Sentimental Heartbroken Rednecks

Provocatively blurring the lines between autobiography, short fiction, and essay, Greg Bottoms presents a series of fifteen honest and beautifully spare tales of class, poverty, violence, and racism set in the margins of the urban and suburban New South. An ode to Pulitzer–nominee Breece D'J Pancake's life and untimely death, the title story deftly interweaves Bottoms's personal history to insightful result. In the transformative "The Metaphor," the narrator proclaims, "when the world looks like every little promise has been lanced and bled out, you need a story to tell yourself." So we move seamlessly between the lives of people both real and imagined and the life of the author, and what emerges is not only a composite of sharply drawn and revealing moments, but also a book–length meditation on the nature of, and necessity for, storytelling itself. Including three new stories — "Sam at the Gun Show," "Strangers and Dreams," and "Heroism #2" — this revised edition announces an understated, arresting new voice in literature.

"Like Anderson's Winesburg, Ohio, Joyce's Dubliners, or Isherwood's Berlin Stories, these stories about loss and redemption possess an evocative sense of place and society as they are transformed by the author's nervous relationship with the world. In the title story, the narrator imagines his way into the dark, elusive world of southern writer Breece D'J Pancake; "Imaginary Birds" flawlessly renders the reverie of a senile old woman to make the world anew; in stories such as "Nostalgia for Ghosts," "The Metaphor," "Intersections," and "A Seat for the Coming Savior," the quiet desperation of urban places gives way to moments of beauty, profundity, even holiness, in the midst of devastation and heartbreak."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster’s famous Paradise Gardens, his journey—of which The Colorful Apocalypse is a masterly chronicle—is an unparalleled look into the lives and visionary works of some of Finster’s contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy. With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists’ works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms—one of today’s finest young writers—gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories. In doing so, he weaves a true narrative as powerful as the art of its subjects, a work that is at once an enthralling travelogue, a series of revealing biographical portraits, and a profound meditation on the chaos of despair and the ways in which creativity can help order our lives.

Contains forty essays by the author discussing various American writers and reviewing their work, including Toni Morrison, Jack London, Jonathan Franzen, and more.