedition to Tibet of his great-uncle, a celebrated lepidopterist, who was looking for new species of alpine papilios; the early years of Igor Sikorsky's fledgling emigre aircraft company on Long Island; the death of FDR, while sitting for a portrait by his grandmother in Warm Springs, Georgia; the escape from the Gulag of his great-aunt; and a host of other poignant events and marvelous characters.

A Jewish factory worker is falsely accused of ritually murdering a Christian boy in Russia in 1911, and his trial becomes an international cause célèbre. On March 20, 1911, thirteen-year-old Andrei Yushchinsky was found stabbed to death in a cave on the outskirts of Kiev. Four months later, Russian police arrested Mendel Beilis, a thirty-seven-year-old father of five who worked as a clerk in a brick factory nearby, and charged him not only with Andrei’s murder but also with the Jewish ritual murder of a Christian child. Despite the fact that there was no evidence linking him to the crime, that he had a solid alibi, and that his main accuser was a professional criminal who was herself under suspicion for the murder, Beilis was imprisoned for more than two years before being brought to trial. As a handful of Russian officials and journalists diligently searched for the real killer, the rabid anti-Semites known as the Black Hundreds whipped into a frenzy men and women throughout the Russian Empire who firmly believed that this was only the latest example of centuries of Jewish ritual murder of Christian children—the age-old blood libel. With the full backing of Tsar Nicholas II’s teetering government, the prosecution called an array of “expert witnesses”—pathologists, a theologian, a psychological profiler—whose laughably incompetent testimony horrified liberal Russians and brought to Beilis’s side an array of international supporters who included Thomas Mann, H. G. Wells, Anatole France, Arthur Conan Doyle, the archbishop of Canterbury, and Jane Addams. The jury’s split verdict allowed both sides to claim victory: they agreed with the prosecution’s description of the wounds on the boy’s body—a description that was worded to imply a ritual murder—but they determined that Beilis was not the murderer. After the fall of the Romanovs in 1917, a renewed effort to find Andrei’s killer was not successful; in recent years his grave has become a pilgrimage site for those convinced that the boy was murdered by a Jew so that his blood could be used in making Passover matzo. Visitors today will find it covered with flowers. (With 24 pages of black-and-white illustrations.)

A fundamentally new interpretation of the emergence of modern terrorism, arguing that it formed in the Russian literary imagination well before any shot was fired or bomb exploded.

Russia Washed in Blood, first published in full in 1932, is the longest and best-known work by Nikolai Kochkurov (1899–1938), who wrote under the pen-name Artyom Vesyoly. The novel, more a series of extended episodes than a connected narrative with a plot and a hero, is a vivid fictionalised account of the events from the viewpoint of the ordinary soldier. The title of the novel came to symbolise the tragic history of Russia in the 20th century. Born in Samara, on the banks of the Volga, the son of a waterside worker, Artyom Vesyoly was the first member of his family to learn to read and write. He took part in the Civil War of 1918–1921 on the Red side, and at its conclusion began a prolific literary career. Vesyoly took as his main theme the horrific events he had witnessed and participated in during the fierce fighting in Southern Russia between the contending forces – Red, White, Cossack, anarchist and others – and the effects of these on the participants and unfortunate civilians caught between them.

This book brings together a wide variety of historical, critical, and literary texts that reveal and discover the origins, growth, and development of the vampire myth from its beginnings to the 21st century.