Scatter My Ashes At Bergdorf Goodman

A gorgeously illustrated companion to the fashion documentary of the same name, Scatter My Ashes at Bergdorf Goodman is an unforgettable collection of anecdotes, from the hilarious to the poignant, in commemoration of the internationally renowned luxury specialty store’s 111th anniversary. With delightful remembrances from celebrities, designers, and highly regarded fashion insiders—from Manolo Blahnik, Marc Jacobs, and Vera Wang to Joan Rivers, Susan Lucci, and Ashley and Mary-Kate Olsen—Scatter My Ashes at Bergdorf Goodman also features a foreword by fashion writer Holly Brubach, as well as art and photography from major advertising campaigns and original vintage sketches created by Bergdorf at the collection presentations of designers such as Lanvin, Chanel, and Balenciaga. This is an essential book for anyone who loves fashion, the thrill of a sumptuous shopping experience, and wonderful stories told by and about the famous.

The Fashion Insiders’ Guides are carefully curated compendiums of the current hotspots, classic haunts, and hidden gems of the world’s greatest fashion destinations. A former Parisian living in New York, French Vogue correspondent Carole Sabas was often approached by friends and colleagues on their way to Paris for Fashion Week, looking for the best place for a quick facial, early morning yoga, or to meet a friend for a drink. So many people asked, in fact, that she produced a small guide filled with advice, which she gave out for free. Requests for more information and other cities came pouring in. Abrams is now making Sabas’s Paris and New York guides available to everyone, with expanded content including chapters such as “Eating and Drinking,” “Beauty,” “Health,” “Shopping,” “Art,” and an eclectic selection of odds and ends called “Might Be Useful One Day.” Written with a light touch and in a friendly tone, each entry includes a description of the recommended spots with hints about when to go, who to ask for, and what to get, as well as location and contact information. The inclusion of additional advice from local fashion celebrities on their favorite places to frequent puts readers confidently in-the-know. Peppered throughout with drawings by a noted and local fashion illustrator, these beautifully designed guides will be the must-have accessories of the season. Praise for The Fashion Insiders' Guide to New York: “Hidden gems are finally unveiled in this posh and savvy guide for sophisticated visitors and newcomers to the Big City . . . this is one must-have guide for stylish New York travelers.” —Ambassador magazine

A truly inspirational memoir, this is Ed's story: an affecting, candid and wildly funny tale of one man's meteoric rise to the top of the retail and fashion world - from heroin addict to MD of Liberty, one of Britain's most iconic institutions. Along the way, Ed shares his ups and downs: the riotous hedonism of the 1980s New York and Florida party scene; the devastating impact of the AIDS crisis, during which he lost his best friend; his first job as a spritzer at Macy's; his role in transforming the fortunes of two of New York's most prestigious luxury department stores; his battle with drug addiction and depression; his experiences working with, and feting, a multiplicity of high-profile stars; his top tips for surviving in fashion and retail; and finally his coming to London to take the reins at Liberty, a stranger in a strange land. At Liberty is a window onto a seemingly glamorous world, a world that Ed writes about with a sparky, wry, self-deprecating humour and a fantastic sense of pathos. Ed truly is a larger-than-life character, on and off the page.

Bringing together an international range of scholars, as well as filmmakers and curators, this book explores the rich variety in form and content of the contemporary art documentary. Since their emergence in the late 1940s as a distinct genre, documentaries about the visual arts have made significant contributions to art education, public television, and documentary filmmaking, yet they have received little scholarly attention from either art history or film studies. Documenting the Visual Arts brings that attention to the fore. Whether considering documentaries about painting, sculpture, photography, performance art, site-specific installation, or fashion, the chapters of this book engage with the key question of intermediality: how film can reframe other visual arts through its specific audio-visual qualities, in order to generate new ways of understanding those arts. The essays illuminate furthermore how art documentaries raise some of the most critical issues of the contemporary global art world, specifically the discourse of the artist, the dynamics of documentation, and the visuality of the museum. Contributors discuss documentaries by filmmakers such as Frederick Wiseman, Lynn Hershman Leeson, Jia Zhangke, and Trisha Ziff, and about artists such as Michael Heizer, Ai Weiwei, Do Ho Suh, and Marina Abramović. This collection of new international and interdisciplinary scholarship on visual art documentaries is ideal for students and scholars of visual arts and filmmaking, as well as art history, arts education, and media studies.

Linda Simanella Keener loved puppies, maybe even just a little more than people, but she did love them both. She had a Sicilian father John and a German mother Martha, and she favored her father’s Italian side of the family. Her father taught her how to play the flute and they performed duets together. In Promise Me You’ll Remember, author Ronald E. Keener offers a memoir of Linda’s life. Six months after Linda’s death from cancer when she was sixty-seven years old, Keener began this remembrance of his wife. He shares a host of highlights from his life, her life, and their life together, a relationship of thirty-seven years. Promise Me You’ll Remember narrates how Linda loved to laugh, had a deep sense of humor, and delivered her own one-liners. A person of charm, style, and taste who hailed from the heartland of Springfield, Illinois, Linda also had the common touch, too. Filled with insights about marriage and relationships, life and living, and death and dying, Promise Me You’ll Remember pays tribute to Linda Keener and the mark she left on the world.

Who makes your clothes? This used to be an easy question to answer it was the seamstress next door, or the tailor on the high street—or you made them yourself. Today, we rarely know the origins of the clothes hanging in our closets. The local shoemaker, dressmaker, and milliner are long gone, replaced a globalized fashion industry worth $1.5 trillion a year. In Wardrobe Crisis, fashion journalist Clare Press explores the history and ethics behind what we wear. Putting her insider status to good use, Press examines the entire fashion ecosystem, from sweatshops to haute couture, unearthing the roots of today’s buy-and-discard culture. She traces the origins of icons like Chanel, Dior, and Hermès; charts the rise and fall of the department store; and follows the thread that led us from Marie Antoinette to Carrie Bradshaw. Wardrobe Crisis is a witty and persuasive argument for a fashion revolution that will empower you to feel good about your wardrobe again.

The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today's visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows. Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion. Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies.