Sankaran Is Again On The Coconut Tree

Kerala is a destination on the world tourist map. It is often referred to as Gods Own Country. The place has been visited by foreigners from all over the globe for five thousand years at least. To give an insight into the mysteries of this place and events that occurred over many, many years, Sankaran, an immortal, takes the reader through very gripping, thrilling, and thought-provoking situations and, in the process, demystifies the Malayalee.

Extremism, now more widely termed, terrorism, is on the lips of every human being, on the front pages of the world's newspapers everyday and on the screens of news media every moment. But we still long for love and love still thrives. This poetic novel by M.Pothen plunges us directly into the forests, paddy fields and farm lands and leads us through the hilltops, narrow paths, junctions and village homes of the Indian State, Kerala, from the 1960s to the 1980s, describes the delicate and soulful awakening of love in two lives, and has roots in ancient Indian tradition. Can you forgive a terrorist, if he has participated in the murder of your own father? Like the heroine, Ahalya, we live in complicated times, where black and white give way to shades of gray, and in Where Monsoon Never Ends, we hold our breath to witness which will win the battle, love or hate? Like the hero, Arjunan, along with the numerous village characters, we are fighting to win that battle within ourselves. M. Pothen was raised in a village in Kerala, the tiny state in the extreme southern portion of India. Gifted by nature's bliss, surrounded by coconut groves, paddy fields, green hills, valleys, rivers, canals, backwaters, and the never ending monsoons, Kerala embodies the term, "God's own country." Born in 1959 as the youngest and only brother of four sisters, Pothen started writing poems at 18. Many of his poems in his mother tongue have been published and broadcast over local radio stations. Raised by his father, a schoolteacher who left to eternity few years back and mother, who survives, Pothen is a member of the Indian Orthodox Christian Community. After completing his bachelor's degree in Kerala, he started a career as an accountant in the United Arab Emirates in 1985. A father of two boys aged 19 and 21, now he lives in Sharjah, U.A.E and works as chief accountant in a private firm. He is part of the many millions of Overseas Indians for the last 25 years.

A representative selection from one of India's leading fiction writers The most versatile writer in Malayalam today, M.T. Vasudevan Nair has published short stories, novels, screenplays, as well as articles on the state of literature and cinema in India. At the heart of this collection is The Demon Seed, a fresh translation of Asuravithu, arguably one of his best novels. Published in Malayalam in 1962, it is an uncompromising look at the crumbling matrilineal order, and the breakdown of the joint family system. The novel tells the story of Govindankutty, a young unemployed Nair boy. When his wealthy brother-in-law takes him on as the manager of his property, and a marriage is arranged for him, Govindankutty dares to dream for the first time in his life. He brings his bride home, eager to start life afresh, but discovers to his horror that she is already pregnant by another man-his urbane lawyer-cousin Krishnettan. Shattered by the knowledge that his family had connived to betray him, Govindankutty goes berserk. Finally, estranged from home and village, he converts to Islam in the ultimate gesture of defiance. Tautly written and brilliantly characterized, The Demon Seed is a powerful novel about a society in transition. The collection also brings together six of MT's best stories, including 'Vanaprastham', The Jackal's Wedding' and 'Sherlock'. Also included are 'The Era of Ramanan', an essay on the impact of the first modem verse romance in Malayalam, and a beautifully crafted piece on contemporary cinema. Taken together, these writings are testimony to the remarkable range and depth of M.T. Vasudevan Nair's work.

With humor, intelligence, and masterly prose, Lavanya Sankaran’s debut novel brilliantly captures the vitality and danger of a newly industrialized city and how it shapes the dreams and aspirations of two very different families. Anand is a Bangalore success story: successful, well married, rich. At least, that’s how he appears. But if his little factory is to grow, he needs land and money, and, in the New India, neither of these is easy to find. Kamala, Anand’s family’s maid, lives perilously close to the edge of disaster. She and her clever teenage son have almost nothing, and their small hopes for self-betterment depend on the contentment of Anand’s wife: a woman to whom whims come easily. But Kamala’s son keeps bad company, and Anand’s marriage is in trouble. The murky world where crime and land and politics meet is a dangerous place for a good man, particularly one on whom the well-being of so many depends. Rich with irony and compassion, Lavanya Sankaran’s The Hope Factory affirms her gifts as a born storyteller with remarkable prowess, originality, and wisdom. Praise for Lavanya Sankaran’s The Red Carpet “By the end of [the] very first story, people half a world away have been transformed into complete human beings, full of frailties and fragile self-regard, achingly sympathetic. That’s why The Red Carpet reads like a revelation. . . . I recommend this book so highly!”—Carolyn See, The Washington Post “Throughout these fine, articulate stories, Lavanya Sankaran brings to life the new and old social worlds of Bangalore. More important, she uses the quiet dignity of her characters to reveal what’s universal in the wide rift between generations. It’s an unusually elegant and nuanced portrait.”—John Dalton, author of The Inverted Forest “It’s a pity there aren’t more stories to be told in Carpet. They’re so much fun.”—The Dallas Morning News “[An] animated debut . . . [These stories] are memorable for their subtle wit and convincing evocation of a dynamic world.”—Publishers Weekly

The editors (affiliated with the department of English language and literature, National U. of Singapore present 29 selected papers from the 9th Biennial Symposium on the Literatures and Cultures of the Asia-Pacific Region. The theme of the symposium was "complicity" in the age of globalization, carrying both negative and positive connotations of "compromises" and "resistances" in literature and culture. Examining Asian-Pacific literatures in English, the papers engage the concept of complicitousness in a range of dimensions. The papers are grouped into sections that are broadly categorized in terms of Asia-Pacific relations; the politics of identity; and language, gender, and empowerment. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

"Pinus radiata (radiata pine) is a versatile, fast-growing, medium-density softwood, suitable for a wide range of end-uses. Its silviculture is highly developed, and is built on a rm foundation of over a century of research, observation and practice. Radiata pine is often considered a model for growers of other plantation species. This book explores current knowledge of, and experience with radiata pine forest plantation management and examines its long-term sustainability. Radiata pine management needs to integrate the biological aspects of tree-growing, with socio-economics, management objectives, practical considerations and other constraints and opportunities. Although stands of radiata pine may appear to be simple, they are actually quite complex ecosystems because they contain large, long-lived trees that change dramatically over time and interact in changing ways with the environment and with other organisms. The focus of this book is on the principles and practices of growing radiata pine sustainably. It also looks ahead to emerging challenges facing radiata pine plantation management, such as the effects of climate change, new diseases and other threats, and meeting changing product needs and societal demands."--Page 4 of cover.

Contributed articles.