Seeing Things In Black And White

Perception is reality in this semi coming to afar piece about a young black man, living in a world of racial and economic inequities. Inspired in part by Gil Scott Heron’s track “B Movie”, the story takes readers on a journey beginning in the mid 90’s into the present day, chronicling many of the real issues faced by young black men, and the role of their white counterparts. Follow our protagonist as he views the world, “in black and white.”

"In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires. Seeing Things is about the sudden cuts, botched prosthetic effects, continuity errors, and celluloid damage in these movies. Such moments may very well be "failures" of various kinds, but in this book Kartik Nair reads them as clues to the conditions in which the films were once made, censored, and seen, offering a view from below of the world's largest film culture. Combining extensive archival research and original interviews with close readings of landmark films including Purana Mandir, Veerana, and Jaani Dushman, this book tracks the material coordinates of horror cinema's spectral images. In the process, Seeing Things discovers a spectral materiality-one that informs Bombay horror's haunted houses, grotesque bodies, and graphic violence and gives visceral force to our experience of the genre's globally familiar conventions"--

Interviews with the acclaimed director of the films Dune, Blue Velvet, The Elephant Man, Mulholland Drive, and Inland Empire and the hit TV series Twin Peaks

Perception is reality in this semi coming to afar piece about a young black man, living in a world of racial and economic inequities. Inspired in part by Gil Scott Heron's track "B Movie", the story takes readers on a journey beginning in the mid 90's into the present day, chronicling many of the real issues faced by young black men, and the role of their white counterparts. Follow our protagonist as he views the world, "in black and white."

Colin Cotterill creates a new member of his wonderful cast of characters in his latest book Bleeding in Black and White. CIA agent Robert "Bodge" Leon has been desk bound since joining the agency at its post-WW2 inception. He dreams of being in the field, but when that happens it goes far from as expected. Sent to the Vietnamese highlands during the French fight against independence, he meets the beautiful concubine of the Emperor. Meanwhile back in the US the KGB is using a purge inside the CIA to recruit double agents. Can Bodge survive to find love in the Orient and see justice done back home?

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