Skin Folk

The SFWA Grand Master’s award-winning collection “combines a richly textured multicultural background with incisive storytelling” (Library Journal). In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences. Hopkinson’s unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed. Praise for Nalo Hopkinson and the World Fantasy Award–winning Skin Folk “Hopkinson’s prose is vivid and immediate.” —The Washington Post Book World “An important new writer.” —The Dallas Morning News “Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect.” —Publishers Weekly “A marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination.” —Science Fiction Chronicle

Two monumental works from the SFWA Grand Master who is “preparing to take her place among the world’s most celebrated black women writers” (Toronto Star). Experience the rich imagination and genre-defying writing of multiple-award-winning author Nalo Hopkinson with this special volume, which includes both her epic novel spanning time and place, and her first collection of short fiction. The Salt Roads When an Afro-Caribbean goddess of sexual desire and love is manifested on a nineteenth-century Caribbean island, she explores her newfound powers by traveling through time and space, inhabiting a midwife, a mixed-race Parisian dancer, and an enslaved prostitute in ancient Alexandria. “Should be required reading for the next century. An electrifying, bravura performance by one of our most important writers.” —Junot Díaz Skin Folk With works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, this story collection illustrates why Hopkinson received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed. “A marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination.” —Science Fiction Chronicle

A thrilling new voice in fiction injects the absurd into the everyday to present a startling vision of modern life, “[as] if Kafka and Camus and Bradbury were penning episodes of Black Mirror” (Chang-Rae Lee, author of My Year Abroad). “Stories so sharp and ingenious you may cut yourself on them while reading.”—Kelly Link, author of Get In Trouble With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk’s debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth’s remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by “blots,” preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection. Prescient and wildly imaginative, Out There depicts an uncanny landscape that holds a mirror to our subconscious fears and desires. Each story beats with its own fierce heart, and together they herald an exciting new arrival in the tradition of speculative literary fiction.

A wide-sweeping concert/play structured in seven movements that explores the questions and limits (?) of blackness, performance, and country in a sensuous and reflective cabaret experience.

An alluring new collection from the author of the New York Times Notable Book, Midnight Robber Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness. In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

“Fierce and refreshing.”— Carlos Lozada, Washington Post Named a notable book of the year by the New York Times Book Review and the Washington Post, and one of the best books of the year by Spectator and Publishers Weekly, The Souls of Yellow Folk is the powerful debut from one of the most acclaimed essayists of his generation. Wesley Yang writes about race and sex without the polite lies that bore us all.

A haunting, poignant story of growing up in a mixed-race family in 1970s New Jersey, in the tradition of The Color of Water. Race is made, not born. It can materialize with a thunderous suddenness. It can happen to you in moments that will be cauterized into memory as if into flesh. Could a picturesque white house with a picket fence save the world? What if it was filled with children drawn together from around the globe? And what if, within the yard, the lines of kin and skin, of family and race, were deliberately knotted and twisted? In 1970, a wild-eyed dreamer, Bob Guterl, believed it could. Bob was determined to solve, in one stroke, the problems of overpopulation and racism. The charming, larger-than-life lawyer and his brilliant wife, Sheryl, a former homecoming queen, launched a radical experiment to raise their two biological sons alongside four children adopted from Korea, Vietnam, and the South Bronx—the so-called war zones of the American century. They moved to rural New Jersey with dreams of creating what Bob described as a new Noah’s ark, filled with “two of every race.” While the venture made for a great photograph, with the proverbial “casseroles and potato chips out for everyone,” the Brady Brunch façade began to crack once reality seeped into the yard, adding undue complexity to the ordinary drama of a big family. Neighbors began to stare. Vacations went wrong. Joy and laughter commingled with discomfort and alienation. Familial bonds inevitably buckled. In the end, this picture-perfect family was no longer, and memories of the idyllic undertaking were marred by tragedy. In lyrical yet wrenching prose, Matthew Pratt Guterl, one of the children, narrates a family saga of astonishing originality, in which even the best intentions would prove woefully inadequate. He takes us inside the clapboard house where Bob and Sheryl raised their makeshift brood in a nation riven then as now by virulent racism and xenophobia. Chronicling both the humor and pathos of this experiment, he “opens a door to our dreams of what the idea of family might make possible.” In the tradition of James McBride’s The Color of Water, Skinfolk exposes the joys and constraints of love, blood, and belonging, and the persistent river of racial violence in America, past and present.

Village Voice Favorite Books of 2000 The popular book challenging the idea of a model minority, now in paperback! “How does it feel to be a problem?” asked W. E. B. Du Bois of black Americans in his classic The Souls of Black Folk. A hundred years later, Vijay Prashad asks South Asians “How does it feel to be a solution?” In this kaleidoscopic critique, Prashad looks into the complexities faced by the members of a “model minority”-one, he claims, that is consistently deployed as "a weapon in the war against black America." On a vast canvas, The Karma of Brown Folk attacks the two pillars of the “model minority” image, that South Asians are both inherently successful and pliant, and analyzes the ways in which U.S. immigration policy and American Orientalism have perpetuated these stereotypes. Prashad uses irony, humor, razor-sharp criticism, personal reflections, and historical research to challenge the arguments made by Dinesh D’Souza, who heralds South Asian success in the U.S., and to question the quiet accommodation to racism made by many South Asians. A look at Deepak Chopra and others whom Prashad terms “Godmen” shows us how some South Asians exploit the stereotype of inherent spirituality, much to the chagrin of other South Asians. Following the long engagement of American culture with South Asia, Prashad traces India’s effect on thinkers like Cotton Mather and Henry David Thoreau, Ravi Shankar’s influence on John Coltrane, and such essential issues as race versus caste and the connection between antiracism activism and anticolonial resistance. The Karma of Brown Folk locates the birth of the “model minority” myth, placing it firmly in the context of reaction to the struggle for Black Liberation. Prashad reclaims the long history of black and South Asian solidarity, discussing joint struggles in the U.S., the Caribbean, South Africa, and elsewhere, and exposes how these powerful moments of alliance faded from historical memory and were replaced by Indian support for antiblack racism. Ultimately, Prashad writes not just about South Asians in America but about America itself, in the tradition of Tocqueville, Du Bois, Richard Wright, and others. He explores the place of collective struggle and multiracial alliances in the transformation of self and community-in short, how Americans define themselves.