Sacred Songs And Solos Book 1

Each book contains eight well-known hymns arranged as both traditional song accompaniments and piano solos. Both volumes were written for the intermediate pianist who is searching for impressive arrangements for worship. The song versions are arrangements similar to standard hymnals yet are easier to play. The more elaborate solo versions are showy arrangaments suitable for preludes, offertories and postludes. Peaceful, lyrical solos are included for the meditative moments of the church service.

Each book contains eight well-known hymns arranged as both traditional song accompaniments and piano solos. Both volumes were written for the intermediate pianist who is searching for impressive arrangements for worship. The song versions are arrangements similar to standard hymnals yet are easier to play. The more elaborate solo versions are showy arrangaments suitable for preludes, offertories and postludes. Peaceful, lyrical solos are included for the meditative moments of the church service.

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Each book contains eight well-known hymns arranged as both traditional song accompaniments and piano solos. Both volumes were written for the intermediate pianist who is searching for impressive arrangements for worship. The song versions are arrangements similar to standard hymnals yet are easier to play. The more elaborate solo versions are showy arrangaments suitable for preludes, offertories and postludes. Peaceful, lyrical solos are included for the meditative moments of the church service.

A classic collection of hymns and choruses, Sankey's Sacred Songs and Solos was developed by Ira D. Sankey as a resource for his concerts and revival meetings in the late 19th century. This collection is still popular today, with a wide selection of hymns and songs on many different themes. Now the Music edition is available again at long last, enabling churches to restock and be sure of continuing to access the deep riches of Sankey's compilation for years to come.

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

The duets are appropriate for most denominations and church occasions and correlate well with Alfred's Basic Piano Library Level 1B. Titles: * Every Time I Feel the Spirit * For the Beauty Of the Earth * He's Got the Whole World in His Hands * Jesus Loves Me * Joyful, Joyful We Adore Thee * Kum Ba Yah * Oh, How I Love Jesus! * Praise Him, All Ye Little Children * This Little Light of Mine