Seeing Through The Veil

During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness, ' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.

During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness,' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.

For as long as he can remember, Blake K. Healy has seen angels and demons. He sees them as clearly as he would see you if you were standing right in front of him. He sees angels dancing in worship services and whispering words of encouragement in people’s ears. He also sees demons latching on to people and perpetuating addiction and bitterness in their hearts. The Veil chronicles how Blake matured in this gifting, while overcoming the fear and confusion of what he saw, how he learned to use his gift of seeing for God’s glory, and how to teach others to do the same. This new and updated version of The Veil also includes a brief guide on how to begin growing in the gift of seeing in the spirit yourself, as well as an appendix of scriptural references to the spirit realm and angels, along with Blake’s commentary on these passages.

In Damascus a Muslim woman rises before dawn and performs a ritual washing before covering her head in prayer. A Kurdish man smiles with interest at the American researcher visiting his niece, but over time his smile turns to disapproval. A student from Damascus University invites her American friend home to break the fast and stay overnight in the village. As part of an ethnographic research team, Lisa Ohlen Harris was able to see the true face of Damascus. A few years later, she returned to live in Jordan with her husband and small child. In Through the Veil, Harris provides a long and honest look at scenes usually hidden from Western eyes. The essays collected here dispel stereotypes, focusing on the real people of the Middle East.

Where the fairy tale ends, destiny begins. Elizabeth Tanner is no Tinkerbell, and her life is no fairy tale. Broke and drowning in student loans, the one thing she wants more than anything is a scholarship from the Trinity Foundation. But after the ancient Irish text she's studying turns out to be more than just a book, she becomes their prisoner instead. And when Trinity reveals Elizabeth is half-Fae, she finds herself at the center of a plot to save the magical races of Ireland from a brutal civil war. As Commander of Trinity's elite warriors, Finn O'Connell isn't used to having his authority challenged. He doesn't know whether to punish or protect the infuriating young woman in his custody. When he discovers the Dark Fae want to use Elizabeth's abilities to control the source of all power in the universe, he'll risk everything to help her. At the mercy of Trinity and enslaved to the Dark Fae, Elizabeth finds herself alone on the wrong side of an Irish myth thousands of years in the making. Refusing to be a pawn in their game, Elizabeth has to fight her way back to the man she loves, but to do so, she must wage her own war against the magic that binds her.

A thrilling new sensual paranormal from the author of Hunter s Salvation. Lee Ross always knew she was not entirely human. But when the man who has plagued her dreams her entire life appears in the flesh, can she give up everything she knows to follow him to another realm?

Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.

This story is a written account, and personal testimony, of the last 10 years of my life. I have chosen to write, and to share it with others. As to anyone else, who may be experiencers of what many are calling, narcissistic abuse, black magic, and mind-control rituals, and manipulation. It is a personal testament of God’s revealing his presence, in my life. The discovery of “angel numbers”, signs, symbols, apparitions, angels, dream premonitions, my journey through spiritual realization (as to reality, and who I am, as a person).