Shakespeare Ecology and Adaptation

Shakespeare  Ecology and Adaptation
Author: Paul Prescott,Alys Daroy
Publsiher: Arden Shakespeare
Total Pages: 0
Release: 2025-01-09
Genre: Drama
ISBN: 135028291X

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How can we tune into the ecological dynamics of Shakespeare's plays? How can we adapt those plays to address current environmental crises? This is the first book to fuse Shakespearean ecocriticism with adaptation studies. It is a single critical and contextual resource for students embarking on an in-depth exploration of ecological approaches to Shakespeare and adaptation, providing both critical insight into adaptive performance practices and accessible contextual information on the field of ecocriticism and early modern environmental cultures. This guide offers: - Primary texts from the early modern period to the present, covering themes such as weather, botany, agriculture, fertility, land rights, animal and human relationships, metamorphosis and adaptation; - A focus on 3 of the most studied and adapted plays, A Midsummer Night's Dream, King Lear and The Tempest, as a basis for the wider application of ecological adaptive principles to Shakespeare; - A full range of environmental references in each play through innovative Eco-Tables; - Concise summaries of literary ecocriticism in relation to each key text; - Sustained attention to performance and creative writing as ecocritical interventions; - The first dedicated chapter in the field offering conceptual and practical resources for staging your own Shakespearean eco-adaptation; - A glossary of key terms and links to resources; - An accompanying companion website featuring additional resources. Shakespeare, Ecology and Adaptation: A Practical Guide provides a pedagogic pathway and a ready-made syllabus for teachers. It is also an indispensable resource for theatre directors, designers and dramaturgs seeking inspiration for the environmentally engaged productions and adaptations the future demands of us.

Shakespeare and Ecology

Shakespeare and Ecology
Author: Randall Martin
Publsiher: Oxford University Press
Total Pages: 224
Release: 2015
Genre: Drama
ISBN: 9780199567027

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Shakespeare and Ecology is the first book to explore the topical contexts that shaped the environmental knowledge and politics of Shakespeare and his audiences. Early modern England experienced unprecedented environmental challenges including climate change, population growth, resource shortfalls, and habitat destruction which anticipate today's globally magnified crises. Shakespeare wove these events into the poetic textures and embodied action of his drama, contributing to the formation of a public ecological consciousness, while opening creative pathways for re-imagining future human relationships with the natural world and non-human life. This book begins with an overview of ecological modernity across Shakespeare's work before focusing on three major environmental controversies in particular plays: deforestation in The Merry Wives of Windsor and The Tempest; profit-driven agriculture in As You Like It; and gunpowder warfare and remedial cultivation in Henry IV Parts One and Two, Henry V, and Macbeth. A fourth chapter examines the interdependency of local and global eco-relations in Cymbeline, and the final chapter explores Darwinian micro-ecologies in Hamlet and Antony and Cleopatra. An epilogue suggests that Shakespeare's greatest potential for mobilizing modern ecological ideas and practices lies in contemporary performance. Shakespeare and Ecology illuminates the historical antecedents of modern ecological knowledge and activism, and explores Shakespeare's capacity for generating imaginative and performative responses to today's environmental challenges.

Shakespeare and the Evolution of the Human Umwelt

Shakespeare and the Evolution of the Human Umwelt
Author: Timothy Ryan Day
Publsiher: Routledge
Total Pages: 183
Release: 2021-02-22
Genre: Language Arts & Disciplines
ISBN: 9781000347661

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Shakespeare and the Evolution of the Human Umwelt brings together research on Shakespeare, biosemiotics, ecocriticism, epigenetics and actor network theory as it explores the space between nature and narrative in an effort to understand how human bodies are stories told in the emergent language of evolution, and how those bodies became storytellers themselves. Chapters consider Shakespeare’s plays and contemporary works, such as those of Barbara Kingsolver and Margaret Atwood, or productions for which Shakespeare is a genetic forebear, as evolutionary artefacts which have helped to shape the human umwelt—the species-specific linguistic habitat that humans share in common. The work investigates the juncture where semisphere meets biosphere and illuminates the role that narrative plays in our construction of the world we occupy. The plays of Shakespeare, as works that have had unparalleled cultural diffusion, are uniquely situated to speak to the ways in which ideas and the texts they use as vehicles are always material, always environmental, and always alive. The book discusses Shakespeare’s works as vital nodes in our cultural, historical, moral and philosophical networks, but also as environmental actors in and of themselves. Plays are presented alternately as digitally encoded bits of culture awaiting their connection to an analog world, or as bacteria interacting with living organisms in both productive and destructive ways, altering their structure and creating new meaning through movement that is simultaneously biological and poetic. This book will be of great interest to students and scholars of ecocriticism looking to model ecocritical readings and bridge gaps between scientific, philosophical and literary thinking.

