Sixty Poems 60

This powerful and moving collection of sixty poems written chronologically over a period of one year when the author was 60 provides an illuminating and observational reflection of day-to-day life in a mixture of lighter and more serious works. The rhyming style creates an immersive feel to the work, while the prose-led pieces stand out in their difference. The striking honesty of the work allows the reader to act as a travelling friend or a confidant rather than an audience as they are drawn deeper into the author's personal reflections. The moments of humour interwoven between the more painful considerations have a captivating effect.

This powerful and moving collection of sixty poems written chronologically over a period of one year when the author was 60 provides an illuminating and observational reflection of day-to-day life in a mixture of lighter and more serious works. The rhyming style creates an immersive feel to the work, while the prose-led pieces stand out in their difference. The striking honesty of the work allows the reader to act as a travelling friend or a confidant rather than an audience as they are drawn deeper into the author’s personal reflections. The moments of humour interwoven between the more painful considerations have a captivating effect.

When Christopher Matthew was six, the poems of Milne always reassured him that other children were as naughty as he was, so on reaching sixty he decided that he should adapt Now We Are Six, for an older audience. Now We Are Sixty is often hilarious, sometimes rueful and always thought-provoking. Some verses are about realising we are not as young as we thought, while some are about the more disconcerting problems of modern life; mobile telephones on trains, anti-social behaviour, traffic jams and the internet.

I compiled quite a few poems from the day I turned 60 to the week before I turned 61 so I thought I'd make a nice, neat little book out of 60 of them making it nice and artsy by writing 60 for age 60. I thought it was pretty nifty. I don't want anyone to think I'm shifty but I'm definitely thrifty with words. Each poem is a page coming out of my inner rage and sage hopefully making all readers engaged with what I have to say. Whether right or wrong, its from the heart so that's a fantastic start. Please finish by purchasing this book and all the others that I've written, poetry and prose.

Study on the poetry of Nissim Ezekiel, b. 1924.

The Gift of an Ordinary Day is an intimate memoir of a family in transition, with boys becoming teenagers, careers ending and new ones opening up, and an attempt to find a deeper sense of place—and a slower pace—in a small New England town. This is a story of mid-life longings and discoveries, of lessons learned in the search for home and a new sense of purpose, and the bittersweet intensity of life with teenagers—holding on, letting go. Poised on the threshold between family life as she's always known it and her older son's departure for college, Kenison is surprised to find that the times she treasures most are the ordinary, unremarkable moments of everyday life, the very moments that she once took for granted, or rushed right through without noticing at all. The relationships, hopes, and dreams that Kenison illuminates will touch women's hearts, and her words will inspire mothers everywhere as they try to make peace with the inevitable changes in store.

Shakespeare's Sonnets are among the most complex and beautiful poems ever written. Their exploration of love, praise, homo- and hetero-sexual desire is enacted in the richest, densest writing in English. And the first printed work to which Shakespeare's name was attached was the erotic narrative poem, Venus and Adonis, which developed a sumptuous vocabulary in which to explore love, praise of the beloved, sexual desire, and the power of rhetoric. That poem was so popular that most of Shakespeare's contemporaries thought of him as primarily a poet, rather than a playwright. Yet despite the power of Shakespeare's poems, and their foundational place within his oeuvre, modern readers have seldom been encouraged to engage with his non-dramatic works as a whole. This new edition explains how this state of affairs has arisen, and why it needs to be changed. The volume contains the complete Sonnets and poems with a full commentary. An extensive and lively introduction explores Shakespeare's poetic development, and shows how the poems relate to each other and to his dramatic works. The Sonnets are freshly interpreted, not as cryptic fragments of autobiography, but as works which ask their readers to think about relationships between lyric poems and the historical circumstances which may have given rise to them. The narrative poems Venus and Adonis and Lucrece are placed where they belong, at the origin of Shakespeare's thinking about what it means to desire and to be desired. The edition responds to the most recent scholarly work on the interpretation and dating of Shakespeare's poems and Sonnets. It also explores what the poems may have meant to their earliest readers. For this reason it also includes poems attributed to Shakespeare in the seventeenth century, as well as those printed under his name in The Passionate Pilgrim in 1599.

The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.