September Is For Shaw

The heat between them might be the only force that can thaw this mountain man’s frozen heart. Eden When I was a little girl, my grandfather filled my head with stories about the rugged beauty of Montana. Once I inherited his cabin, I couldn’t wait to move out west. Montana is everything I hoped it would be from the stunning sunsets to the perfect peacefulness. There’s only one thing, or should I say one person, who’s liable to spoil it for me… my new neighbor. He’s grumpy and gruff and hotter than a wildfire blazing out of control. He might think he can run me off, but I’m here to stay. At least until my past comes looking for me… then Shaw might be the only one who can save me. Shaw The mountains have always been my refuge. Until Eden moves in. The curvy yoga instructor doesn’t belong on Mustang Mountain, not with her herd of goats and habit of taking bare plunges in the creek. She thinks she can tame the Montana wilderness with one of her wide, bright smiles, but she’s wrong. Until one night changes everything. I’m determined to be the man she needs, even if it means risking my own heart. Welcome to Mustang Mountain, where love runs as wild as the free-spirited horses who roam the hillsides. Framed by rivers, lakes, and breathtaking mountains, it’s also the place the Mountain Men of Mustang Mountain call home. They might be rugged and reclusive, but they’ll risk their hearts for the curvy girls they love.

​This project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef Čapek coined the word “robot.” Shaw’s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw’s audience, readership and scholarship.

An original and scientifically rigorous exploration of the darkest recesses of the human mind. What is it about evil that we find so compelling? From our obsession with serial killers to violence in pop culture, we seem inescapably drawn to the stories of monstrous acts and the aberrant people who commit them. But evil, Dr. Julia Shaw argues, is all relative, rooted in our unique cultures. What one may consider normal, like sex before marriage, eating meat or being a banker, others may find abhorrent. And if evil is only in the eye of the beholder, can it be said to exist at all? In Evil, Dr. Shaw uses case studies from academia, examples from popular culture and anecdotes from everyday life to break down complex information and concepts such as the neuroscience of evil, the psychology of bloodlust and workplace misbehaviour. In grappling with thorny dilemmas--from "Would I kill baby Hitler?" to "Why do I want to murder my spouse?"--Dr. Shaw offers readers a better understanding of the world, ourselves and our Google search histories.

Blocking for the Gipper, Lawrence "Buck" Shaw was one of Knute Rockne's star players at Notre Dame during 1919 through 1921. However, it was his nearly four decades of college and pro coaching that earned him esteem. Viewed as a "player's coach," Shaw was talented at relating to young men and molding them into a winning team. His college teams won two Sugar bowls. Shaw's successful coaching with the San Francisco 49ers and Philadelphia Eagles also played an integral role in helping the NFL grow into a billion-dollar business. A contemporary of Vince Lombardi, Shaw's Eagles won the NFL championship in the pre-Super Bowl era. A member of the College Football Hall of Fame, Shaw never received serious consideration for enshrinement at Canton for his professional career. This complete biography tells the colorful story of Shaw's college and pro years, shedding light on Shaw's over-looked achievements in the professional ranks, which saw him earn a higher winning percentage a half-dozen Hall of Fame coaches.

One of the country's foremost nature photographers offers closeup techniques and covers exposure, equipment and composition along with special equipments and lenses.

Demonstrating the influence of scholar-teacher Stanley Weintraub on his students, Shaw and Other Matters reflects the scope of that influence in its concern with a variety of literary figures - from Shaw to Joe Orton - and of topics such as war memoirs and golem/robots. The variety is there, as well, in the approaches to the subjects: Rodelle Weintraub's dream analysis of Arms and the Man; Julie Sparks's comparison of Shaw with Bellamy, Morris, and Bulwer-Lytton as world "betterers"; Michael Pharand's evaluation of Shaw's changing views of Napoleon; Kinley Roby's tracing of Shaw's exchanges of views on playwriting with Arnold Bennett; and Kay Li's archetypal exploration of characters in Heartbreak House.

Artie Shaw, the world famous clarinet-playing bandleader who became popular during the Swing Era, was immersed in the music business as a performer for 30 years, from the summer of 1924 when he began to study saxophone until the summer of 1954 when he stopped performing. This period of activity is the focus of this musical biography and discography, a detailed account of Shaw's musical career and recorded output. The book begins with a summary of Shaw's career in the contexts of jazz history and social setting, then moves into more detail. The chronologically arranged sections, mirroring each phase of his career, incorporate contemporary reviews and interview quotes to create an insightful narrative. The discography lists all known recordings and preferred issues of them, and is separate from the text to facilitate easy reference. Includes appendixes and index

This collection of 183 letters, all but two of which are previously unpublished, sheds new light on a partnership that for Shaw was the most important of his later playwriting career.