Self Portrait With Dogwood

In the course of researching dogwood trees, beloved poet and essayist Christopher Merrill realized that a number of formative moments in his life had some connection to the tree named—according to one writer—because its fruit was not fit for a dog. As he approached his sixtieth birthday, Merrill began to compose a self-portrait alongside this tree whose lifespan is comparable to a human’s and that, from an early age, he’s regarded as a talisman. Dogwoods have never been far from Merrill’s view at significant moments throughout his life, helping to shape his understanding of place in the great chain of being; entwined in his experience is the conviction that our relationship to the natural world is central to our walk in the sun. The feeling of a connection to nature has become more acute as his life has taken him to distant corners of the earth, often to war zones where he has witnessed not only humankind’s propensity for violence and evil but also the enduring power of connections that can be forged across languages, borders, and politics. Dogwoods teach us persistence humility and wonder. Self-Portrait with Dogwood is no ordinary memoir, but rather the work of a traveler who has crisscrossed the country and the globe in search of ways to make sense of his time here. Merrill provides new ways of thinking about personal history, the environment, politics, faith, and the power of the written word. In his descriptions of places far and near, many outside of the average American’s purview—a besieged city in Bosnia, a hidden path in a Taiwanese park, Tolstoy’s country house in Russia, a castle in Slovakia, a blossoming dogwood at daybreak in Seattle—the reader’s understanding of the world will flourish as well.

Self Portrait is an empowering book for women who have searched for happiness in all the wrong places. When artist Annette Hackney Evans only found fleeting happiness through relationships, material things, and accomplishments, she was driven to discover the answer to a universal question: How can I be happy more often? For twenty-five years Annette studied books written by or about the most the most influential people of our past and present. Gathering quotes and stories into a scrapbook, the secret, the secret to her personal happiness revealed itself. She compiled this timeless wisdom into Self Portrait, and brings her storytelling to life through thirty fine-art portraits of both ordinary and well-known people. To increase your happiness, simply increase your grateful and loving thoughts. Turn your life into a masterpiece through the gentle guidance of this creative, extraordinary book. Follow the 5 STEPS outlined and you will soon be living an authentically happy life. For more information please visit www.annettehevans.com.

The beautifully written first biography of one of the world’s finest twentieth-century poets Agha Shahid Ali (1949–2001) was one of the most celebrated American poets of the latter twentieth century, and his works have touched millions of lives around the world. Traversing multiple geographies, cultures, religions, and traditions, he mapped the varied landscapes of the Indian subcontinent and the United States. In this biography, Manan Kapoor narrates Shahid’s evolution, following in the footsteps of the “Beloved Witness” from Kashmir and New Delhi to the American Southwest and Massachusetts. He charts Shahid’s friendships with literary figures such as James Merrill, Salman Rushdie, and Edward Said; explores how Shahid responded to events around the world, including the partition of the Indian subcontinent and the AIDS epidemic in America; and draws on unpublished materials and in-depth interviews to reveal the experiences and relationships that informed his poetry. Hailed upon its release in India as “lush” and “poetic,” A Map of Longings is the story of an extraordinary poet, the works he left behind, and the legacy of his singular poetic vision.

A multicultural anthology, edited by Susan O’Connor and Annick Smith, about the enduring importance and shifting associations of the hearth in our world. A hearth is many things: a place for solitude; a source of identity; something we make and share with others; a history of ourselves and our homes. It is the fixed center we return to. It is just as intrinsically portable. It is, in short, the perfect metaphor for what we seek in these complex and contradictory times—set in flux by climate change, mass immigration, the refugee crisis, and the dislocating effects of technology. Featuring original contributions from some of our most cherished voices—including Terry Tempest Williams, Bill McKibben, Pico Iyer, Natasha Trethewey, Luis Alberto Urrea, and Chigozie Obioma—Hearth suggests that empathy and storytelling hold the power to unite us when we have wandered alone for too long. This is an essential anthology that challenges us to redefine home and hearth: as a place to welcome strangers, to be generous, to care for the world beyond one’s own experience.

Hilarious, poignant, witty and wise - Letters from Lockdown: Friendship Going Viral takes you not only inside the brilliant and quirky mind of Elaine Farmer, but also on a journey around the world. Farmer draws on her rich and varied experience to offer her reader a smorgasbord of insights into love and friendship, family, diplomacy, theology, psychology, hospitality, travel, sickness and death, all suffused with joy and more than a touch of defiance. These are letters you've always wished someone would write to you, and now she has! They might even inspire you to write some of your own.

In Borderline Citizen Robin Hemley wrestles with what it means to be a citizen of the world, taking readers on a singular journey through the hinterlands of national identity. As a polygamist of place, Hemley celebrates Guy Fawkes Day in the contested Falkland Islands; Canada Day and the Fourth of July in the tiny U.S. exclave of Point Roberts, Washington; Russian Federation Day in the Russian exclave of Kaliningrad; Handover Day among protesters in Hong Kong; and India Day along the most complicated border in the world. Forgoing the exotic descriptions of faraway lands common in traditional travel writing, Borderline Citizen upends the genre with darkly humorous and deeply compassionate glimpses into the lives of exiles, nationalists, refugees, and others. Hemley's superbly rendered narratives detail these individuals, including a Chinese billionaire who could live anywhere but has chosen to situate his ornate mansion in the middle of his impoverished ancestral village, a black nationalist wanted on thirty-two outstanding FBI warrants exiled in Cuba, and an Afghan refugee whose intentionally altered birth date makes him more easy to deport despite his harrowing past. Part travelogue, part memoir, part reportage, Borderline Citizen redefines notions of nationhood through an exploration of the arbitrariness of boundaries and what it means to belong.

Thomas Pandora is the son of Peter Pan and Wendy, but Thomas doesn't know it. They've hidden it from him, wisely or not, to protect him, and they plan to hide it from him all their lives. On the eve of Thomas Pandora's thirteenth birthday, he's visited by a mysterious fairy named Tink who tells him that Hook is back, and without Peter Pan there to protect Never Never Land, Hook will soon have it conquered and despoiled. He, Thomas Pandora, is the only one who can save them.

Why do so many writers and audiences turn to theatre to resolve overwhelming topics of pain and suffering? This collection of essays from international scholars reconsiders how theatre has played a crucial part in encompassing and preserving significant human experiences. Plays about global issues, including terrorism and war, are increasing in attention from playwrights, scholars, critics and audiences. In this contemporary collection, a gathering of diverse contributors explain theatre's special ability to generate dialogue and promote healing when dealing with human tragedy. This collection discusses over 30 international plays and case studies from different time periods, all set in a backdrop of war. The four sections document British and American perspectives on theatres of war, global perspectives on theatres of war, perspectives on Black Watch and, finally, perspectives on The Great Game: Afghanistan. Through this, a range of international scholars from different disciplines imaginatively rethink theatre's unique ability to mediate the impacts and experiences of war. Featuring contributions from a variety of perspectives, this book provides a wealth of revealing insights into why authors and audiences have always turned to the unique medium of theatre to make sense of war.