Sidney S Poetic Justice

The first book-length study of The Old Arcadia as a Renaissance pastoral romance. Stillman focuses attention on the 27 eclogues that Sidney sets within his prose narrative.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.

Whether O.B. Hardison Jr. (1929-1990) wrote about government's responsibility to the arts and humanities, film adaptations of Shakespeare's play, Dadaist poetry, or modern and postmodern design and architecture, his chosen form was the essay. Showcasing Hardison's mastery of the essay's power to instruct, persuade, and provoke, the twenty-five selections in this volume range from his earliest works to those completed but still unpublished at the time of his death. As Arthur F. Kinney notes in his preface, they all bear hallmarks of Hardison's style: his intensity and acuity of thought, his concreteness, his grounding of the present and future in the past, his easy melding of analytic and expository conventions, and his intercultural perspective.

Three times in one week intruders trespass on the property of well known espionage author, Sidney Mason. The first two intruders belong to the same group-their infractions motivated by radio evangelist T. Tommy Dump. The third intruder, when apprehended by Sidney's bodyguards, has no tongue. His legs are a maze of scars. Through his garbled speech two words are barely comprehended. One is Sidney's name. The other is the word 'bell'. Within days, Sidney and her lifetime partner are attacked in their car, and the young intruder with no tongue is on a slab in Baltimore. The young man's death and the disappearance of three small children appear to correlate to Sidney's latest book research. In a feverish race against time, she and Parker must unravel the hours leading up to the young man's death to discover the identity of their attackers.

Paying special attention to Sidney's Arcadia, Spenser's Faerie Queene, and Shakespeare's romances, this study engages in sustained examination of chiasmus in early modern English literature. The author's approach leads to the recovery of hidden designs which are shown to animate important works of literature; along the way Engel offers fresh and more comprehensive interpretations of seemingly shopworn conventions such as memento mori conceits, echo poems, and the staging of deus ex machina. The study, grounded in the philosophy of symbolic forms (following Ernst Cassirer), will be a valuable resource for readers interested in intellectual history and symbol theory, classical mythology and Renaissance iconography. Chiastic Designs affords a glimpse into the transformative power of allegory during the English Renaissance by addressing patterns that were part and parcel of early modern "mnemonic culture."

A discussion of Philip Sidney as a creator of fictions, a critic, and a poet, who adopted a variety of personae to teach his readers how they could fool themselves into forgetting who they were, both in the context of the psychic inner world and in the outer realm of social position. Included in this study are Sidney's court entertainments now known as The Lady of May, the Defence of Leicester, Defence of Poetry, and the Arcadias.

In 1761, Frances Sheridan published her novel The Memoirs of Miss Sidney Bidulph, which became a popular and widely praised example of the sentimental novel. The Conclusion, that novel’s sequel, is set eight years later, after Sidney Bidulph’s marriage and motherhood. Psychologically subtle and emotionally immediate, the novel is told almost entirely in the form of letters. Many of the letters are between the scheming Sophy and Edward Audley, who are trying to trick Sidney’s daughter into marriage with Edward; these letters provide a startlingly realistic portrayal of villainy, anticipating such later works as Les Liaisons Dangereuses. The historical appendices include documents on the education of young adults in the eighteenth century and contemporary reviews of the novel.