Settling Scores

Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.

"SETTLING SCORES: A Life in the Margins of American Music" details one life lived in the margins of America's musical consciousness. From a working-class background in gritty North Philadelphia to the sanctity of European concert stages, from imagined dangers lurking along the waterfronts in mysterious Asian cities to the real dangers lurking in the narrow minds of those who uphold the status quo in American music, this book reveals the life of one who embraced change, and, in the process, gained political leverage and intellectual freedom. It is the story of Joseph Franklin and a legion of collaborators, and it is a snapshot view of a slice of America's musical landscape in the final quarter of the 20th century, including a history of Relâche and The Relâche Ensemble. Born in Philadelphia, Joseph Franklin is a graduate of the Philadelphia Musical Academy and Temple University's Graduate School of Music. He has composed works for mixed instrumental/vocal ensembles, film, video, theater and dance. In 1977 he co-founded The Relâche Ensemble, which evolved into Relâche, Inc. a presenting and producing organization in support of the Relâche Ensemble. He served as founding executive and artistic director of Relâche until 1998. Independently, and as Director of Relâche, he has been a producer of concerts, festivals, recordings, radio programs, residency programs, international tours and other related music events, including the NEW MUSIC AMERICA 1987 Festival, NEW MUSIC AT ANNENBERG at The University of Pennsylvania and MUSIC IN MOTION, a nationwide audience development project. He formerly served as Artistic Director for Helena Presents--The Myrna Loy Center, a performing arts and film center located in Helena, Montana. He has published criticism and book reviews in the Philadelphia Inquirer and Philadelphia City Paper. While living in Louisiana he developed and taught courses in arts administration and an overview of 20th century music at the University of New Orleans while serving as an independent consultant to arts organizations. He currently serves as executive director for Chamber Music Albuquerque, a presenting organization dedicated to presenting world-class chamber music ensembles in concert.

Willow has been saved from a painfully dark past and handed a bright future. By all accounts, she should be happy. But no one seems to understand that escaping evil hasn’t left her feeling free of it. The more people try to hold her close, the harder she fights to get away. Even the unconditional support from Edenville isn’t enough to help her keep her head above water. On a journey to settle scores and find answers to questions that haunt her memories, Willow hopes to mend her heart. Meanwhile, the man she has pushed away time and again fights to show her the only chance she has at happiness is opening her heart to the love that is right in front of her. But even Josh’s loyalty has its limits; how long before even he gives up on her, considering she’s already given up on herself?

"In a culture that worships ceaseless striving, ""settling"" seems like giving up. But is it? On Settling defends the positive value of settling, explaining why this disdained practice is not only more realistic but more useful than an excessive ideal of striving. In fact, the book makes the case that we'd all be lost without settling--and that even to strive, one must first settle ..."--Book jacket flap.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Sofia, Bulgaria In the tumultuous year of 2020, the Israeli-Palestinian conflict continues to fester. Fourteen-year-old Dani Madgev accidentally finds several Cyrillic letters interwoven into the graphics of the Star of David symbol. His father, Ian, a mathematical linguist, and his mother, Rovine, a cognitive scientist, help him decipher them. But none of them realize what they're about to get themselves into. Jerusalem, Israel To unravel the mystery of David's Star, Dani and his parents travel to Tel Aviv, Israel. Along with Nathan Epstein, a biblical history professor at Hebrew University; Kabbalah alchemist Uri Zohar; Ruben Openheim, the head of Peace Now; and Rabbi Loew, the Madgevs make a series of further discoveries within the symbol, leading them to believe they are on the brink of knowledge that may very well change the course of history. Meanwhile, a mysterious character called the LaW begins sending messages encoded using King David's military cipher to Dani. Once deciphered, the messages and letters found on the Star of David point to a startling realization about the solution of the conflict between Israel and Palestine. But are the two countries ready for the suggested solution? A domino chain of events is set in motion, and someone may have to pay the highest price.

Winner of both the Pulitzer Prize and the Grawemeyer Award, Aaron Jay Kernis achieved recognition as one of the leading composers of his generation while still in his thirties. Since then his eloquent yet accessible style, emphasis on melody, and willingness to engage popular as well as classical forms has brought him widespread acclaim and admiring audiences. Leta Miller's biography offers the first survey of the composer's life and work. Immersed in music by middle school, and later training under Theodore Antoniou, John Adams, Jacob Druckman, and others, Kernis rejected the idea of distancing his work from worldly concerns and dared to compose on political themes. His Second Symphony, from 1991, engaged with the first Gulf War; 1993's Still Moment with Hymn was a reaction to the Bosnian Genocide; and the next year's Colored Field and 1995's Lament and Prayer dealt with the Holocaust. Yet Kernis also used sources as disparate as futurist agitprop and children's games to display humor in his work. Miller's analysis addresses not only Kernis's wide range of subjects but also the eclecticism that has baffled critics, analyzing his dedication to synthesis and the themes consistent in his work. Informed and engaging, Aaron Jay Kernis gives a rare mid-career portrait of a major American cultural figure.