Siamese In The Sun

On the Island of Jersey, Mandy, a veterinarian's daughter, wants to enter Sud Su Ming, a Siamese cat, in a prestigious cat show.

Mandy and James have gone to Jersey with Mandy's mum and dad to look after a local veterinary surgery. They spot a gorgeous Siamese cat ornament in the window of an antiques shop - but they soon discover that Sud Su Ming is a real cat Mandy thinks she should be entered in the prestigious island cat show but how can she - and Ming - persuade her reluctant owner?

Animals always come first for Mandy Hope, and at Animal Ark - her parents' busy vet surgery - Mandy is always making new friends. SIAMESE IN THE SUN: Mandy and James have gone to Jersey with Mandy's mum and dad to look after a local veterinary surgery. They spot a gorgeous Siamese cat ornament in the window of an antiques shop - but they soon discover that Sud Su Ming is a real cat! Mandy thinks she should be entered in the prestigious island cat show but how can she - and Ming - persuade her reluctant owner? CAT IN THE CANDLELIGHT: Welford is in the grip of a flood when, late one night, Mandy rescues a cat washed to Animal Ark in a barrel. Where can it have come from? Despite the weather, Mandy is determined to find a home for the little cat - and to arrange some seasonal celebrations that the village will never forget!

From the author of The Miracle & Tragedy of the Dionne Quintuplets and The Borden Murders comes the absorbing and compulsively readable story of Violet and Daisy Hilton, conjoined twins who were the sensation of the US sideshow circuits in the 1920s and 1930s. On February 5, 1908, Kate Skinner, a 21-year-old unmarried barmaid in Brighton, England, gave birth to twin girls. They each had ten fingers and ten toes, but were joined back to back at the base of the spine. Freaks, monsters--that's what they were called. Mary Hilton, Kate's employer and midwife, adopted Violet and Daisy and promptly began displaying the babies as "Brighton's United Twins." Exhibitions at street fairs, carnivals, and wax museums across England and Scotland followed. At 8 years old, the girls came to the United States, eventually becoming the stars of sideshow, vaudeville, and burlesque circuits in the 1920s and 1930s. In a story loaded with questions about identity and exploitation, Sarah Miller delivers a completely compelling, empathetic portrait of two sisters whose bonds were so sacred that nothing — not even death— would compel Violet and Daisy to break them.