Screening Scripture

Om amerikanske film som tolkes ud fra tekster i Bibelen

An intertextual examination of popular films and scripture.

Scientist and theologian John Polkinghorne is one of the world's leading authorities on issues of science and faith. In this compelling work, he provides a fresh, honest look at key themes of the Bible from an analytical and rational perspective, offering a series of insights that have helped him in his own engagement with the Bible. Polkinghorne tackles the questions a modern Western thinker might bring to the Bible, including issues of Scripture and authority, contradiction and ambiguity, and the creation and fall. He also addresses theological challenges of the Old Testament, the Gospels, and the writings of Paul. "I have written this little book in the hope that it will be helpful to those who are seeking a careful and thoughtful engagement with the Bible in their quest for a truthful understanding of the ways of God and the nature of spiritual reality," writes Polkinghorne. His nuanced approach will be appreciated by any reader with an open and inquiring mind who is interested in the intersection between science and Scripture.

This book deals with the British deists' biblical hermeneutics, its roots, and its effects on European culture and society. Deist thinkers such as John Toland, Anthony Collins and Matthew Tindal pointed out the historical and anthropological origins of positive religions. Focusing on the human roots of Judaism, Christianity, Islam and Ancient Paganism, they advocated tolerance and freedom of thought. In the context of the deists' research on the history of positive religions, the study of the Scriptures played a key role. Deists and freethinkers fought against the influence of Christian doctrine on political and social life. They denied the supernatural foundations of Christianity and of Christian institutions, and analyzed the Bible with the aim to promote the free search for truth. This book thus stresses the significance of the deists' biblical criticism for the development of Enlightenment views of religion and for the secularization of Europe.

"The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters and themes in popular culture; the Bible in popular cultural genres; "lived" examples; and a concluding section in which we take stock of methodologies like Reception History and the impact of the field on teaching and publishing. These topics are all addressed by focusing on specific examples from film, television, comics, music, literature, video games, science fiction, material culture, museums, and theme parks, to name a few. This book represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of Bible and American popular culture"--

Originally published as the The Continuum Companion to Religion and Film, this Companion offers the definitive guide to study in this growing area. Now available in paperback, the Bloomsbury Companion to Religion and Film covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this evolving research area. Featuring chapters on methodology, religions of the world, and popular religious themes, as well as an extensive bibliography and filmography, this is the essential tool for anyone with an interest in the intersection between religion and film.

Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.

The biblical story of Ruth celebrates the power to begin life anew, to gather what has been scattered, to glean what one needs. In this original approach to understanding an ancient love story, Jennifer L. Koosed crafts a multifaceted portrait of the Old Testament character of Ruth and of the demanding agricultural world in which her story unfolds. Highlighting the most complex aspects of the book—the relationships Ruth has with her mother-in-law, Naomi; sister-in-law, Orpah; future husband, Boaz; and infant son, Obed—Koosed explores the use of pairings to define Ruth's aspirational fortitude. Koosed also touches on the narrative's questions of sexuality, kinship, and law as well as the metaphoric activities of harvest that serve to advance the plot and illuminate the social and geographic context of Ruth's tale. From the private world of women to the public world of men, Koosed guides readers through the book of Ruth's revealing glimpses into the sociology of the ancient Hebrew world. The study concludes with a discussion of the postbiblical fascination with Ruth and her later representations in a variety of literary and visual media. Koosed's approach is eclectic, employing a host of methodologies from philology and theology to literature, folklore, and feminism. Thoughtful of the interests of both scholarly and lay audiences, Koosed presents inviting and compelling new insights into one of the Old Testament's most enigmatic characters.