Screening Love And War In Troy Fall Of A City

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering an engaging range of topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of a modern audience. This series was praised for its thought-provoking way of handling important the issues which affected the mythical city of Troy and which continue to impact our present society. Divided into discussions on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the new ways in which the mythic feminine figures such as Helen, Aphrodite and the Amazons were depicted in the series. An examination is also made into the concept of the hero and how the conventional representation of masculinity was challenged. We encounter a significant discussion on race which focuses on the controversial decision to cast Achilles, Patrocolus, Zeus and other characters with black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The often overlooked significance of costume and the influence of design is also discussed

WAR HAS BEEN DECLARED ... and the Ancient World is divided into fiercely opposing factions. On the killing fields outside the Golden City forces loyal to the Mykene king mass. Among them is Odysseus, reluctant ally to King Agamemnon; alongside him the mighty warrior Achilles stands ready to begin the slaughter. Both know that Agamemnon will stop at nothing to secure the treasure that lies within the city walls. Ailing and bitter, the Trojan king waits, his hope pinned on two heroes: his favourite son Hektor, the mightiest warrior of his age, and the dread Helikaon who will wreak terrible vengeance for the death of his wife at Mykene hands. As darkness falls on the Great Green, and warriors who were once kinsmen are filled with bloodlust, this much is certain; this a battle whose tragic consequences will echo down the centures. Troy: Fall of Kings is the culmination of a story that interlaces myth and history, swash-buckling adventure and high romance. It shows how ordinary men and women can become heroes and achieve immortality; and it demonstrates how within each one of us lies the possibility of redemption.

The Trojan Women Euripides - The play begins with the god Poseidon lamenting the fall of Troy. He is joined by the goddess Athena, who is incensed by the Greeks exoneration of Ajax the Lessers actions in dragging away the Trojan princess Cassandra from Athena's temple (and possibly raping her). Together, the two gods discuss ways to punish the Greeks, and conspire to destroy the home-going Greek ships in revenge.

This epic poem tells the story of the Trojan War, from the initial Greek siege of Troy to the final fall of the city. It explores the motivations and actions of the key players on both sides of the conflict, and provides a vivid and compelling portrayal of one of the defining moments in Western history. The poem is highly regarded as a masterpiece of classical literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. The first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. Examines the film’s use of Homer’s Iliad and the myth of the Trojan War, its presentation of Bronze-Age archaeology, and its place in film history. Identifies the modern political overtones of the Trojan War myth as expressed in the film and explains why it found world-wide audiences. Editor and contributors are archaeologists or classical scholars, several of whom incorporate films into their teaching and research. Includes an annotated list of films and television films and series episodes on the Trojan War. Contains archaeological illustrations of Troy, relevant images of ancient art, and stills from films on the Trojan War.

This dynamic collection of essays by international film scholars and classicists addresses the provocative representation of sexuality in the ancient world on screen. A critical reader on approaches used to examine sexuality in classical settings, contributors use case studies from films and television series spanning from the 1920s to the present.