Signs Of Orality

This volume presents essays by leading scholars on the nature of orality as represented by the Homeric poems, and the effect of the oral way of thinking on the subsequent literate and literary development of ancient Greek and Roman culture.

This classic work explores the vast differences between oral and literate cultures offering a very clear account of the intellectual, literary and social effects of writing, print and electronic technology. In the course of his study, Walter J. Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other. This is a book no reader, writer or speaker should be without.

Christianity Today Book Award winner The scholarly quest for the historical Jesus has a distinguished pedigree in modern Western religious and historical scholarship, with names such as Strauss, Schweitzer and Bultmann highlighting the story. Since the early 1990s, when the Jesus quest was reawakened for a third run, numerous significant books have emerged. And the public's attention has been regularly arrested by media coverage, with the Jesus Seminar or the James ossuary headlining the marquee. This Spectrum Multiview volume provides a venue for readers to sit in on a virtual seminar on the historical Jesus. Beginning with a scene-setting historical introduction by the editors, prominent figures in the Jesus quest set forth their views and respond to their fellow scholars. On the one end Robert M. Price lucidly maintains that the probability of Jesus' existence has reached the "vanishing point," and on the other Darrell Bock ably argues that while critical method yields only a "gist" of Jesus, it takes us in the direction of the Gospel portraits. In between there are numerous avenues to explore, questions to be asked and "assured results" to be weighed. And John Dominic Crossan, Luke Timothy Johnson and James D. G. Dunn probe these issues with formidable knowledge and honed insight, filling out a further range of options. The Historical Jesus: Five Views offers a unique entry into the Jesus quest. For both the classroom and personal study, this is a book that fascinates, probes and engages. Spectrum Multiview Books offer a range of viewpoints on contested topics within Christianity, giving contributors the opportunity to present their position and also respond to others in this dynamic publishing format.

Generically, theologically, and concerning content, Mark and Joseph and Aseneth are quite different. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Greek romances and Jewish novellas. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Despite these differences, Elder finds remarkable similarities that the texts share. Elder uses both texts to examine media and modes of composition in antiquity, arguing that they were both composed via dictation from their antecedent oral traditions. Elder's volume offers a fresh approach to the composition of both Joseph and Aseneth and Mark as well as to many of their respective interpretive debates.

Walter J. Ong’s classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought. This thirtieth anniversary edition – coinciding with Ong’s centenary year – reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley. Hartley provides: A scene-setting chapter that situates Ong’s work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies; A closing chapter that follows up Ong’s work on orality and literacy in relation to evolving media forms, with a discussion of recent criticisms of Ong’s approach, and an assessment of his concept of the ‘evolution of consciousness’; Extensive references to recent scholarship on orality, literacy and the study of knowledge technologies, tracing changes in how we know what we know. These illuminating essays contextualize Ong within recent intellectual history, and display his work’s continuing force in the ongoing study of the relationship between literature and the media, as well as that of psychology, education and sociological thought.

Essays in this collection explore the complex relationship between text and orality in colonial situations of antiquity from Homer, Plato, and Mithras to the Hebrew and Christian scriptures and rabbinic tradition. Orality could be a deliberate decision by highly literate people who chose not to put certain things in writing, either to exercise control over the tradition or to preserve the secrecy of ritual performance. Exploring both theoretical issues and historical questions, the book demonstrates the role of text as a form of imperial control over against oral tradition as a means of resistance by the marginalized peasantry or marginalized elite of Israel and the early Church. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)

"This is a splendid, rewarding book destined to reshape critical thinking about medieval poetry in English. Amodio combines groundbreaking theory with a deep, wide-ranging command of relevant scholarship to offer a uniquely inclusive perspective on an enormous and disparate collection of Old and Middle English poetry." --John Miles Foley, University of Missouri, Columbia "This is a well-conceived, well-structured, and well-written book that fills a significant gap in current scholarly discourse. Amodio is extremely well-informed about current oral theory, and presents a beautifully integrated thesis. This clear-sighted and provocative book both promises and delivers much." --Andy Orchard, University of Toronto Mark Amodio's book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces. After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings.