Sisters Of Caliban

Representing the best of contemporary voices, this multilingual anthology speaks of a unified aspiration to defy the colonial and paternalistic tradition and create strong new models which positively promote the black women's perspective

Two sisters change the course of a nation by forsaking the King—their own father. England is on the verge of revolution. Antagonized by the Catholicism of King James II, the people plot to drive him from the throne. But at the heart of the plot is a deep betrayal: the defection of the daughters James loves, Mary and Anne. Both raised Protestant according to the wishes of England, the sisters support Protestant usurper William of Orange, Mary's husband, who lusts after the British crown. Passive Queen Mary is subservient to her husband's wishes, while Anne is desperate to please her childhood friend Sarah Churchill, a bold and domineering woman determined to subdue Anne, the queen-to-be, and rule England herself. Intrigue and political drama run high as the sisters struggle to be reconciled with each other--and with the haunting memory of the father they have exiled.

In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.

A chance meeting aboard a starship enroute to a dreaded reunion with her estranged father, sends Sera Janne Trellarian off on a thrilling, life-changing adventure with handsome Captain Eirik Sanderson to his home world, Valhalla - as the Concorde Alliance of Planets descends into chaos all around them. Is a dangerous rebellion brewing within their formerly peaceful home galaxy and if so, who is responsible? Or is the violence they're witnessing the work of powerful aliens, intent on invading their worlds? When Eirik disappears without a trace while investigating these disturbing issues, it's left to Janne's brilliant and impulsive younger sister TiAnn to save the day where many others have failed.

This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin. Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama, focussing on the topics which must be kept in mind: the formative influence of the particular genre chosen for telling a story, the way in which the story is narrated and dramatized, the styles used to convey action, character and mood, and the manner in which Shakespeare has constructed his living characterizations. As well as covering textual analysis, the book looks at Shakespeare's life and career, his theatres and the actors for whom he wrote and the process of printing and preserving Shakespeare's plays. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy and Order; Reason and Will; Show and Substance; Redemption and Shakespeare's Poetics.

THE STORY: Transplanting characters from The Tempest to present-day New York, ROUGH MAGIC is a Shakespearean action-adventure-fantasy in the tradition of Harry Potter and The X-Men that conjures a mythical, magical meta-universe in which the

While the relationships between parents and children have long been a staple of critical inquiry, bonds between siblings have received far less attention among early modern scholars. Indeed, until now, no single volume has focused specifically on relations between brothers and sisters during the early modern period, nor do many essays or monographs address the topic. The essays in Sibling Relations and Gender in the Early Modern World focus attention on this neglected area, exploring the sibling dynamics that shaped family relations from the fifteenth through the seventeenth centuries in Italy, England, France, Spain, and Germany. Using an array of feminist and cultural studies approaches, prominent scholars consider sibling ties from a range of interdisciplinary perspectives, including art history, musicology, literary studies, and social history. By articulating some of the underlying paradigms according to which sibling relations were constructed, the collection seeks to stimulate further scholarly research and critical inquiry into this fruitful area of early modern cultural studies.

Shakespeare in Cuba: Caliban’s Books explores how Shakespeare is consumed and appropriated in Cuba. It contributes to the underrepresented field of Latin American Shakespeares by applying the lens of cultural anthropophagy, a theory with Latin American roots, to explore how Cuban artists ingest and transform Shakespeare’s plays. By consuming these works and incorporating them into Cuban culture and literature, Cuban writers make the plays their own while also nourishing the source texts and giving Shakespeare a new afterlife.