Silent Words

Set in northwestern Ontario in the 1960s, Silent Words tells the story of a young Native boy and his journey of self discovery.

When you find yourself in dark places, there is a light that flickers beneath the rubble. It speaks in silent words.

Like a miniature billboard, the church sign offers an unparalleled opportunity to promote God's kingdom beyond the walls of the congregation. Thousands of cars pass each day with potential readers of its content, so the church sign has the potential to be a powerful pulpit from which silent words are loudly spoken, communicating brief but significant messages of God's love to a spiritually thirsty world. Silent Words Loudly Spoken provides a wealth of fresh and inspiring messages that will maximize the impact of your church sign. With more than 700 uplifting, thought-provoking statements conveniently formatted to easily fit most church signs, it contains enough material to last several years. A humorous but pithy "Ten Commandments for a Good Church Sign" offers plenty of specific nuts-and-bolts advice for making the most of this powerful but sometimes overlooked ministry tool: Phrases should be short enough and letters large enough for effortless drive-by reading. Messages should be changed regularly, especially date-specific ones. "In-house" announcements better suited for the church bulletin should not be wasted on a disinterested public. Give the gift of a positive, inspirational message; negative statements turn off those the church wants to attract. David J. Claassen has been the pastor of Mayfair-Plymouth Congregational Church in Toledo, Ohio, since 1975. He is a contributing editor for his denominational magazine (The Congregationalist), and writes a weekly inspirational newspaper column. He is also the author of Object Lessons for a Year (Baker). Claassen is a graduate of Central College and Trinity Evangelical Divinity School.

Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.

The result of a dialogue between poets and scholars on the meaning and making of the sacred, this book endeavours to determine how the sacred emerges in sacred script as well as in poetic discourse. It ranges through scholarship in areas as apparently disparate as postmodernism and Buddhism. The perspectives developed are various and without closure, locating the sacred in modes as diverse as patristic traditions, feminist retranslations of biblical texts, and oral and written versions of documents from the world’s religions. The essays cohere in their preoccupation with the crucial role language plays in the creation of the sacred, particularly in the relation that language bears to silence. In their interplay, language does not silence silence by, rather, calls the other as sacred into articulate existence.

Negative theology or apophasis - the idea that God is best identified in terms of 'absence', 'otherness', 'difference' - has been influential in modern Christian thought, resonating as it does with secular notions of negation developed in continental philosophy. Apophasis also has a strong intellectual history dating back to the early Church Fathers. Silence and the Word both studies the history of apophasis and examines its relationship with contemporary secular philosophy. Leading Christian thinkers explore in their own way the extent to which the concept of the apophatic illumines some of the deepest doctrinal structures of Christian faith, and of Christian self-understanding both in terms of its historical and contemporary situatedness, showing how a dimension of negativity has characterised not only traditional mysticism but most forms of Christian thought over the years.

An introduction to the practice of Christian meditation, this book offers a twelve step programme in learning meditative prayer.

Word, Silence, and the Climate Emergency: God, Ekklesia, and Christian Doctrine is an exposition of Christian doctrine taking into account the current global emergency. Gorringe grounds our knowledge of God first in the revelation to the prophets and specifically in their political stance but above all in Jesus of Nazareth. God, or the NAME, Gorringe argues, is the antithesis of all the gods of projection, known in the silence of the cross and of the isolation cell. In a Triune format, the nature of God and the discourse of creation and providence are first considered before turning to the claim that “God was in Christ.” The final third of the book considers the nature and task of ekklesia, especially in the light of the global emergency which, Gorringe argues, is a confessional issue and the heart of ekklesia's present concern.