Singing The News Of Death

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life.

Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.

MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'

The "singing family" of which Jean Ritchie writes is that of her parents, Balis and Abigail Ritchie, and their fourteen children, all born and reared in Viper, Kentucky, deep in the Cumberland Mountains. Jean, the youngest of the clan, grew up to be a world renowned folksinger. But she was hardly unique in the family. All the Ritchies sang -- when they worked, when they prayed, when they rejoiced, even when tragedy struck. Singing Family of the Cumberlands is both an appealing account of family life and a treasury of American folklore and folksong. In the deceptively simple but picturesque language of rural Kentucky, Jean Ritchie tells of a way of life now nearly vanished and of a gentle, upright people shielded from the outside world by forbidding mountain ranges, preserving the traditions of their forebears. Foremost among those traditions were the British folksongs brought from England by James Ritchie in 1768. Even in a region noted for its wealth of folksongs, the Ritchies' inheritance was exceptional. Forty-two of the family's beloved songs are woven through Jean Ritchie's narrative, complete with words and often musical scores. Each song evokes a memory for Jean -- hoeing corn, stirring off molasses, telling ghost stories, singing a dying baby to its eternal rest. Songs lightened the burden of poverty for the Ritchies and brought them joy and solace. Illustrated by Maurice Sendak, Singing Family of the Cumberlands will delight readers in all walks of life.

The Singing News Presents Praise Reports So many times in our lives, God answers our prayers in an unexpected yet miraculous way. In Praise Reports, you will find hundred of stories from ordinary people just like you who share their true-life experiences with God's supernatural intervention in their lives. From faith-building foibles to medical miracles, you will read about times when the hand of God reached down and touched lives in extraordinary ways. The stories contained within these pages will inspire you to trust God's plan for your life, and believe that He has a miracle in store for you. In Praise Reports you'll read about: A miraculous recovery from a near-fatal collision A prophetic word come true Two babies delivered from illness by an unseen hand Let our book reaffirm your faith and remind you that God still works miracles in our everyday lives!

Singing for the Dead chronicles ethnic revival in Oaxaca, Mexico, where new forms of singing and writing in the local Mazatec indigenous language are producing powerful, transformative political effects. Paja Faudree argues for the inclusion of singing as a necessary component in the polarized debates about indigenous orality and literacy, and she considers how the coupling of literacy and song has allowed people from the region to create texts of enduring social resonance. She examines how local young people are learning to read and write in Mazatec as a result of the region's new Day of the Dead song contest. Faudree also studies how tourist interest in local psychedelic mushrooms has led to their commodification, producing both opportunities and challenges for songwriters and others who represent Mazatec culture. She situates these revival movements within the contexts of Mexico and Latin America, as well as the broad, hemisphere-wide movement to create indigenous literatures. Singing for the Dead provides a new way to think about the politics of ethnicity, the success of social movements, and the limits of national belonging.

This retelling of the Christmas story, through poetry and biblical references, inspires thoughtful meditation and joyful singing. Several poems can be sung to the tune of well-known Christmas carols and other songs. Reflections on the reason for Jesus’ birth remind us that we can still have hope for our broken world. The opening theme is the birth of Jesus, a miraculous display of God’s love for us celebrated at Christmas. However, Christmas is only the beginning. What follows His birth is even more astounding and life-transforming. The first part of the book resounds with joy and celebration at this phenomenal love-gift sent to us by a holy and loving God seeking to reconnect with his lost sheep. The celebration is not just because of His birth, but because He was born to die for mankind’s redemption from sin’s bondage. What is more praiseworthy is His resurrection, the foundation of the Christian faith. Because Jesus is alive, His power and light will always outshine the darkness. This is clearly a reason for singing. With the life of Jesus as our example, the remaining poems cover various aspects of Christian living: forgiveness, righteousness, justice, compassion for our neighbor and resisting temptation. Some poems cover controversial issues like the sanctity of life and the sanctity of marriage. They remind us that we are in a spiritual battle and must daily make choices between good and evil. We are exhorted to love God and obey His precepts in order to flourish. Loving and caring for each other are some of the daily choices we must make. Without that, our human society sinks into chaos. While the explosion of evil around us is frightening, we also struggle with our own personal weaknesses and failures and need reminders that Jesus will meet us in those struggles. Several of the poems are prayers from a burdened heart wrestling with the enticement of sin and the need to receive or grant forgiveness. Some are the expressions of grief and pain in moments of despair so common to mankind. Other poems are songs of praise and thanksgiving for God’s faithfulness in delivering from trials of various kinds. The book ends with poems of victory in anticipation of Jesus’ triumphant return to fulfill His promise to abolish sin and suffering. It is a time of rejoicing for those who love Him, but a time of fear and trembling for those who do not. The goal of this book is to point people to the God who sees all and who does not desire anyone to perish. His mercy is extended to all who would receive it. The biblical references that follow the poems will challenge the reader to a deeper dive into the very words of God to glean strength, wisdom and courage for daily living. These poems are meant to serve as a springboard to that end, and there is something here for everyone and for every season.

The 1960s were one of the most tumultuous periods in American history. Perceptions of race, gender and age changed dramatically, ripping away beliefs that had endured for generations. Newspapers, the primary source of information at the time, broadcasted all of these events, from important national news--such as President Nixon's efforts to end the Vietnam war--to more light-hearted affairs--such as a topless dancer's pursuit of the Stanford University student government presidency. Included in this book are examinations of newspaper articles from 1959 to 1973, to which the author provides background and often an epilogue showing what happened to some of the dramatic players. The subjects of sex, drugs, rock and roll, marriage, politics, entertainment, and more are discussed in both a serious and humorous vein, with the perspective of more than 50 years. For those who lived through the 1960s, this book will bring back memories. For those too young to remember the era, this is an opportunity to learn more about why parents are the way they are.