Lockdown Shakespeare

Lockdown Shakespeare
Author: Gemma Kate Allred,Benjamin Broadribb,Erin Sullivan
Publsiher: Bloomsbury Publishing
Total Pages: 296
Release: 2022-06-16
Genre: Literary Criticism
ISBN: 9781350247826

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This edited collection offers the first in-depth analysis and sourcebook for 'Lockdown Shakespeare'. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the Covid-19 pandemic and considers issues of form, liveness, reception, presence and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the performance and adaptation of Shakespeare online during the pandemic. From The Show Must Go Online, which presented Shakespeare's First Folio via YouTube, to Creation Theatre and Big Telly's interactive The Tempest and Macbeth, which used Zoom as their stage, the book documents the variety and richness of work that emerged during the pandemic. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Among the other productions discussed are Arden Theatre Company's A Midsummer Night's Dream, Tender Claws' 'The Under Presents: Tempest', The Shakespeare Ensemble's What You Will, Merced Shakespearefest's Ricardo II, CtrlAltRepeat's Midsummer Night Stream, Sally McLean's Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles) and Justina Taft Mattos's Moore – A Pacific Island Othello.

Shakespearean Biofiction on the Contemporary Stage and Screen

Shakespearean Biofiction on the Contemporary Stage and Screen
Author: Edel Semple,Ronan Hatfull
Publsiher: Bloomsbury Publishing
Total Pages: 145
Release: 2023-11-02
Genre: Literary Criticism
ISBN: 9781350359215

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This book is the first edited collection to explore Shakespeare's life as depicted on the modern stage and screen. Focusing on the years 1998-2023, it uniquely identifies a 25-year trend for depicting Shakespeare, his family and his social circle in theatre, film and television. Interrogating Shakespeare's afterlife across stage and screen media, the volume explores continuities and changes in the form since the release of Shakespeare in Love, which it positions as the progenitor of recent Shakespearean biofictions in Anglo-American culture. It traces these developments through the 21st century, from pivotal moments such as the Shakespeare 400 celebrations in 2016, up to the quatercentenary of the publication of the First Folio, whose portrait helped make the author a globally recognisable icon. The collection takes account of recent Anglo-American socio-political, cultural and literary concerns including feminism, digital media and the biopic and superhero genres. The wide variety of works discussed range from All is True and Hamnet to Upstart Crow, Bill and even The Lego Movie. Offering insights from actors, dramatists and literary and performance scholars, it considers why artists are drawn to Shakespeare as a character and how theatre and screen media mediate his status as literary genius.

OuterSpeares

OuterSpeares
Author: Daniel Fischlin
Publsiher: University of Toronto Press
Total Pages: 414
Release: 2014-01-01
Genre: Drama
ISBN: 9781442615939

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For Shakespeare and Shakespearean adaptation, the global digital media environment is a “brave new world” of opportunity and revolution. InOuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works. Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres – what artist Dick Higgins calls “intermedia” – ranging from adaptations that use social networking, cloud computing, and mobile devices to the many handicrafts branded and sold in connection with the Bard. With essays on YouTube and iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.

Liberating Shakespeare

Liberating Shakespeare
Author: Jennifer Flaherty,Deborah Uman
Publsiher: Bloomsbury Publishing
Total Pages: 241
Release: 2023-05-18
Genre: Literary Criticism
ISBN: 9781350320284

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The collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the problems faced by today's young adults. Liberating Shakespeare explores how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance. Showcasing a wide variety of approaches to understanding, adapting and teaching Shakespeare, this collection examines the significant number of Shakespeare adaptations targeting adolescent audiences in the past 25 years. It examines a wide variety of creative works made for and by young people that harness the power of Shakespeare to address some of the most pressing questions in contemporary culture – exploring themes of violence, race relations and intersectionality. The contributors to this volume consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be employed within educational settings. This collection argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world, offering moments of hope for an uncertain future.

Romeo and Juliet Adaptation and the Arts

Romeo and Juliet  Adaptation and the Arts
Author: Julia Reinhard Lupton,Ariane Helou
Publsiher: Bloomsbury Publishing
Total Pages: 304
Release: 2022-08-25
Genre: Literary Criticism
ISBN: 9781350109223

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Romeo and Juliet is the most produced, translated and re-mixed of all of Shakespeare's plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play's dispersal into neighbouring art forms – including ballet, opera, television and architecture – and geographical locations, including Italy, Ireland, France, India and Korea. Chapters trace Shakespeare's own acts of adaptation and appropriation of sources and the play's subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Hector Berlioz's 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare's lovers in the narrative forms of fiction, film and serial television, including works by James Joyce, Samuel Beckett and HBO's series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare's work in India, as well as productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the tensions between the notion of Shakespeare as a universal author and the lived experiences of marginalized communities as they engage with his plays.