Shaw And Other Playwrights

The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor. There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg. John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship. Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.

George Bernard Shaw demanded truth and despised convention. He punctured hollow pretensions and smug prudishness—coating his criticism with ingenious and irreverent wit. In Mrs. Warren’s Profession, Arms and the Man, Candida, and Man and Superman, the great playwright satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age—as intellectually stimulating as they are thoroughly enjoyable. “My way of joking is to tell the truth: It is the funniest joke in the world.”—G. B. Shaw With an Introduction by Eric Bentley and an Afterword by Norman Lloyd

In Good King Charles's Golden Days: a true history that never happened. A discussion play; the issues of nature, power and leadership are debated between King Charles II ('Mr Rowley'), Isaac Newton, George Fox and the artist Godfrey Kneller. Buoyant Billions: a comedy of no manners. Farfetched fables. Shaw's thoughts simplified. Shakes vs. Shav. Puppets portray Shaw and Shakespeare. The play comprises a comic argument between the two playwrights, an intellectual Punch and Judy. Why She Would Not. His final play.

George Bernard Shaw is one of the most famous and celebrated Irish playwrights and this new collection brings together the very best of his witty and entertaining comedies in one volume; Pygmalion, Major Barbara and Androcles and the Lion. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has a preface by Oscar-winning actress Judi Dench. Pygmalion was first performed in 1914 and was an instant hit which then inspired the hit musical and award winning film, My Fair Lady. It tells the story of Eliza Doolittle and Henry Higgins, who tries to elevate a feisty flower girl out of her working-class roots and into high society. In Major Barbara, idealistic Barbara is a major in the Salvation Army, at odds with her millionaire father as they war over the best route to salvation. Androcles and the Lion is a clever retelling of the Bible story about a gentle Christian who pulls a thorn from a lion’s paw. All three plays are not only wonderfully amusing, they also showcase Shaw's intense concerns about poverty, class and inequality.

Presents four plays by George Bernard Shaw, incuding "Mrs. Warren's Profession," "Pygmalion," "Man and Superman," and "Major Barbara," each with an explanatory annotation, and includes information on the author and his work, a chronology, and a selected bibliography.

George Bernard Shaw is one of the most influential playwrights of the twentieth century. The collection "Pygmalion and Three Other Plays" contains his best works, which are known for their rapier wit, ideas of decency, and portrayal of human relationships. Shaw wanted his audiences to realize that people, regardless of race, gender, or class, were all human beings with the same needs as everyone else. "Pygmalion" is a modern retelling of the classic story of the same name. Professor Henry Higgins, a phonetician, tries to transform a lower-class cockney girl into a lady by teaching her to speak like a proper Englishwoman. What Higgins forgets, though, is that Eliza is a human being who only wants to be treated as such; in Higgins' mind, Eliza is a fun wager, a test of his abilities. When he thinks that he has won and turned Eliza into a fine lady, he becomes lonely and misses her vivacious personality. "Major Barbara," "The Doctor's Dilemma," and "Heartbreak House" all deal with different themes, but each play contains a unique play of words, blending comedy with feeling and heart to create a story which will make a large impression on the audiences' heart.

Fanny's First Play is a 1911 play by G. Bernard Shaw. It was written anonymously, then later discovered to be the work of George Bernard Shaw It is satire of theater critics, whose characters were based upon Shaw's own detractors, it features a play within a play.