Sacral Kingship In Bourbon France

Historians of the ancien régime have long been interested in the relationship between religion and politics, and yet many issues remain contentious, including the question of sacral monarchy. Scholars are divided over how - and, indeed, if - it actually operated. With its nuanced analysis of the cult of Saint Louis, covering a vast swathe of French history from the Wars of Religion through the zenith of absolute monarchy under Louis XIV to the French Revolution and Restoration, Sacral Kingship in Bourbon France makes a major contribution to this debate and to our overall understanding of France in this fascinating period. Saint Louis IX was the ancestor of the Bourbons and widely regarded as the epitome of good Christian kingship. As such, his cult and memory held a significant place in the political, religious, and artistic culture of Bourbon France. However, as this book reveals, likenesses to Saint Louis were not only employed by royal flatterers but also used by opponents of the monarchy to criticize reigning kings. What, then, does Saint Louis' cult reveal about how monarchies fostered a culture of loyalty, and how did sacral monarchy interact with the dramatic religious, political and intellectual developments of this era? From manuscripts to paintings to music, Sean Heath skilfully engages with a vast array of primary source material and modern debates on sacral kingship to provide an enlightening and comprehensive analysis of the role of Saint Louis in early modern France.

France and England are often seen as monarchies standing at opposite ends of the spectrum of seventeenth-century European political culture. On the one hand the Bourbon monarchy took the high road to absolutism, while on the other the Stuarts never quite recovered from the diminution of their royal authority following the regicide of Charles I in 1649. However, both monarchies shared a common medieval heritage of sacral kingship, and their histories remained deeply entangled throughout the century. This study focuses on the interaction between ideas of monarchy and images of power in the two countries between the execution of Mary Queen of Scots and the Glorious Revolution. It demonstrates that even in periods when politics were seemingly secularized, as in France at the end of the Wars of Religion, and in latter seventeenth- century England, the appeal to religious images and values still lent legitimacy to royal authority by emphasizing the sacral aura or providential role which church and religion conferred on monarchs.

On the accession of Louis XIII in 1610 following the assassination of his father, the Bourbon dynasty stood on unstable foundations. For all of Henri IV's undoubted achievements, he had left his son a realm that was still prey to the ambitions of an aristocracy that possessed independentmilitary force and was prepared to resort to violence and vendetta in order to defend its interests and honour. To establish his personal authority, Louis XIII was forced to resort to conspiracy and murder, and even then his authority was constantly challenged. Yet a little over a century later, asthe reign of Louis XIV drew to a close, such disobedience was impossible. Instead, a simple royal command expressing the sovereign's disgrace was sufficient to compel the most powerful men and women in the kingdom to submit to imprisonment or internal exile without a trial or an opportunity tojustify their conduct, abandoning their normal lives, leaving families, careers, offices, and possessions behind in obedience to their sovereign.To explain that transformation, this volume examines the development of this new "politics of disgrace", why it emerged, how it was conceptualised, the conventions that governed its use, and reactions to it, not only from the perspective of the monarch and his noble subjects, but also the greatcorporations of the realm and the wider public. Although that new model of disgrace proved remarkably successful, influencing the ideas and actions of the dominant social elites, it was nevertheless contested, and the critique of disgrace connects to the second aim of this work, which is to useshifting attitudes to the practice as a means of investigating the nature of Ancien Regime political culture and some of the dramatic and profound changes it experienced in the years separating Louis XIII's dramatic seizure of power from the French Revolution.

This volume explores the conceptualization and construction of sacred space in a wide variety of faith traditions: Christianity, Hinduism, Islam, Judaism, and the religions of Japan. It deploys the notion of "layered landscapes" in order to trace the accretions of praxis and belief, the tensions between old and new devotional patterns, and the imposition of new religious ideas and behaviors on pre-existing religious landscapes in a series of carefully chosen locales: Cuzco, Edo, Geneva, Granada, Herat, Istanbul, Jerusalem, Kanchipuram, Paris, Philadelphia, Prague, and Rome. Some chapters hone in on the process of imposing novel religious beliefs, while others focus on how vestiges of displaced faiths endured. The intersection of sacred landscapes with political power, the world of ritual, and the expression of broader cultural and social identity are also examined. Crucially, the volume reveals that the creation of sacred space frequently involved more than religious buildings and was a work of historical imagination and textual expression. While a book of contrasts as much as comparisons, the volume demonstrates that vital questions about the location of the sacred and its reification in the landscape were posed by religious believers across the early-modern world.

Rites of Power provides a sweeping overview of the symbolism of power from tenth-century France to modern Britain. Approaching their topic from an eclectic range of intellectual traditions, the authors turn the study of politics, social relations, and cultural creation into a single endeavor. The essays begin with three assumptions: that all societies are ordered and governed by "master fictions" (divine right, equality for all) which make political hierarchy appear natural; that political rhetoric includes nonverbal communication (royal portraits, statistics on crop yields); and that common rhetoric can mean different things to various segments of a culture ("states' rights" during the American Civil War). Societies studied include France and Spain in the Middle Ages, post-Revolutionary France, the modern British monarchy, tsarist Russia, colonial Virginia, and industrial Germany. The essays were selected to provide methodological as well as historical coverage; the result is a comprehensive treatment along the cutting edge of several disciplines. This book will appeal to scholars and students in the fields of history, political science, sociology, anthropology, and art history.

"Licentious or bigoted, noble or ignoble," wrote Nancy Mitford, "there has seldom been a dull Bourbon." The story of the Bourbon kings encompasses the two most glorious and turbulent centuries in French history, yet surprisingly, this is still the only narrative account of the dynasty for the general reader. They emerge from a shadowy line of medieval princes in 1589 to rule France for over 200 years, dominating Europe, launching an endless series of wars, creators of the dazzling splendour of Versailles, survivors from the holocaust at the French Revolution. They begin with the dashing figure of Henri IV, with his courage, gaiety and sixty-four mistresses; they include figures such as the Sun King Louis XIV and Louis XVI who ended under the guillotine; they close with the little-known "Henri V" - expected to return and rule France in 1873 but whose refusal to abandon the Lily banner of the Bourbons for the Tricolore finally lost the throne. Desmond Seward sets them in historical perspective, each with his entourage of generals, cardinals and whores, wrestling Vith a haughty aristocracy and financial crisis. Spiced with scandalous contemporary gossip, here is a splendidly readable book. "A blending of wide historical knowledge and vigorous independent judgement to make a lively, exciting but dependable account for the general reader." Sunday Times "Enormously entertaining ... an excellent read ... a cross between a package tour of the Bourbon dynasty and a Guide Michelin to the favourites, mistresses and ministers of the French monarchy." Spectator "Seward's biographies of French kings are always charming and informative. This collection of anecdotes about about the Bourbon kings of France, who reigned, with some interruptions, between 1589 and 1830, is no exception ... a unique attempt at portraying a race of kings who were responsible for both the heights and the depths of the French kingdom ... Seward relies on contemporary accounts and memoirs as well as much recent scholarship to reveal the Bourbons in their glory and their despair." Choice (USA) ..".strong on period atmosphere..." Spectator

M. Cecilia Gaposchkin reconstructs and analyzes the process that led to King Louis IX of France's canonization in 1297 and the consolidation and spread of his cult.