Sculpture On A Grand Scale

The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book

The Kingdome, John (?Jack?) Christiansen?s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle?s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927?2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center?s 1962 World?s Fair buildings, and the Museum of Flight?s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region?s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete?the Kingdome being the most prominent example?to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen?s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region?s built environment. A Michael J. Repass Book

Shedding new light on the relatively unknown art of the Wittelsbach dukes's sixteenth-century court, The Court Art of Friedrich Sustris represents the first monograph to focus on this Italian-trained Netherlandish artist. The volume incorporates original archival material, including letters and payment records into the analysis of Sustris's many projects that ranged from large fresco cycles to intimate luxury and devotional objects. Duke Wilhelm V of Bavaria transformed Munich into a vital cultural crossroads between northern Europe and Italy. As Wilhelm's court artist and artistic director, Friedrich Sustris created a unified vision that broadcast Bavarian magnificence to princely courts across Europe. Although much of Sustris's work is lost, the remaining body of his drawings provides a unique window onto the reception of drawings by early modern elites within the context of their collecting practices.

Help your child hit new heights in test-taking with Spectrum Test Practice for grade 6. Aligned to current state standards, this workbook gets kids ready using practice tests, online exercises, tips, examples, and answer sheets genuine to the real math and language arts assessments. By providing an authentic test experience, you’re helping your child build the skills and confidence to exceed assessment expectations. Spectrum Test Practice provides everything kids need to take on testing—including online practice pages, customized by state and grade-level.

A workbook offering sample questions and tests, designed to help students become familiar with test formats and content.

Public sculpture is a major draw in today’s cities, and nowhere is this more the case than in New York. In the Big Apple, urban art has become synonymous with the municipal “brand,” highlighting the metropolis as vibrant, creative, tolerant, orderly, and above all, safe. Sculpture in Gotham tells the story of how the City of New York came to be committed to public art patronage beginning in the mid-1960s. In that era of political turbulence, cultural activists and city officials for a time shifted away from traditional monuments, joining forces to sponsor ambitious sculptural projects as an instrument for urban revitalization. Focusing on specific people, agencies and organizations, and both temporary and permanent projects, from the 1960s forward, Michele H. Bogart reveals the changing forms and meanings of municipal public art. Sculpture in Gotham illustrates how such shifts came about at a time when art theories and styles were morphing markedly, and when municipalities were reeling from racial unrest, economic decline, and countercultural challenges—to culture as well as the state. While sculptural installations on New York City property took time and were not without controversy, Gotham’s processes and policies produced notable results, providing precedents and lessons for cities the world over.

This 256-page workbook helps sixth grade children learn to follow directions, understand test formats, use effective strategies to avoid common mistakes, and budget their time wisely. This workbook includes actual test questions in reading, language arts, and math; tips on test preparation; strategies and techniques for answering different kinds of questions; full-length practice tests; and a complete answer key. Test questions feature up-to-date content aligned with the Common Core Standards. The Ready to Test series boosts confidence and helps learners improve their test scores by offering children the preparation they need for standardized tests.