Savage Art

This is the first time most of these cover paintings have been collected and reproduced in their original form. Uncensored genre art that splashed the covers of American news stand pulp magazines in the 1930s and 40s frequently expressed male violence. "Savage Art" showcases this popular period illustration - that prefigured and helped create the violent visual language in much of today's aboveground cinema ("Pulp Fiction", "Kill Bill"), comic books ("The Dark Knight Returns", "Sin City") and ultra-violent multi-million copy video games ("Grand Theft Auto", and "Metal Gear Solid"). Featuring the original disturbing paintings by Walter Baumhofer, Rafael de Soto, Jerome Rozen and other pulp illustrators, many shown here for the first time, this lavishly-produced full colour collection documents Depression era masculine aggression as depicted on the covers of popular literature.

Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.

Death was his art. She would be his masterpiece. They called him Leonardo-a master skilled in the art of murder. One year ago, Cincinnati was his canvas. A scalpel was his tool. And women were his works-in-progress. FBI profiler Casey McKinley was one of them. She has the scars-and the nightmares-to prove it.

The acclaimed art fanzine’s psychogeographic drifts through a ruined city Savage Messiah collects the entire set of Laura Oldfield Ford’s fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalization of the city’s working class and an exploration of the cracks that open up in urban space.

There are innovators who blaze trails to show the way forward, and creative genius Bob Larkin is certainly one of them. His magazine and paperback covers are both legendary and iconic. From Conan to Star Wars, Doc Savage to The Hulk, there are few pop culture touchstones that artist Bob Larkin hasn't brought his unique and powerful style of illustration to. This full colour retrospective of over 100 paintings also includes an introduction by Joe Jusko and an afterword by Alex Ross.

'Our Savage Art' features the corrosive wit and substantial critiques that are the trademarks of William Logan's style. Opening with a defence of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, and the inflated reputation of Hart Crane.

A recreation of events from the childhood and early career of Augusta Savage, a pioneering female sculptor and major figure of the Harlem Renaissance.

"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa