Siro A Novel

“A riveting imagined world, so real in fact that one always wonders if it is imagined at all.” —Scott Turow Made restless by the tightening restrictions of CIA bureaucracy, agent Alan Taylor oversteps moral and legal bounds in a top-secret mission to destabilize the Soviet Union. His new recruit—the beautiful Anna Barnes, who struggles with complex feelings for Taylor—receives a deeper education than she signed up for in David Ignatius’s trademark world of shifting international and domestic pressures, hidden loyalties, and secret agendas.

A "superlative spy novel" (New York Times) by the author of the bestselling espionage thrillers Body of Lies and The Director. Agents of Innocence is the book that established David Ignatius's reputation as a master of the novel of contemporary espionage. Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Posted in Beirut to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.

The novel made into the major motion picture released October 2008, starring Leonardo DiCaprio and Russell Crowe: "Clever [and] well-paced, Body of Lies is hard to put down."—John Miller, Wall Street Journal CIA soldier Roger Ferris has come out of Iraq with a shattered leg and an intense mission— to penetrate the network of a master terrorist known only as "Suleiman." Ferris's plan is inspired by a masterpiece of British intelligence during World War II: He prepares a body of lies, literally the corpse of an imaginary CIA officer who appears to have accomplished the impossible by recruiting an agent within the enemy's ranks.This scheme binds friend and foe in a web of extraordinary subtlety and complexity. When it begins to unravel, Ferris finds himself flying blind into a hurricane. His only hope is the urbane head of Jordan's intelligence service. But can Ferris trust him?

A 1997 bibliography of American fiction from 1901-1925.

Washington Post columnist David Ignatius is one of the most highly regarded writers in the capital, an influential journalist and acclaimed novelist with a keen eye for the subtleties of power and politics. In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire. Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city's most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King's orbit and is transformed by this unpredictable man. In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife—still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase "Washington love story" isn't an oxymoron.

This book studies the emergence, in the late 1960s and 1970s, of a sophisticated body of gay fiction in Catalan, and examines the relation between the representation of homosexuality and the discourses on national identity that legitimate modern Catalan literature. Gay fiction, argues the author, reveals a tension between the nation and the body in Catalan literature: Catalonia is a nation different from Spain, a cultural and political minority within Europe; but the existence of sexual minorities within its boundaries reveals its inner complexity, which resists homogenization. Catalonia is another country in more ways than one. Drawing on a variety of critical discourses (gay theory, psychoanalysis, and authors such as Foucault, Deleuze and Guattari, and Bourdieu), Another Country explores the intertwinings of identity, cultural politics, and desire in the work of Terenci Moix, Lluis Fernandez, Biel Mesquida, and Lluis Maria Todo. The book analyses how gay writers renegotiate identity discourses in Catalan literature in order to introduce homosexuality into them, often with destabilising effects. The role of gay authors in the process of canon construction (a crucial aspect of contemporary cultural nationalism in Catalonia) is also considered, focusing on postmodernism and the divide between high and mass culture. Finally, Another Country addresses the interplay of homosexual desire within the frame of a distinction between perversion and transgression, and proposes an alliance between queer and nationalist discourses.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

A New York Times Bestseller. “If you think cybercrime and potential worldwide banking meltdown is a fiction, read this sensational thriller.”—Bob Woodward, Politico Graham Weber has been the director of the CIA for less than a week when a Swiss kid in a dirty T-shirt walks into the American consulate in Hamburg and says the agency has been hacked, and he has a list of agents' names to prove it. This is the moment a CIA director most dreads. Like the new world of cyber-espionage from which it's drawn, The Director is a maze of double dealing, about a world where everything is written in zeroes and ones—and nothing can be trusted.